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49 of 49 people found the following review helpful:
5.0 out of 5 stars
The perfect writing, February 1, 2001
One regrettable consequence of Garcia Marquez's fame is that Latin American literature has come to be identified exclusively with "magical realism". Everything has to be extraordinary, epic, full of tropical lust, palms, jaguars, people having sex in every corner, flying to the sky with a pineapple on their heads. But Latin America is a vast continent producing artist of universal stature, even if the rest of the world decides (to their disadvantage) to ignore all but the folkloric. Well, Juan Rulfo is a master of the highest sort and this book is NOT magical realism, but pure, hard realism. He only wrote two books, this one and "Pedro Paramo", another masterpiece which I also don't count as magical realism, although some do, as well as a few lesser works. He didn't need to write much. His is a literature worked and reworked restlessly, until reaching perfection. Every single word fits perfectly with the rest. There are no digressions, no philosophy, no theories or grand landscapes. All his tales develop in Southern Jalisco, in a poor, dry, vast, sunburned and sad land. The prose is also dry, precise, economical and to the point. The characters are ignorant, miserable, but conscious and courageous. The titles say much: "It's because we are so poor" is one of them. However, you will not find self-pity or corny sad tales. Only bits of human misery perfectly narrated. By the way, this is the first review I write for Amazon in which I use the word "perfect". Probably it won't happen again, with one or two exceptions.
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19 of 21 people found the following review helpful:
5.0 out of 5 stars
The translation is so wonderful, I wish I could read spanish, March 17, 1999
Sorry, I did not buy this book from Amazon, but I will by the other Rulfo books available. I found this book in a used book store, I happened to be browsing through. I don't even know what caught my eye, but what a find. This is so beautifully written. I must admit that though I at one time had a strong interest in the Mexican Revolution, I have forgottem much of what I learned, so some of the stories were hard for me to understand in their historical context. The writing is so evocative, however, that it doesn't matter. The feeling of desolation is almost too overwhelming. I was reminded somewhat of Ernest Hemingway by the use of short declarative sentences, also I suppose because Hemingway often used Spanish phrasing in his work. The best writing, in my opinion, evokes a feeling rather than describing it. Rulfo accomplishes that amazingly.
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11 of 12 people found the following review helpful:
5.0 out of 5 stars
strange but captivating writing, January 5, 2006
Rulfo's style, like his stories, is sparse, quiet, and often harsh. He offers disturbing tales of miserable people in barren places; yet there is also a strange beauty to be found in his work. I can think of few, if any, examples of such perfect prose. The characters--though they suffer--seem close at hand and perfectly real, and he gives the most incredible descriptions of landscapes that I have ever read in my life. It is easy to see his connection to "magical realism"--it is largely in the way he sets the tone of the stories, and in those unbelievably vivid descriptions--but his work does not fall into that category. There is no escaping the terribly blunt reality he creates.
Whether you are interested in Latin American literature or not, if you are at all interested in prose, you should read this book.
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