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Burgmuller: Twenty Five Easy & Progressive Studies Opus 100 for the Piano
 
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Burgmuller: Twenty Five Easy & Progressive Studies Opus 100 for the Piano [Paperback]

Keith Snell (Author)
5.0 out of 5 stars  See all reviews (1 customer review)


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Book Description

January 1, 1996
One of the Best Selling Piano Books of All Time is Now Available from Kjos. Newly Engraved Music & Updated Editing Solves Previous Inconsistencies & Provides Modern Teachers with the Clean Page Layout they're Looking For. Teachers Will Also Appreciate the Practical Fingerings, that Keep Smaller Hands in Mind. The Pieces are Arranged in Progressive Order of Difficulty & include All Time Favorites Such As Arabesque & Ballade. A Staple of Intermediate Study, this Volume is a Real Bargain. Levels 3-5 (NAK Levels) Elementary to Intermediate.

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Product Details

  • Paperback: 39 pages
  • Publisher: Kjos Music Company (January 1, 1996)
  • Language: English
  • ISBN-10: 0849796172
  • ISBN-13: 978-0849796173
  • Product Dimensions: 12 x 9 x 0.2 inches
  • Shipping Weight: 0.8 ounces
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon Best Sellers Rank: #1,526,006 in Books (See Top 100 in Books)

 

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5.0 out of 5 stars (1 customer review)
 
 
 
 
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1 of 1 people found the following review helpful:
5.0 out of 5 stars popular in the piano studio, and deservedly so, March 3, 2007
By 
Robertson Thomas (Hapcheon, Gyeongnam, South Korea) - See all my reviews
(REAL NAME)   
This review is from: Burgmuller: Twenty Five Easy & Progressive Studies Opus 100 for the Piano (Paperback)
When I was a kid, I enjoyed this book because of its pungent chromatic progressions (#25, ms. 7-8), its dominant chains (#23, ms. 17-24), and its modulations into relative major and minor keys (#14, ms. 13-20; #18, ms. 9-16).

One might also praise the book for its motive play (#2, ms. 12-17), its contrapuntal sprinklings (#4, ms. 15-18), and, in two of its numbers (#12, #15), its liberality of phrase lengths.

In circles of musical snobbery, the title of "great composer" is reserved for one who is consistently contrapuntal and consistently liberal with phrase lengths. Burgmuller may not be a great composer, but he is good enough for most of us.
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