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Bug: The Strange Mutations of the World's Most Famous Automobile
 
 
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Bug: The Strange Mutations of the World's Most Famous Automobile [Hardcover]

Phil Patton (Author)
2.8 out of 5 stars  See all reviews (6 customer reviews)


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Book Description

0743202422 978-0743202428 September 3, 2002 1
The in-depth history of a mass produced, affordable car that began in 1930's Germany and took over the world to became an icon The BUG story is of Nazi propaganda, brilliant innovations in automotive design, and of its strange and startling transformations into cultural icons as varied as Ken Kesey's magic bus, 'Herbie' in Disney's The Love Bug, and Charlie Manson's dune buggy...The Volkswagen was a project dear to Adolph Hitler's heart, and in his first public appearance as Chancellor, he promised a 'real car for the German people', a mass-produced car that would be as affordable as a motorcycle. But after the war, the Bug moved beyond Germany with a revolutionary advertising campaign and a huge potential market, becoming a phenomenal success. Phil Patton tells the fascinating story of how the Bug was designed and developed in the 1930s by the legendary German automotive designer, Ferdinand Porsche, and how it became an icon, wholly removed from its Nazi past. And in 1998, executives from Germany unveiled the New Beetle, whose only assembly plant is in Mexico. Patton shows how a whole new strategy was devised for the company - selling cars is show business.


Editorial Reviews

From Publishers Weekly

The Volkswagon Bug-so named for its outline, its droning engine and its "insectlike ubiquitousness"-is no simple car, argues Patton in this entertaining history: it is "a shape, a set of ideas-and a selfish meme" (the term zoologist Richard Dawkins coined to describe the cultural equivalent of a selfish gene). After chronicling the minutia of American life in Made in USA: The Secret Histories of the Things That Made America, Patton turns his sharp-eyed gaze to the VW Beetle's improbable journey from Third Reich dream to Disney's cute Herbie the Love Bug to Silicon Valley status symbol. Pulling material from obscure books, films and songs, he shows how the story of the Bug is essentially the postmodern dream of the West in the 20th century. Today's Bug, Patton argues, is a synthesis of such unrelated events as Ford's assembly line, Hitler's attempted conquest of Russia, pre-war German union intrigue, the rebuilding of postwar Germany, U.S.-Japanese car wars, 1960's counterculture and the brilliant manipulations of the American marketing machine-making the car an enduring cultural icon and an idea that refuses to die. 8 pages of b&w photos
Copyright 2002 Reed Business Information, Inc.

From Library Journal

It became an iconic shape on the roads, with quirky advertising that won many awards. It was a huge success, and then it was gone. Now the Volkswagen Beetle is back, and this new book attempts to place it in the context of a changing historical landscape. Unfortunately, by trying to combine history, social commentary, design analysis, and political intrigue in one package, Patton (Dreamland) fails to do any of them well. This is a shame because the Beetle was a car that always made people happy. There are mistakes in the book that will make car enthusiasts cringe. For example, the Karmann Ghia sports derivative was introduced in 1955, not 1957. The Taurus didn't save Ford in 1985 when it was introduced; it took several years for that to happen. The Mazda Miata was introduced in 1989, not 1983. The introduction of the Rabbit GTI had nothing to do with VW's Fahrvergnugen advertising campaign. Taken alone, none of these mistakes looms large, but together they are emblematic of a tendency to merge design eras and to condense events of different decades. While much of the history here is accurate, many other books have more depth, e.g., Walter Henry Nelson's Small Wonder, and numerous titles accompanied the new Beetle's 1998 release. An optional purchase.
Eric C. Shoaf, Brown Univ. Lib., Providence, RI
Copyright 2002 Reed Business Information, Inc.

Product Details

  • Hardcover: 256 pages
  • Publisher: Simon & Schuster; 1 edition (September 3, 2002)
  • Language: English
  • ISBN-10: 0743202422
  • ISBN-13: 978-0743202428
  • Product Dimensions: 9.5 x 6.5 x 0.9 inches
  • Shipping Weight: 1.1 pounds
  • Average Customer Review: 2.8 out of 5 stars  See all reviews (6 customer reviews)
  • Amazon Best Sellers Rank: #1,721,962 in Books (See Top 100 in Books)

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Customer Reviews

6 Reviews
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Average Customer Review
2.8 out of 5 stars (6 customer reviews)
 
 
 
 
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4 of 4 people found the following review helpful:
2.0 out of 5 stars Author Desperately ISO Editor, May 25, 2003
This review is from: Bug: The Strange Mutations of the World's Most Famous Automobile (Hardcover)
Whether or not Phil Patton's latest is factually accurate or merely revisionist sensationalism, the first half of this overly long "history" of the VW Beetle makes for an entertaining enough read. But past World War Two and Hitler's interest in developing the ultimate people's car, the narrative loses focus and seems to lose its way amid references to Charles Manson, Mickey Mouse, Nike Town, and a host of other pop culture items. I almost got the feeling that the author wasn't quite sure which direction to take and that his editor was MIA. I found myself also losing focus the more I read and by the time the author discusses the Autostadt, I'd lost any semblance of interest. I'd have stopped reading, but I had less than twenty pages to go.

My hat goes off to the dust jacket's designer. It's exceptionally eye-catching.

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30 of 43 people found the following review helpful:
1.0 out of 5 stars Historical Revisionism at it Worst., October 2, 2002
By 
This review is from: Bug: The Strange Mutations of the World's Most Famous Automobile (Hardcover)
1 star for proceeding from the most egregiously faulty and revisionary premise: that the concept and design of the "bug" was the brainchild of Adolf Hitler.

Ferdinand Porsche had been working on a "People's Car" for more than 20 years before Hitler was even in power. Porsche was frequently forced to backburner the project because his employers (like Daimler-Benz) wanted his design talents focused on the luxury saloons, not an inexpensive 'everyman' car. Porsche eventually quit his job and formed his own design bureau and did piece work for his former employers to fund his passion: the volks-wagen.

Many prototypes had already been built and 90% of the design completed before Hitler appeared quite late in the development process. Adolf's ideas (as referenced in this book) were already part Porsche's pre-KdF design or were the marketing meddlings of a politician anxious to make populist hay of the German Auto industry's refusal to produce an affordable, maintainable car.

Phil Patton has robbed Ferdinand Porsche of the credit he deserves for the selfless pursuit of a people's car and places the laurels, unmerited, on the brow of a madman. Porsche was the visionary; Hitler was only the financial means. You could say that Porsche allowed his life-long goal to see the car produced cloud his judgement in choosing a business partner.

Crediting Hitler with the design of the Volkswagen is sensationalistic historical revisionism at it worst.

For a historically responsible evaluation see "Volkswagen - Nine Lives Later" by Dan R. Post.

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4 of 5 people found the following review helpful:
5.0 out of 5 stars Excellent cultural history, August 30, 2003
By 
Brian (TX United States) - See all my reviews
This review is from: Bug: The Strange Mutations of the World's Most Famous Automobile (Hardcover)
I disagree with other reviewers who seemed most appalled with Patton's willingness to connect the Beetle with Hitler. Patton does acknowledge that the idea of a "people's car" had roots that preceded Hitler. But Hitler pushed the concept as part of his plan for economic power in Germany. This fact does not give Hitler "credit" for something wonderful and magical. It's just a car, folks. To suggest (or, as Beetle fans often do, insist) that Hilter had nothing to do with it is simply naive. Yes, Hitler was a madman and yes, ironically, he had something to do with creating the most beloved automobile of the century.

That said, most of the book concerns itself with more interesting ideas about the connections between technology and human culture. This is not your standard "VW history," but rather a wide-reaching history of the importance of automobiles and the way people connect and fail to connect with certain models. The author is not afraid to try to find connections between ideas and words in interesting ways. If you're looking for straightforward technical prose, look elsewhere. Patton is an intelligent writer who knows how to turn a phrase.

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Inside This Book (learn more)
First Sentence:
at the end of the twentieth century the largest city on the planet is Mexico City, an immense sprawl of some 30 million inhabitants. Read the first page
Key Phrases - Capitalized Phrases (CAPs): (learn more)
Concept One, Auto Union, General Motors, Ferdinand Porsche, World War, River Rouge, United States, Henry Ford, Simi Valley, Mickey Mouse, Cold War, New York, East German, Ferry Porsche, Freeman Thomas, West Germany, Albert Speer, Los Angeles, Art Center, Carl Hahn, Long Island, Cal Look, Great Britain, Lower Saxony, Mexico City
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