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Buster Keaton: Cut To The Chase
 
 
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Buster Keaton: Cut To The Chase [Paperback]

Marion Meade (Author)
2.8 out of 5 stars  See all reviews (19 customer reviews)

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Book Description

August 22, 1997
Buster Keaton (1895–1966) was a brilliant comedian and filmmaker who conceived, wrote, directed, acted, and even edited most of his ten feature films and nineteen short comedies, which are perhaps the finest silent pictures ever made. With a face of stone and a mind that engineered breathtakingly intricate moments of slapstick, Keaton has become an icon of the American cinema. Marion Meade's definitive biography explores his often brutal childhood acting experiences, the making of his masterpieces, his shame at his own lack of education, his life-threatening alcoholism, and his turbulent marriages. Based on four years of research and more than 200 interviews with notables such as Billy Wilder, Leni Riefenstahl, Gene Kelly, Douglas Fairbanks, Jr., Irene Mayer Selznik, as well as members of Keaton's family who had previously refused to discuss him, Buster Keaton: Cut to the Chase is a startling and moving account of the troubled life of a cinematic genius.

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Editorial Reviews

From Publishers Weekly

Silent film star Buster Keaton (1895-1966) developed his trademark deadpan expression and acrobatic artistry, according to the author, as a result of the abuse he received from his father, Joe. As part of a vaudeville act, Joe began brutally throwing five-year-old Buster around the stage and beat him at the first sign of fear. When he was 21, Keaton left his uncaring parents and began acting in silents made by comedy star Fatty Arbuckle. His career blossomed from 1920 to '28, when he established his own company and wrote, starred in and directed films like The Navigator (1924). After the company was dissolved, Keaton's career declined until the 1950s, when he made a comeback and appeared in Charlie Chaplin's Limelight. Alcoholism hastened the end of his marriages to Natalie Talmadge (the couple had two sons) and Mae Scriven. He achieved control over his drinking, and his third marriage, to Eleanor Norris, was a success. This is an engrossing portrait of a tormented comedic genius, with an extensive filmography (67pp). Photos not seen by PW.
Copyright 1995 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.

From Library Journal

Released to coincide with the centenary of Keaton's birth, this comprehensive biography fills gaps in the silent-film comedian's life history while dispelling a few rumors. Meade (Dorothy Parker, Villard: Random, 1987) rehashes familiar territory with a fresh eye: Keaton's brutal upbringing in a vaudeville family, his liaison with Fatty Arbuckle (whom he eventually upstaged), the unlimited artistic freedom he enjoyed under Joseph M. Schenck, and the subsequent quashing of that creative control when his company was absorbed by MGM in 1928. The lost years of gag writing and bit parts, the wives and women, the chronic drinking are not glossed over but, rather, make his later rediscovery by historians and critics all the more poignant. With journalistic aplomb, Meade reaffirms Keaton's legend as the master of the sight gag and proves that, despite his technical virtuosity as a filmmaker, Keaton's effects are special because they are human. Meade shows that the man himself was just that. Recommended for most collections. [For another recent biography of Keaton, see Larry Edwards's Buster, LJ 4/15/95.?Ed.]?Jayne Plymale-Jackson, Univ. of Georgia Libs., Athen.
-?Jayne Plymale-Jackson, Univ. of Georgia Libs., Athens
Copyright 1995 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.

Product Details

  • Paperback: 464 pages
  • Publisher: Da Capo Press (August 22, 1997)
  • Language: English
  • ISBN-10: 0306808021
  • ISBN-13: 978-0306808029
  • Product Dimensions: 9.3 x 6 x 1.2 inches
  • Shipping Weight: 1.5 pounds (View shipping rates and policies)
  • Average Customer Review: 2.8 out of 5 stars  See all reviews (19 customer reviews)
  • Amazon Best Sellers Rank: #1,038,513 in Books (See Top 100 in Books)

More About the Author

Marion Meade is a biographer and novelist.
Her most recent biography is Lonelyhearts: The Screwball World of Nathanael West and Eileen McKenney. Other subjects include Eleanor of Aquitaine, Madame Blavatsky, Dorothy Parker, Buster Keaton, and Woody Allen. Bobbed Hair and Bathtub Gin: Writers Running Wild in the Twenties tells the story of Edna St. Vincent Millay, Zelda Fitzgerald, Dorothy Parker, and Edna Ferber becoming writers in the Jazz Age.
She has also written two novels set in medieval France, Stealing Heaven: The Love Story of Heloise and Abelard and Sybille.
Aside from her writing, she edited Dorothy Parker's collected works, The Portable Dorothy Parker; Parker's play The Ladies of the Corridor; and introduced Parker's Complete Poems.

 

Customer Reviews

19 Reviews
5 star:
 (2)
4 star:
 (5)
3 star:
 (4)
2 star:
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1 star:
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Average Customer Review
2.8 out of 5 stars (19 customer reviews)
 
 
 
 
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13 of 13 people found the following review helpful:
3.0 out of 5 stars Take the information provided with a grain of salt, September 28, 2007
This review is from: Buster Keaton: Cut To The Chase (Paperback)
On the positive side, this book talks about the lean years in Buster's life, including his second marriage, that are pretty much ignored in other books on Keaton. It offers a complete filmography at the end, and talks about what has happened to Buster's extended family in the years since his death. On the negative side, the author jumps to conclusions or offers her own opinions about what happened as facts. Like everyone else, I vehemently disagree with the functional illiteracy accusation. Did Buster lack formal education? absolutely. Was he illiterate? absolutely not, based on jobs he had at MGM that involved working on scripts and his own diary which prove otherwise. Buster was interested in his craft and had no use for going over contracts and legal issues with a fine-toothed comb, a character trait that was part of his undoing for sure, but not proof he couldn't have read them had he been interested.

The specific errors that the author makes include her claiming that by the late 50's Buster didn't even remember who Dorothy Sebastian was - part of her portrait of Buster as an emotional cripple. However, about the same time, Buster wrote, along with a ghost-author "My Wonderful World of Slapstick" in which he talks about the dilemma he was in when he met his third wife Eleanor while already involved with a woman with which he had an off-and-on relationship for the previous ten years, and how he wanted to break it off with this woman to pursue Eleanor without hurting the woman's feelings. He is obviously talking about Dorothy Sebastian here, but he comes from an era in which he doesn't want to "kiss and tell" and omits her name from the book. There are other erroneous conclusions in which the author totally misinterprets certain magazine articles to claim Buster is actually complaining about this or that. The point is, take this book with a grain of salt. Entertaining it is, entirely accurate it is not.

From reading this book - and others for that matter - the person who comes across as a total mystery to me is Natalie Talmadge - Keaton's first wife. Here again, the author adds her own conclusions about Natalie's attitudes that I can't see Natalie ever conveying to anyone who would have revealed them, but the following facts are inescapible:
a. Natalie spent a huge percentage of Buster's money on clothes she never wore and homes Buster really couldn't afford.
b. Natalie ceased sexual relations with Buster after the birth of their second child.
c. The effect of (a) was that Buster HAD to sign the contract with MGM in order to keep the money pouring in after his own studio closed.
d. The effect of (b) was that Buster looked elsewhere for female companionship.
e. The effect of (c) was that Buster became an alcoholic when he no longer had any creative control over his films and was reduced to a performer in movies he largely held in contempt.
f. Natalie ultimately divorced Keaton because of (d) and (e) and was seethingly angry with him for the rest of her natural life, when in fact her own actions ( (a) and (b) ) contributed to the whole cycle in the first place.

In spite of this obvious chain of events, Keaton never spoke evil of his first wife, a fact that even the author of this book admits. That truly makes him a class act in my book.
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9 of 9 people found the following review helpful:
1.0 out of 5 stars Poor research., July 31, 2007
This review is from: Buster Keaton: Cut To The Chase (Paperback)
Why did Ms. Meade write a book about someone whom she clearly dislikes?
More importantly, why did she write such a poorly researched book?
AS soon as I read that Keaton was 'illiterate' I knew that this book was not a keeper.
(Buster Keaton kept a diary when he was seven years old, and wrote screenplays when he was an adult. Any biographer can check this out.)
And any reader can purchase a much, much better biography of Buster Keaton. THE MAN WHO WOULDN'T LIE DOWN or KEATON are both superior to this one.
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12 of 13 people found the following review helpful:
2.0 out of 5 stars Not Bad But Many Errors, March 11, 2004
By 
Heidi Crabtree (Kennesaw, GA United States) - See all my reviews
(REAL NAME)   
...the most annoying perhaps eing the myth that Buster Keaton was illiterate. True he was not educated, but to say he was illiterate is false. I've seen photocopies of his journal he kept during WWI, and it's clear he studied his Army manuals and learned Morse code and practiced it. The author also makes the mistake of relaying to us conversations that took place between Buster and his mother-in-law, both deceased of course. How would she know what was said? These were about things Buster would have discussed with no one else. It's an intro to people unfamiliar with Buster, but by no means accurate. She could have skipped the hearsay about his early life "with women" as that is unfounded too.
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Inside This Book (learn more)
First Sentence:
Summer lingers like death on the prairie. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
scenario editor, air date, clipping collection, fried perch, centennial book, comedy director, silent drama
Key Phrases - Capitalized Phrases (CAPs): (learn more)
Buster Keaton, Technical Credits, New York, Roscoe Arbuckle, Joe Keaton, Los Angeles, Eddie Cline, Joe Schenck, Comique Film Corporation, Elgin Lessley, Fred Gabourie, Harold Lloyd, Italian Villa, Joe Roberts, Clyde Bruckman, Eleanor Keaton, Jules White, Paramount Pictures, Columbia Pictures, Educational Pictures, Raymond Rohauer, Uncredited Work, San Francisco, Woodland Hills, Charles Lamont
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