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Building Stories [Hardcover]

Chris Ware
4.4 out of 5 stars  See all reviews (93 customer reviews)

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Book Description

October 2, 2012 Building Stories

New York Times Book Review, Top 10 Books of the Year
Time Magazine, Top Ten Fiction Books of the Year
Publishers Weekly, Best Book of the Year
Kirkus Reviews, Top 10 Fiction of 2012
Newsday, Top 10 Books of 2012
Entertainment Weekly, Gift Guide, A+
Washington Post, Top 10 Graphic Novels of 2012
Minneapolis Star Tribune, Best Books of the Year
Cleveland Plain Dealer, Top 10 Fiction Books of the Year
Amazon, Best Books of the Year/Comics
Boing Boing, Best Graphic Novel of the Year
Time Out New York, Best of 2012
Entertainment Weekly, Best Fiction of 2012


Everything you need to read the new graphic novel Building Stories: 14 distinctively discrete Books, Booklets, Magazines, Newspapers, and Pamphlets.

 
With the increasing electronic incorporeality of existence, sometimes it’s reassuring—perhaps even necessary—to have something to hold on to. Thus within this colorful keepsake box the purchaser will find a fully-apportioned variety of reading material ready to address virtually any imaginable artistic or poetic taste, from the corrosive sarcasm of youth to the sickening earnestness of maturity—while discovering a protagonist wondering if she’ll ever move from the rented close quarters of lonely young adulthood to the mortgaged expanse of love and marriage. Whether you’re feeling alone by yourself or alone with someone else, this book is sure to sympathize with the crushing sense of life wasted, opportunities missed and creative dreams dashed which afflict the middle- and upper-class literary public (and which can return to them in somewhat damaged form during REM sleep).
 
A pictographic listing of all 14 items (260 pages total) appears on the back, with suggestions made as to appropriate places to set down, forget or completely lose any number of its contents within the walls of an average well-appointed home. As seen in the pages of The New Yorker, The New York Times and McSweeney’s Quarterly Concern, Building Stories collects a decade’s worth of work, with dozens of “never-before-published” pages (i.e., those deemed too obtuse, filthy or just plain incoherent to offer to a respectable periodical).


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Editorial Reviews

Amazon.com Review


Featured Pages from Building Stories

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From Booklist

*Starred Review* Ware has been consistently pushing the boundaries for what the comics format can look like and accomplish as a storytelling medium. Here he does away with the book format—a thing between two covers that has a story that begins and ends—entirely in favor of a huge box containing 14 differently sized, formatted, and bound pieces: books, pamphlets, broadsheets, scraps, and even a unfoldable board that would be at home in a Monopoly box. The pieces, some previously published in various places and others new for this set, swarm around a Chicago three-flat occupied by an elderly landlady, a spiteful married couple, and a lonely amputee (there’s also a bee bumbling around in a rare display of levity). The emotional tenor remains as soul-crushing and painfully insightful as any of Ware’s work, but it’s really insufficient to talk about what happens in anything he does. It’s all about the grind and folly of everyday life but presented in an exhilarating fashion, each composition an obsessively perfect alignment of line, shape, color, and perspective. More than anything, though, this graphic novel (if it can even be called that) mimics the kaleidoscopic nature of memory itself—fleeting, contradictory, anchored to a few significant moments, and a heavier burden by the day. In terms of pure artistic innovation, Ware is in a stratosphere all his own. --Ian Chipman

Product Details

  • Hardcover: 260 pages
  • Publisher: Pantheon; First Edition edition (October 2, 2012)
  • Language: English
  • ISBN-10: 0375424334
  • ISBN-13: 978-0375424335
  • Product Dimensions: 11.7 x 1.9 x 16.6 inches
  • Shipping Weight: 6.1 pounds (View shipping rates and policies)
  • Average Customer Review: 4.4 out of 5 stars  See all reviews (93 customer reviews)
  • Amazon Best Sellers Rank: #2,537 in Books (See Top 100 in Books)

More About the Author

CHRIS WARE is the author of Jimmy Corrigan: The Smartest Kid on Earth and the annual progenitor of the amateur periodical the ACME Novelty Library. An irregular contributor to The New Yorker and The Virginia Quarterly Review,Ware was the first cartoonist chosen to regularly serialize an ongoing story in The New York Times Magazine, in 2005-2006. He edited the thirteenth issue of McSweeney's Quarterly Concern in 2004 as well as Houghton Mifflin's Best American Comics for 2007, and his work was the focus of an exhibit at the Museum of Contemporary Art in Chicago in 2006. Ware lives in Oak Park, Illinois, with his wife, Marnie, a high-school science teacher, and their daughter, Clara.

Customer Reviews

Art and literature all in one. audrey  |  10 reviewers made a similar statement
Great gift for fans or newcomers to Chris Ware. Jane  |  11 reviewers made a similar statement
Most Helpful Customer Reviews
79 of 82 people found the following review helpful
5.0 out of 5 stars Stunning--print is not dead October 2, 2012
Format:Hardcover|Amazon Verified Purchase
I have been looking forward to Chris Ware's newest installation for a while--ever since I picked up Jimmy Corrigan years ago. I've followed his Acme Novelty Library series, as well as newspaper/magazine publications when I could catch them. All these bits and pieces of Ware's work only increased my anticipation of his next long book. Building Stories is what I had wanted, and so, so much more. I will attempt to refrain from hyperbole in this review, but if you've seen or read Building Stories, you already know that it's not quite possible.

What originally captivated me about Ware's work were his almost obsessive attention to detail, beautiful and precise artwork that didn't look too 'cartoonish' (whatever that means), and the digressions from the main storyline (frequently in the form of cut-outs and paper dolls, which from what I understand are actually accurate and do function as described--such as the stereoscope and 'library' bookshelf; though, I could never, ever bring myself to cut up a book, let alone one of Ware's). I can't say that I have a great grasp of Ware's work in the context of other graphic novels, as I have never been a particularly avid reader of the genre; however, this attests to the ability of Ware's work to cross these well-established (and often dismissed) boundaries. To simply call Building Stories a graphic novel, a book, a novel, a comic, or really any one genre would be a great injustice that ignores what I believe a currently unparalleled form. A reader does not have to consider him or herself a fan of any of a particular genre to enjoy Building Stories; it is the story of memory, loss, trauma, and how these manifest themselves in everyday life that should draw readers into its pages. I would even say that this stands up to any work of literature, regardless of form or genre.

It's first striking how large the box is. Immediately, it gave me an impression of its heft (both in weight and in accomplishment). Opening it is truly like being granted a secret passage into the minds and memories of the characters, and the non-linear format of the various 'pieces' mimics how both we and the characters access those memories. The first piece I read was a hardcover book that instantly took me back to my childhood, as it's reminiscent of the pressed-cardboard children's books that had a gold spine, and an inside cover with ornate illustrations of the publisher's popular characters with a space to write your name. I can't remember the publisher, but I know I had many books like this. This is exactly what makes Ware and Building Stories so outstanding: their ability to skillfully draw out an emotion from the reader that parallels the storyline. It does not feel like a cheap ploy of meta-fiction, which can be a danger of 'postmodern' fiction, but that the details are all so understated and do not scream, 'hey, look at me! Aren't I so clever?' helps bring a level of sincerity and genuine connection to the whole experience. With something that could easily wander into pretension, it never seems to cross that line (however, I now must admit it seems near impossible to write a review on it without taking on this air of pretension that Ware successfully avoids, haha).

I spent several years living in Chicago, so the building and landscapes are excitingly familiar--I have a special, personal attachment to the building of Building Stories that I relish while reading. But really, it doesn't matter where I've lived; as long as I (or any reader) have lived a life with love, loss, regret, loneliness and varying degrees of human interaction, Building Stories will be a work that resonates in and even echoes the hopes, dreams, fears, and banality of a life at once both extraordinary and mundane.
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48 of 50 people found the following review helpful
5.0 out of 5 stars Reader's Guide to "Building Stories" & A Critique October 29, 2012
Format:Hardcover|Amazon Verified Purchase
Reader, this "book" comes in a box 16" long x 11 1/2" wide x 1 5/8th" deep. For best results, approach it as follows:

Step One. Before unwrapping, turn the box over and read the text carefully. Think about it.

Step Two. Open the box, remove the fourteen items that make up its contents, place each one on the floor -- most tables are not big enough -- as shown in pictograph.Then...

Step 3. Read below.

Chris Ware's new graphic novel "Building Stories" is made to order for game players with a literary bent. Call the game "Follow the Story Line - If you Can!" The author provides a pictograph on the bottom of this box full of treasureWare with, he says "suggestions as to [where] appropriately [to] set down, forget, or completely lose" its contents. Accepting the challenge, I cleared a space in my study and set about putting the pieces down as shown in the pictograph. In the process I discovered that Mr. Ware had pulled a couple of fast ones. It requires duplicates of four of the pieces to match all the images in the pictograph. Moreover, in my set, one of the pieces has no exact mate.

The story follows the protagonist from "wondering if she will ever move from the rented close quarters of lonely young adulthood to the mortgaged expanse of love and marriage". I'll call her "Chris" -- after the author because he gives her no name. So the trick is to match the pieces of Chris' life to its trajectory from young Chicago art student to Oak Park soccer Mom. It took a bit of doing to come up with the right order for placing the fourteen pieces in the trajectory. If you try it, leave a comment. It will be fun to see if we agree. As Ware suggests, the place to start is the book shown top left in the pictograph and the place to end is the piece titled "Disconnect" at the lower right. Among the rewards for your effort, a nice surprise as you come to the end.

What about the novel as story? Is it as good as the graphic art that has gone into it? It starts with a nice touch. The initial point of view is that of the one hundred-year-old three-story Chicago apartment building where Chris lives on the top floor. The building ticks off one interesting fact after another from its 100 year history: "301 tenants, 178 trysts, 469 feelings of being watched, 29 broken hearts" (including, one assumes, Chris's.), 104 writers, 4 criminals" and the list goes on.

Then each of the building's occupants has a say starting with the land lady (first floor), the unhappily married couple on the second floor and then Chris. Ware does this neatly, going from one floor's occupants to the next as the day, September 23, 2000, goes by, clock hour by clock hour. Then, he returns to the building as narrator: "Better to take each day as it comes," I tell myself, "and revel in the remaining time of my old woman, my married couple and my girl." The last page fast forwards to 3.p.m. April 20th, 2006, to reveal Chris driving by with her baby daughter in the car. She notices a for sale sign in the building's window and thinks back to her days there: "God I was so wretched and miserable when I lived there." There are five vignettes on the back cover, the central one showing a wrecking ball taking the first bite out of the old building.

This is the way Ware tells his story. You have to stay alert, no fast flipping through the pages or you'll miss a key fact. The novel hides its secrets in this way. Part of the reader's pleasure comes in discovering them, in keeping track of the convoluted story line. So there's a start. I'll let you take it from there.

In his introductory note on the back of the box Ware writes, "the book is sure to sympathize with the crushing sense of life wasted, opportunities missed and creative dreams dashed which afflict the middle-and upper-class literary public." So, to answer my question, judged by the goal Ware set for himself, the novel as story is as good as the art.

End note. Book arts, the graphic design elements that add texture and delight to the printed page, are in vogue. Chris Ware is in good part responsible for this development. His 2002 break-out book, "Jimmy Corrigan, The Smartest Kid on Earth" (Pantheon), embellished by one of the decade's most wondrous book jackets, helped bring about the new regard for the arts of the book. The jacket unfolds to reveal, on the inside, a short graphic history of Chicago. The endpapers are equally ingenious. Another of my favorites is "Diary of an Amateur Photographer A Mystery" by Graham Rawle (1998, Penguin). Both books are still available on the Internet.
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28 of 29 people found the following review helpful
5.0 out of 5 stars Amazingly Affordable Piece of Art October 2, 2012
Format:Hardcover|Amazon Verified Purchase
If you're looking for something gorgeous and enigmatic to decorate your home with, look no further than Chris Ware's Building Stories. This beautiful boxed set of items from Ware contains 14 different books, booklets, magazines, newspapers, and pamphlets, all in Ware's signature, hyper-detailed style. It's in a fairly large, yet attractive box that resembles a board game from the 1960s, and contains a treasure trove of items within. Ware is one of my favorite artists working today, and this boxed set of wonder continues his streak of putting out fantastic and unpredictable artwork. Definitely a must-have for Ware fans, or lovers of cartoons and graphic design.
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Most Recent Customer Reviews
5.0 out of 5 stars Another gem by Ware
For the graphic novel/comics crowd you already know how amazing Ware's work is. For the newcomer, this is will be a great re-introduction to comics—they were always meant to be... Read more
Published 5 days ago by C. T. Thomas
3.0 out of 5 stars If you are into comics - I am not
It wasn't what I expected which was more of a "book". Instead it is a rather voluminous comic strip. Read more
Published 6 days ago by Runar
5.0 out of 5 stars An interesting gift choice
I sent this to an old friend of mine who has the distinction of being a long-time Chris Ware fan. She is going through this piece in stages to keep herself from being overwhelmed... Read more
Published 9 days ago by Brian Kern
5.0 out of 5 stars What a creative way to tell a story
Not only is this a story, it is an interactive experience. You have to read all of the books and pamphlets to have the story come to completion. Brilliant!
Published 13 days ago by C. Stewart
5.0 out of 5 stars Chris Ware is a genius.
The wide range of formats finally gives Ware's work the space it deserves; in so many anthologies (and in Jimmy Corrigan to some extent) his worked feels cramped and laborious to... Read more
Published 29 days ago by Stephen C. Swenson
5.0 out of 5 stars Fascinating
If you like Chris Ware this is a must, the usual melancholy/depressed tone with eye-popping drawings, and if you're from Chicago it's all about home, then and now and in between. Read more
Published 1 month ago by A. Berman
5.0 out of 5 stars Great!
Although i already knew what it looks like, still so excited when got it.
I baught it for the 1st edition, but it was lost when shipping,,, then i got it refunded, but after... Read more
Published 1 month ago by camek
1.0 out of 5 stars Building Stores
The description on Amazon made me think it was an instruction manual for beginning writers. Thought it would be a nice gift for my daughter. Read more
Published 1 month ago by M. Griffin
5.0 out of 5 stars Im speechless
Great book, beautiful illustrations, incredibly well made, excellent printing and a cool price.
Its a Chris Ware illustration book, do i need to say more to recommend you to... Read more
Published 1 month ago by David esteban henao
3.0 out of 5 stars You get what you pay for
Final print production values are Ok, hardly as nice as his beautifully binded Acme Library books, but then its the same stories for a faction of the price.
Published 1 month ago by Adrian Chan
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A question about shipping for those who have ordered BUilding Stories... Be the first to reply
Age Appropriate
It certainly isn't written *for* a young audience. Most obviously, Building Stories has no coy modesty about nudity or sex; as important aspects of adult life and relationships, Ware shows his characters' sex lives with anatomical and emotional accuracy. That said, there is nothing... Read more
Dec 3, 2012 by justaminute |  See all 6 posts
Isn't this just a collection of past work?
A lot (nearly all?) of the material in Building Stories has appeared elsewhere (New Yorker, New York Times, McSweeney's, Kramers Ergot, Acme Novelty Library), but my guess is you'd be unlikely to have more than two thirds of it. Acme Novelty Library 18 constitutes probably about a quarter of the... Read more
Oct 28, 2012 by I. Hensman |  See all 3 posts
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