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Burning From The Inside (180 Gram Vinyl)
 
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Burning From The Inside (180 Gram Vinyl)

BauhausVinyl
4.3 out of 5 stars  See all reviews (27 customer reviews)

Price: $19.87 & eligible for FREE Super Saver Shipping on orders over $25. Details
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Music

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Biography

Fathers of goth rock Bauhaus formed in England in 1978. Childhood friends and former band mates Daniel Ash (guitar), brothers David J (bass) and Kevin Haskins (drums) were joined by a friend of Ash's, Peter Murphy (vocals) to form what would become the original goth band. Their first single "Bela Lugosi's Dead" was released in September 1979 and was recorded in a single take, it was originally… Read more in Amazon's Bauhaus Store

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Burning From The Inside (180 Gram Vinyl) + Sky's Gone Out + Mask
Price For All Three: $42.32

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  • Sky's Gone Out $8.47

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Product Details

  • Vinyl (August 19, 2008)
  • Number of Discs: 1
  • Label: 4 Men With Beards
  • ASIN: B001B0BASE
  • Also Available in: Audio CD  |  Audio Cassette  |  Vinyl  |  MP3 Download
  • Average Customer Review: 4.3 out of 5 stars  See all reviews (27 customer reviews)
  • Amazon Best Sellers Rank: #215,385 in Music (See Top 100 in Music)

Editorial Reviews

Amazon.com

The essential Goth band Bauhaus was already starting to splinter by the time of this final album, so Burning from the Inside is a rickety bridge between fiery, arty intimations of darkness, and the two paths bandmembers later took: singer Peter Murphy's intense new-wave drama, and the more playful dance-club rock groove favored by the others (who went on to Tones On Tail and to Love and Rockets). David J.'s guitar sound, sour and sharp, and the band's dubby production tricks, define these songs more than Murphy's tremulous pronouncements about Antonin Artaud and emotional violence, and the artistic tension makes this their most musically adventurous record, from the tiny groan "Wasp" to the sprawling, doom-laden title track. --Douglas Wolk

Product Description

Burning from the Inside is the fourth and final release from this legendary British gothic rock outfit. Originally released in 1983, Burning from the Inside managed to succeed despite massive setbacks (before recording lead singer Peter Murphy was hospitalized with pneumonia) and features some of the strongest performances of the band's career, with inspired work from Murphy when he was able to return to recording, and the first lead vocal performances from bandmates Daniel Ash (Slice of Life) and David J (Who Killed Mr. Moonlight). Closer Hope is probably the greatest send-off possible for one of the most important bands of the late 70s/early 80s. 180 gram vinyl.

 

Customer Reviews

27 Reviews
5 star:
 (13)
4 star:
 (9)
3 star:
 (4)
2 star:
 (1)
1 star:    (0)
 
 
 
 
 
Average Customer Review
4.3 out of 5 stars (27 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

7 of 7 people found the following review helpful:
4.0 out of 5 stars Bauhaus' Last but Still Ingenius, February 13, 2004
By 
SandmanVI (Glen Allen, VA United States) - See all my reviews
This review is from: Burning From the Inside (Audio CD)
People sometimes criticize this album for its misses, and yes there are a couple. However the strengths greatly outweigh them. Others also are annoyed that the circumstances surrounding the band's breakup are clearly evident in the music and give it an air of inconsistency. Maybe, but it also makes the album an interesting and essential historical artifact for fans. The remnants of Murphy's sometimes jarring performance art style (this is most clear on "Antonin Artaud" - as it should be if you know anything about the subject) stand in opposition to the nervy yet upbeat Love & Rockets pop of other tracks; "Slice of Life" would have been great on an early L&R record. "King Volcano" is a Goth-folk dirge that strangely is oft played in clubs; perhaps you've heard it and wondered why it was played in a club and why it's so mystifyingly popular. "Who Killed Mr. Moonlight" is a nostalgic tune that feels like it comes straight off of 7th Dream of Teenage Heaven; it contains the enigmatic lyric, "Extracting wasps from stings in flight". Despite the obvious divergence of paths within the bands, they managed one song where the pith of Bauhaus all comes together. That song is the nearly perfect "She's in Parties", a dark, jaded look into the life and mind of a coddled starlet; I could argue that this is the best song they ever made.

Looking back at this album after many years, it should be remembered as a quality collection of songs, some brilliant, and a chronicle of the disintegration of a towering band.

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5 of 5 people found the following review helpful:
5.0 out of 5 stars Swan Song, January 24, 2001
By 
"emeraldavatar" (Jersey City, NJ United States) - See all my reviews
This review is from: Burning From the Inside (Audio CD)
This is my favourite Bauhaus work, although musically it's more like a collection of individual songs than an album. Previous Bauhaus albums were cohesive almost to the point of monotony - if you weren't in the right mood, you couldn't listen to them. This one, on the other hand, covers a whole range of styles, themes and emotions. The extended version is really amazing - although it may be harder to find, it's well worth it. Fantastic album.
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4 of 4 people found the following review helpful:
4.0 out of 5 stars Bauhaus or solo projects, May 11, 2000
By 
abake (Bogotá, Cundinamarca Colombia) - See all my reviews
This review is from: Burning From the Inside (Audio CD)
First things first: I am a big Bauhaus and Love and Rockets fan. Having said that I have to warn you, this does not really sound like a Bauhaus album - not all of it at least. (not that Bauhaus really had a trademark sound... ) There are some classic Bauhaus songs, like Burning from the inside, She's in Parties and Antonin Artaud, but then there are songs like Slice of life and Who killed Mr. Moonlight that aren't even sung by Murphy and, evidently, don't sound very much like Bauhaus. Not that they're bad songs, they're quite good actually. Anyway, this has some of Bauhaus' most beautiful songs (King Volcano) and the only happy Bauhaus song I have ever heard (and I've heard them all): Hope. It's a really beautiful record and probably a more accesible one than Mask or The Sky's gone out.
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