From Publishers Weekly
According to McCarty, Americans admire the antihero gangster because he's an unbound character who goes where he wants, does what he wants and "takes no bull from anybody." The author conveys the appeal of these reckless outlaws, personified in film by such icons as Humphrey Bogart, Edward G. Robinson and James Cagney, through concise analyses of key crime films and well-drawn personal histories of the genre's central stars, directors and writers. McCarty, who's written some 30 books (
The Fearmakers; etc.), astutely charts the inextricable link between gangster movies and westerns to a point where one mobster film,
High Sierra (1941), was reshaped for cowboy fan consumption via
Colorado Territory (1949), then underwent a gangster remake as
I Died a Thousand Times (1955). McCarty kicks off with 1915's
Regeneration and shoots through
White Heat (1949),
The Godfather (1972) and
Chicago (2002). He credits D.W. Griffith for making the first gangster picture of any importance,
The Musketeers of Pig Alley. He applauds Silky Jane Greer for her haunting, indelible portrayal of Kathy Moffat in 1947's
Out of the Past and brings Richard Widmark vibrantly alive as the psychopath who pushes wheelchair-bound Mildred Dunnock down a flight of stairs. The book's most telling line powerfully indicates how vital gangster movies have been by citing George Raft—"gangster movies... taught gangsters how to talk"— and concludes that real-life criminals now define themselves by the mob images they've seen in
The Godfather,
Goodfellas and
The Sopranos. Photos.
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Review
"Bullets Over Hollywood hits its target." --
Louisville Courier-Journal 7/25/04"Bullets over Hollywood will be the definitive book on the gangster movie for years to come." --
Mafia International 6/2/04"Exhaustive history of the gangster film...drawing attention to the forgotten gems." --
Philadelphia News-Gleaner 9/15/04"Fascinating and copiously informative history of the 'mob movie.'" --
Midwest Book Review 9/04"In Bullets over Hollywood you will find a rich vein of cinematic history, well mined and analyzed by John McCarty." --
Chicago Sun-Times 6/6/04"McCarty provides an expansive look at the history of the gangster film in Hollywood." --
Choice January 2005"More than just a recap of great films; it doubles as a social history of American organized crime." --
New York Post 06/6/04"The section on women in [gangster] films - 'Molls, Twists, Babes, and B Girls' -- is particularly well done." --
Denver Post 6/6/04"Thoroughly reviews a century of bad guys, tough broads, and blood-soaked conflict resolution." --
Variety 8/8/04