Burn The Maps

The Frames | Format: MP3 Download

Product Details

• Original Release Date: January 29, 2008
• Release Date: January 29, 2008
• Label: Anti/Epitaph
• Copyright: 2004 Plateau Records.
• Total Length: 56:30
• Genres:
• ASIN: B0012QO3I6
• Average Customer Review: 4.3 out of 5 stars  See all reviews (18 customer reviews)
• Amazon Best Sellers Rank: #48,204 Paid in MP3 Albums (See Top 100 Paid in MP3 Albums)

Customer Reviews

Most Helpful Customer Reviews

30 of 31 people found the following review helpful:

5.0 out of 5 stars No better band making music in Ireland right now, February 8, 2005

By 

KalleR - See all my reviews

This review is from: Burn the Maps (Audio CD)

The Frames have long been the best kept secret of Ireland, but all that is about to change with this record and the coming year. If you have a chance to see them live, DO NOT MISS THEM. They are a force to be reckoned with live and it is there that they truly shine in all their glory. There are precious few bands playing today that work as hard for their audience, and not many at all that respect and engage their audience so directly as The Frames. They simply love playing music and they love playing it for you.

Burn The Maps is a beautiful album and a wonderful counterpoint to that live experience. It is a terrific piece of work, as you'd expect from the lads, with wonderful highs and lows, broad sonic landscapes and quiet intimate tunes, lush arrangements, heartfelt lyrics and epic aspirations. Many of the tracks have a similar feel in the way they build towards climactic crescendos of sound and outpouring of emotion. For the first time on a Frames album it really feels like a cohesive band collaboration, rather than previous efforts. Compare it to previous albums where often Hansard's songs were most likely worked up into band numbers, which worked extremely well too, but was simply different to the current approach. For that reason, this album should be of interest to musicians and songwriters evrywhere.

Hansard continues to produce some of the most interesting and evocative lyrics around, and his singing seems to go from strength to strength. A really great front man. Colm Mac Con Iomaire's violin plays a central and significant role on this album, and deservedly so, as in many ways he defines the sound and energy of all that the band does. Joe Doyle's bass playing is spot on and his backing vocals are given a more prominent role on this record, and every song is the better for it. Rob Bochnik's contribution is also immeasurable. His ability to fill and add detail to The Frames songs makes him the unsung hero of the record in my book.

If you are a newcomer to The Frames, this may not be the best record with which to begin (perhaps "Setlist" for the live flavour and "For the Birds" for the stunning brilliance of their songs in a studio based environment) but it is a real grower of an album and deserves an extended stay in your CD player. There are songs for every occasion, and you'll not hear a more beautiful pop chorus this year than the opening track Happy.

This year is the year of The Frames and its about time. They earned their moment in the sun. I wish them every success and I'll continue to catch them live any time they play near me.

Kalle

9 of 9 people found the following review helpful:

5.0 out of 5 stars The Frames Are The Best, March 15, 2005

By 

Daniel Berman (Portland, Oregon) - See all my reviews
(REAL NAME)   

This review is from: Burn the Maps (Audio CD)

I have not been so excited about a group since 1971. And never have listened to a CD more times than I've listened to The Frames' Fitzcarraldo.....but then I got that before Burn The Maps.
There's not a moment of instrumental superflash a la Hendrix, rarely a lyric that astonishes a la Dylan........but no one on the planet sings with more heart than Glen Hansard.....many songs are like an entire play with soft, lulling passages opening into scenes of stormy yelling drama......

And there's a tightness to this group, whose absolute center is Hansard.......and which has been going in various incarnations since 1990...............and a uniqueness (I loosely think of it as Irish alt-rock-folk)
to the sound, the tone, the lyric........the blend of it all.........
I guess the one proviso is that you have to like moody and romantic and rock and lyrical all together. I can't stand overly sentimental stuff, so
the fact that The Frames can put so much emotion, longing, sorrow, anger, memory into a song without ever being cloying is miraculous.
I have never seen a better concert than The Frames in Portland, Oregon in 2005.........and of perhaps 10,000 CDs I've listened to in my life...........would place Fitzcarraldo and Burn The Maps in the top 1%.........listen to Burn The Maps without expecting anything in particular..........and be ready to go somewhere both strange yet wonderfully familiar
With most groups, I know where I stand on their music within a few notes of each song, certainly by the time I get thru a CD. The Frames start out with me thinking they're really good, and by the third time thru.......I am sent back decades to the excitement (though quite a different style of music) of being a teen-age fan listening to the Kinks, or Dylan, or Cream.

11 of 12 people found the following review helpful:

4.0 out of 5 stars Burn The Maps, March 28, 2005

By 

A. Williamson (Ireland) - See all my reviews
(REAL NAME)   

This review is from: Burn the Maps (Audio CD)

Recently voted Best Irish Band in the Meteor Awards, expectations rest heavily on The Frames. Four years after the platinum-selling, For the Birds, Burn The Maps could be the album that propels The Frames to the zenith of their career. It could also mark the site of what might have been.

Every band has a strong point; be it the gravel of Johnny Cash, the intricacies of Lambchop, or the poetry of Dylan. For the Frames, it's the ability to be aggressively brash one moment and violently quiet the next. Some songs need canyons to breathe, but some sit quietly in the corner of the room. Burn the Maps doesn't start by kicking the door down. Opener, Happy, begins with solitary, gloomy acoustic followed by simple bass and drums. Glen Hansard's boy soprano melody glides over the top. It's very restrained, but with intimations of something more abandoned. The martial rhythms and brutal guitar enter next with single, Finally. Full of conviction and doubt, the vocals break into an anguished cry with the violin circling overhead like a vulture eyeing its prey. This is the Frames we know doing what they do best. In typical fashion, they pull the volume right down for the next track before bursting forth once more.
The whole record speaks with the melancholy bitterness of a disappointed lover, ricocheting between resentment and regret, love and hate, art and blood. Full of big songs but sung with the conviction they need, the album's centrepiece is Fake, The Frames' answer to Smashing Pumpkins' Today. Soaring riffs merge with infectious melodies to disguise the honest lyrics. The `A' side builds up to this crescendo, with the `B' side coming back down, finishing how it started. Underglass is worth mention for its driving bassline, towering chorus and haunting verse. It's their darkest album to date, but the openness brings a feel of authenticity. If it gets the recognition it deserves, the Frames will be huge.

Andrew Williamson