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Bullet (Anita Blake, Vampire Hunter) [Hardcover]

Laurell K. Hamilton (Author)
2.4 out of 5 stars  See all reviews (340 customer reviews)

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Book Description

Anita Blake, Vampire Hunter June 1, 2010
The music came back up and the next group of little girls, slightly older, came out. There was a lot of that in the next hour and change. I liked dance, and it was no reflection on the kids, but my will to live began to seep away on about the fifth group of sequined children...

Anita Blake is back in St. Louis and trying to live a normal life-as normal as possible for someone who is a legal vampire executioner and a U. S. Marshal. There are lovers, friends and their children, school programs to attend. In the midst of all the ordinary happiness a vampire from Anita's past reaches out. She was supposed to be dead, killed in an explosion, but the Mother of All Darkness is the first vampire, their dark creator. It's hard to kill a god. This dark goddess has reached out to her here-in St. Louis, home of everyone Anita loves most. The Mother of All Darkness has decided she has to act now or never, to control Anita, and all the vampires in America.

The Mother of All Darkness believes that the triumvirate created by master vampire Jean-Claude with Anita and the werewolf Richard Zeeman has enough power for her to regain a body and to immigrate to the New World. But the body she wants to possess is already taken. Anita is about to learn a whole new meaning to sharing her body, one that has nothing to do with the bedroom. And if the Mother of All Darkness can't succeed in taking over Anita's body for herself, she means to see that no one else has the use of it, ever again. Even Belle Morte, not always a friend to Anita, has sent word: "Run if you can..."


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Editorial Reviews

About the Author

Laurell K. Hamilton is a full-time writer and mother. Her bestselling Anita Blake, Vampire Hunter novels include Narcissus in Chains, Obsidian Butterfly, Blue Moon, Burnt Offerings, The Killing Dance, Bloody Bones, The Lunatic Café, Circus of the Damned, The Laughing Corpse, and Guilty Pleasures. She is also the author of A Kiss of Shadows and A Caress of Twilight. She lives in a suburb of St. Louis with her family.

Excerpt. © Reprinted by permission. All rights reserved.

1

I WAS WORMING my way through a mass of parents and children with a tiny clown hat clutched in one hand. In my navy blue skirt suit I looked like a dozen other mothers who had had to come straight from work to the dance recital. My hair was a little curly and a little too black for all the blond mothers, but no one gave me a second glance. The one saving grace as I threaded my way through the crowd of parents, aunts, uncles, grandparents, and siblings was that I wasn’t one of the parents. I was just here as moral support and last-minute costume rescuer. It was just Monica Vespucci’s style to leave part of her son’s costume at her house and need an emergency save. Micah and I had been running late with client meetings so we got to ride to the rescue, and now since the vast majority of the performers were female I was the only one safe to go backstage without scandalizing the mothers. What did little girls who only had male relatives do at things like this? My dad would have been at a loss.

A little girl and her mother damn near knocked me down the stairs in their rush to get up past me. The little girl was knocked into me so that my suit jacket pushed back and she was staring at my holstered gun and U.S. Marshal badge. The child’s eyes went big as she met my eyes. The mother never noticed, dragging the silent child up the stairs. I let them get ahead of me, the little girl’s huge, dark eyes following me until the crowd hid her from sight. She couldn’t have been more than five. I wondered if she’d even try to tell her mother she’d seen a woman with a gun and a badge.

I started pushing my way up the stairs, keeping the hand with the clown hat in it close to my jacket so I wouldn’t flash the gun by accident anymore. I was going to try to keep my occupation a secret from the screaming children and their frantic mothers. They didn’t need to know that I hunted bad little vampires and wereanimals for the preternatural branch of the U.S. Marshals Service. They certainly didn’t need to know that I raised zombies as my day job. I blended in as long as no one figured out who I was.

I got to the upper hallway and there was one lone male over the age of twelve being herded by his mother. She had an almost embarrassed look on her face, as if apologizing for not having a girl. I knew there were more men up here, because some of them were mine, but they were safely away from the estrogen-rich room of little girls.

Monica’s son was under five, so he didn’t count as male yet. He was just a generic child. Now if I could only find the generic child, hand his mother the hat, and flee to our seats where everyone was waiting for me, I’d count it as a win, though knowing Monica she’d need something else. I didn’t like her at all. But her husband had been one of Jean-Claude’s vampires who died sort of in the line of duty, so Jean-Claude made sure that he and others stood in for her lost husband. It was honorable, I even approved of it, but I avoided Monica when I could. She’d betrayed me and a shared friend to some bad vampires once. She’d apologized, and she depended on Jean-Claude’s people for emergency babysitting and things like tonight. She’d been bad because the old Master of the City had been bad; now that we had a good Master of the City, Jean-Claude, she was good. Sure, and the Easter Bunny is a friend of mine.

The fact that I had a key to her house in case of emergencies still bugged me, but Jean-Claude was right; someone who could go out in the daylight needed to have the key. He also knew that no matter how much I disliked Monica, I’d do the right thing. He was right, damn it. A herd of pink, sequined little girls barreled past me. I hugged the wall and let the teachers chase them down. There were so many reasons I didn’t have children yet.

I heard my name squealed out, in that high-pitched generic toddler voice, “’Nita, ’Nita!” I had no idea why, but just lately Matthew, Monica’s son, had taken a liking to me.

He came rushing at me in his bright multicolored clown outfit with the little balls on the front that matched the ones on the hat. His hair was a deep auburn like his mother’s, but there was something about his threeyear- old face that made me think of his dead father. Robert hadn’t been my favorite vampire, but he’d been handsome and Matthew was a cute kid. He came running with his arms up and launched himself at me. He was not big for his age but it was still startling. I caught him and swept him up in my arms because to do anything else would have either knocked me flat or been churlish.

He put those little hands on my shoulders and leaned in for a kiss. I offered a cheek, but he touched my face and shook his head, very solemn. “I’m a big boy now, ’Nita. I kiss like a big boy now.” Cheek kisses had been fine until about two weeks ago, and now Matthew was very certain that cheek kisses were baby kisses. It made me wonder if Monica was being overly friendly with the new boyfriend in front of the kid. It was Monica; there would be a boyfriend.

I’d told Monica about it and she thought it was cute. Matthew puckered up and planted one on my mouth, which meant he was wearing my very red lipstick. “Now you’ve got my lipstick on you, and that’s more big girl than big boy,” I said, as I looked around for some Kleenex or something to wipe his mouth with. I was also looking for his mother. Where was Monica?

“It is big boy if it’s your lipstick.”

I frowned at that tiny face just inches from mine. “What do you mean, it’s big boy if it’s mine?”

“All the big boys kiss you, ’Nita.”

I had a sinking feeling that maybe it wasn’t just Monica and a boyfriend in front of Matthew that were giving him ideas. “Where is your mother?” I said, and began searching the room for her a little desperately.

She finally separated herself from the mass of women and girls of various ages and came toward us beaming. It creeped me out a little that Monica seemed to think I didn’t hold a grudge about her betraying me five years ago. I did hold a grudge and I didn’t trust her. She seemed unaware of that.

She had Matthew’s curly auburn hair, cut shorter and more styled, but her face was thinner, more of a sharp triangle, as if she’d lost weight since I saw her last. Once upon a time you could have asked if she was feeling all right, but now women dieted for no reason at all. Monica was shorter than I was by a few inches, and I was five-three. She was still in her skirt suit, too, but her blouse was white, and mine was blue.

Matthew kept his arms around my neck while she used a wet wipe on his mouth. Then she put a paler shade of lip gloss on his lips, though they didn’t seem to need any to me. She took the hat from me and put it over his curls. If he’d been any older the outfit would have been embarrassing to any boy I’d ever met, but at three it was actually . . . cute. I would not admit it out loud, but it was.

“Thank you so much, Anita,” Monica said. “I can’t believe I forgot it.”

I could, but I just smiled and kept quiet. Quiet usually worked better between Monica and me. A mass of little girls dressed in the girl version of his outfit bounced up, and he wiggled to be put down. I did so, happily.

Monica watched him run away with the others in his class with that proverbial mother’s look: pride, love, and almost possession. I never doubted that she loved her little boy. It was one of the reasons I was nice to her.

She turned to me, still smiling. “I’m so glad the recital is tonight so I can concentrate on the business tomorrow.”

I nodded, and tried to make my escape. Monica was apparently a better lawyer than she was a human being, or at least Jean-Claude trusted her to do up the contracts that might, or might not, be getting signed tomorrow. I trusted Jean-Claude to be a good businessman.

“Agreed,” I said, and tried to slip away.

She grabbed my arm. I don’t like to be touched by people that I’m not close to. I stiffened under her hand, but she didn’t seem to notice. She leaned in and whispered, “If I was being offered a seventeen-year-old boy toy I’d be more excited, Anita.”

Matthew was out of sight so I let my eyes show just how happy that comment made me. Monica let go of my arm, her eyes a little wide, face surprised. “Oh, come on, Anita, what woman wouldn’t be flattered?”

“First, I haven’t agreed to letting him stay in St. Louis when they bring him in from Vegas tomorrow. Second, don’t ever call him a boy toy again.”

“Touchy,” she said, and then her face softened and her eyes glittered with some thought that I knew I wasn’t going to like. “Defensive of him already, Anita. My, my, he must be better in bed than I remember at that age.”

I leaned in and hissed in her ear. “We were all mind-raped by one of the scariest vampires to ever exist, Monica. She used me to feed on his power as a weretiger. She used me, and him, and all the other tigers in a bid to survive even if it meant destroying all of us. You tell me, what part of that was a good thing?” I had grabbed her arm somewhere in all that.

She spoke low. “You’re hurting me.”

I let go of her, and stepped back. She looked up at me, a...


Product Details

  • Reading level: Ages 18 and up
  • Hardcover: 368 pages
  • Publisher: Berkley Hardcover; First Edition edition (June 1, 2010)
  • Language: English
  • ISBN-10: 0425234339
  • ISBN-13: 978-0425234334
  • Product Dimensions: 9 x 6.3 x 1.4 inches
  • Shipping Weight: 1.2 pounds (View shipping rates and policies)
  • Average Customer Review: 2.4 out of 5 stars  See all reviews (340 customer reviews)
  • Amazon Best Sellers Rank: #104,727 in Books (See Top 100 in Books)

More About the Author

Laurell K. Hamilton is the #1 New York Times bestselling author of two series that mix mystery, fantasy, magic, horror and romance. Her Anita Blake: Vampire Hunter novels from Berkley Books began with GUILTY PLEASURES (now a hugely successful graphic novel from Marvel - the first sexy paranormal comic ever!) and continues with the SKIN TRADE, number seventeen in the series, in which Anita's complex personal and professional relationships with a master vampire and an alpha werewolf continue to evolve. There are now more than 6 million copies of Anita in print worldwide, in 16 languages. Hamilton's Ballantine series features Fey princess and private investigator, Merry Gentry and there are now six novels exceeding one million copies in print. Divine Misdemeanors, the eighth in the series will debut Octobe 29, 2009. She lives in St. Louis County Missouri with her husband Jonathon Green, daughter, one pug dog and one boxer/pug dog.

 

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Average Customer Review
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Most Helpful Customer Reviews

1,329 of 1,377 people found the following review helpful:
1.0 out of 5 stars Marmee Noir could Save Anita and the series-given a chance., June 9, 2010
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This review is from: Bullet (Anita Blake, Vampire Hunter) (Hardcover)
I've also loved the first 7 books in the series. I've been getting the last few from friends rather than buying them myself. It's particularly sad that there is such a large number of fans complaining about the turn in the series and LKH's blog seems to miss our main argument. Those of us who aren't happy aren't prudes, and we aren't complaining because we don't like sex in books, and we aren't upset because the characters aren't fulfilling our every wish. She seems to think we're being haters for the sake of hating, and the defensiveness is getting in the way of her really hearing us. The problem is not the sex--the problem is her craft. She's lost track of the basic fundamentals of writing fiction, and it sounds like the people who are responsible for pointing this out to her are silent because of the success of the series (which probably won't last much longer, judging from the comments here). She's stopped reading her own work critically, and has become unable to really see the weaknesses in the work. Comments she's made in her blog make it sound like she's determined to simply blow us off and tell us to stop reading, instead of hearing our complaints and considering them honestly.

I don't think the answer is ending the series or killing off characters, despite some posts, although the cast size has become ridiculously unmanageable. First, she needs to re-read the first five books, and compare the content and style to what she's written lately. She needs to see that the difference isn't only the amount of sex--it's the quality of the writing. She's blogged that in the past she belonged to a writing group, and the solution is for her to request more time between books so she has the ability to give her work to people who will be honest with her and force her to really edit out the weaknesses and develop the aspects of fiction which tie people in--character development, a strong plot, real consequences for the characters, and strong, fresh, original writing without repetitive conversations, phrases and scenes (sex scene after sex scene is as boring as conversations that go on for pages and pages while characters say the same things over and over). Finally, she needs to remember that true sexual tension comes from NOT sleeping with people...the reason the romance and relationships work in the early books is because the men were given the chance to become important to readers emotionally, there was teasing between characters, there was the tension and excitement of wondering when, if ever, the characters would have sex, and what it would mean when they did--as with Jean-Claude in the Killing Dance and Richard in Blue Moon, there was the worry of what would happen between them now that things had changed, and what would happen between her and the other characters. Real consequences with the sex instead of it being just another orgasm and another faceless body. The constant sex and the Ardeur have done Anita a real disservice. She used to be a truly feminist icon in-the-making, because she refused to be categorized as nothing more than a sexual object simply because she was female. Anita was more than that. She was embodying the qualities women have when they're given the chance to be more than simply physical bodies available for any man's sexual fantasy. True sexual empowerment comes from a woman having complete control over her sexual needs and desires, not sleeping with everything that moves despite her belief that it's wrong. And that's not prudery--that's a realization that sleeping with tons of men has not made Anita a better woman--it's made her abuse the people around her like the villains of the early books used to do. LKH can say that this is Anita owning her sex life and not being so paralyzed by sex anymore, but she isn't owning anything--she's the one thing now that Anita NEVER would have let herself be in the early books--a victim. A victim of her own body, her own power, of the ardeur. She has no choices, and she takes the choices of others. The whole reason she exists in the books now is to have sex, to the destruction of her own ethics (as they were), her relationships (like with Richard, Dolph, and even Edward) her career, and even her own source of magic (necromancy). That's not an empowered woman. It's an objectified woman.

My recommendation is pretty huge, but it would be that Marmee Noir's attempt to make Anita her human servant actually severs all of Anita's supernatural ties to the other characters, including her triumvirate with JC and Richard (sort of like Alejandro canceled her marks to JC in Circus). That will effectively pull the plug on almost all of Anita's powers (plus the Ardeur, thank the goddess) except her necromancy, and in one fell swoop, half of the ridiculous powers which contribute to making her a Mary Sue will disappear. This means that there will be tension about bad guys again, since Anita won't be able to just conveniently grow another power or have sex to save the day instead of having to use her head and her gun. This will also force Anita to question her ethics and her sexual relationships with the so-called 'harem'. Who will she keep now that she doesn't have the 'excuse' of the Ardeur? That will force her to actually pick someone, again, creating real consequences for the characters, since without the Ardeur, there's no reason for all the men to put up with her sleeping around, and she'll have to question who she really is and what she's become. Not only that, but without power tying the men to her, she can drop the utterly unrealistic 'everybody loves Anita' aspect of the Ardeur, another reason so many folks consider her a mary sue.

This would streamline a lot of the bloated parts of the series and LKH can remember the most crucial part of fiction--it is conflict and consequences. At this point in the series, we know LKH isn't going to actually cause any legitimate pain to any characters, and that kills all of our desire to find out 'what will happen next'--we don't have to read to know that nothing bad is really going to happen--Anita will just have sex and things will magically and easily resolve. But the saddest thing is that I bet LKH won't take this criticism constructively and use it to make her series better, but will instead cop out and blame the fans for being disloyal or prudes or haters instead of people who want nothing more than to be given the chance to fall in love with Anita all over again.
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459 of 475 people found the following review helpful:
2.0 out of 5 stars Forgettable installment with limited action and no mystery, June 3, 2010
Amazon Verified Purchase(What's this?)
This review is from: Bullet (Anita Blake, Vampire Hunter) (Hardcover)
Anita Blake, necromancer and servant to master vampire of St Louis Jean Claude, has grown more accepting of her succubus (ie, ardeur) powers. She uses them quite a bit in this book, more so than in the last few books. I'm not a prude and don't have a problem with sex in a book, however a strong storyline and good character development also needs to be present. Unfortunately that was not the case with Bullet. There wasn't as much action in this installment; the book seemed to be a setup for the next book with nothing major happening. Anita didn't work any animator jobs or cases with the cops (other than a brief phone consult). The death of a character that was hyped in the author's blog ended up being kind of ho-hum--it wasn't someone I was attached to. The main focus was on the over-the-top sex scenes and creating a power base to fight the mother of all darkness, who turns out is not dead after all. There was a brief statement towards the end saying that "Jake had helped us hunt Padma the master of beasts." WHAT? I would have liked at least a good scene of them facing off against Padma and less of the orgies with characters we don't know and don't care about.

So many extraneous characters have been introduced at this point, the character development is almost nonexisitent. And while I was glad to see Jean Claude and Richard have more of a presence in this book, Jean Claude still seemed too secondary to Anita. He's supposed to be the powerful, master vamp but instead he cowtows to Anita too much. At least Richard's whining was cut back, however Asher was hugely annoying and Anita herself whined too much. The editing was also poorly done. There were typos and a lot of repetition that should have been edited out with a good line editor.

Almost the entire book was set underground the Circus of the Damned, so that got quite a bit boring. When you combine that with the low action, there wasn't much to hold the reader's interest. It's sad to say, but I didn't even find the sex scenes appealing. I think mainly because they were more of a chore, i.e., 'I have to do this to solidify my power', not 'I want to do this because I care about or am attracted to this person'.

I don't know what happened to the early suspenseful, high action, mystery style of this series. It used to be great. I've stuck with it hoping it would get better. I thought it got a smidge bit better with Blood Noir and Skin Trade, but we were dragged further downhill with Flirt and Bullet. The one positive remains the world building. The setup for the next book sounds interesting, so I will probably give it one last shot.

If you are looking for good urban fantasy, here are some series I enjoyed and recommend:
Mercy Thompson series by Patricia Briggs
Alpha & Omega series by Patricia Briggs (Don't miss the anthology in On the Prowl,which is a prequel to Cry Wolf)
Kate Daniels series by Ilona Andrews (Don't miss the anthology in Must Love Hellhounds, which should be read between Magic Strikes and Magic Bleeds)
Chicagoland Vampires series by Chloe Neill
Cassandra Palmer series by Karen Chance
Dorina Basarab Dhampir series by Karen Chance (Don't miss the anthology in On the Prowl, which should be read between Midnight's Daughter and Death's Mistress)...I liked Dory better than Cassie but it's best to start w/Cassie from a timeline perspective
Sookie Sackhouse by Charlaine Harris
World of Lupi series by Eileen Wilks
October Daye series by Seanan McGuire
Kara Gillian series by Diana Rowland
Elemental Assassin series by Jennifer Estep
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407 of 435 people found the following review helpful:
1.0 out of 5 stars Utterly Narcisistic of Laurell, June 3, 2010
Amazon Verified Purchase(What's this?)
This review is from: Bullet (Anita Blake, Vampire Hunter) (Hardcover)
Sorry I think that this may be slightly more of a rant than it is a review.

I had for so long been an avid fan of the series and a defender of Laurell's, but no longer. I had hoped that this would be the book to wake me up and get me excited about this series again. It wasn't. And what a shame. Yes some "things" happen but frankly I'm tired of the metaphysical crap. I'm also tired of authors who are so in love with themselves that they think we MUST read pages and pages of crap just because it is something that has caught their fancy, such as the endless pages of heavy bag punching and running, home decorating and clothing discussions. Did Laurell redecorate lately, because the endless droning of the decor in the underground got old after a couple of chapters...as did the never ending droning on about (see? I too can use words over and over like LKH does until you want to rip out you eyeballs!And I don't even get paid for it.) the different clothes everyone wears in every other chapter. And spare me the new look at Micah's pretty little feminine face. Can we please add a real man to Anita's stable. Or will that make Anita less of the man she is so striving to be?




Story? Plot? Yes I suppose there was one; metaphysically speaking. Has Richard made a turn around that would make you head spin and force you into a plane of HIGHLY suspended disbelief? Yes he did. And I think you will be telling yourself the same thing I did---It's unbelievable. Did Asher finally get his man on man action? What do you think? Its sex and Laurell has become semi-good at writing BDSM scenes. (not! ) Yet another facet of her real life "spilling" out onto the pages? Yes, the word 'spill 'has again been used umpteen times. Did the emphasis on all the children and young adults creep me out? Yes it did. I hope this is not a new fancy that caught LKH's eye. She does seem to be pushing the envelope on inappropriate sexual behavior lately.

I would also love to see an author of this caliber, actually THINK about the physics of something before they write about it.

If Nathaniel has hair to his ankles it is impossible to put it up in a bun unless it encompasses his whole head and one uses a lot of hair pins. Why does this bother me? Because I wear my hair in buns - A LOT. I actually have experience with both very long hair and medium length hair. Unless he has thin hair (like 10 strands on his whole head) it's impossible for such long hair to be put in small enough bun to dance with. Think before you write. Does it paint a pretty picture? Yes it's a cute image but... Is it realistic to my readers? Not if they have half a brain. If not then don't write it.

The story/plot was in my opinion only about 25% of the book and the rest feels like filler. I don't think LKH is even trying anymore. Story lines were given short shrift by being sewn up in her epilogue. And not in a good way either. I realize that she does this often, but this time the story was too damn important to give it a measly 2 or 3 lines. It just goes to show me that LKH can no longer write a horror/suspense novel and should just stick to writing porn.
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