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Busting Vegas: A True Story of Monumental Excess, Sex, Love, Violence, and Beating the Odds Paperback – August 22, 2006

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Editorial Reviews

Amazon.com Review

Semyon Dukach couldn't believe how easy the money was. In one weekend, the MIT math genius and his team of geeks had made $200,000 playing the blackjack tables in Las Vegas. They hadn't cheated. Instead, they had discovered one of humanity's greatest holy grails: a system to beat the casino. They had rendered obsolete the old saying that the house always wins. Dukach and his friends made millions during the 1990s playing blackjack in the world's top casinos, right under the noses of pit bosses and security consultants who thought they had seen it all. Dukach's story is told in author Ben Mezrich's vividly narrated book Busting Vegas.

Mezrich, the author of previous bestsellers about MIT gamblers and a colorful Ivy League trader in Japan, tells how Dukach's crew used a system that Vegas had never seen before. Dukach, the son of Russian immigrants who grew up in the poorest neighborhoods of New Jersey and Houston, was determined to climb out of poverty and help his family. His system didn't involve the commonly used techniques of card counting. Posing as an arms dealer or dentist, Dukach deliberately sought out blackjack dealers with small hands or thin fingers who frequently didn't conceal the bottom card when they shuffled the cards. Dukach would often manage to get a glimpse at the bottom card. This was highly significant because it was the card the dealer would hand the player to cut the deck. Dukach had practiced a technique to insert the card in a precise spot in the deck and then make big bets when the card was dealt. Dukach and his team ended up barred from casinos, threatened at gunpoint, and beaten in Vegas's notorious back rooms. This is a riveting yarn. —Alex Roslin --This text refers to an out of print or unavailable edition of this title.

About the Author

Ben Mezrich graduated magna cum laude from Harvard in 1991. He has published twelve books, including the New York Times bestsellers The Accidental Billionaires, which was adapted into the Academy Award-winning film The Social Network, and Bringing Down the House, which has sold more than 1.5 million copies in twelve languages and became the basis for the Kevin Spacey movie 21. Mezrich has also published the national bestsellers Sex on the Moon, Ugly Americans, Rigged, and Busting Vegas. He lives in Boston.

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Product Details

  • Paperback: 304 pages
  • Publisher: William Morrow Paperbacks; Reprint edition (August 22, 2006)
  • Language: English
  • ISBN-10: 0060575123
  • ISBN-13: 978-0060575120
  • Product Dimensions: 5.3 x 0.7 x 8 inches
  • Shipping Weight: 8.5 ounces (View shipping rates and policies)
  • Average Customer Review: 3.6 out of 5 stars  See all reviews (78 customer reviews)
  • Amazon Best Sellers Rank: #367,527 in Books (See Top 100 in Books)

More About the Author

Ben Mezrich has created his own highly addictive genre of nonfiction, chronicling the amazing stories of young geniuses making tons of money on the edge of impossibility, ethics, and morality.

Mezrich's newest thriller Q, takes place in a not so distant future where quarantine law grips hold of a dystopian society and NYC cop Benjamin Grady finds himself in the front line of an unyielding, terrifying epidemic.

Ripped from the headlines, meticulously researched, Q lays bare the truth behind the quarantine laws that are already on the books- and what it would mean to implement them on a national scale.

Q is a true story. It just hasn't happened yet.

Mezrich has authored sixteen books, with a combined printing of over four million copies, including the wildly successful Bringing Down the House: The Inside Story of Six M.I.T. Students Who Took Vegas for Millions, which spent sixty-three weeks on the New York Times bestseller list, and sold over 2 million copies in fifteen languages. His book, The Accidental Billionaires: The Founding of Facebook, a Tale of Sex, Money, Genius and Betrayal - debuted at #4 on the New York Times list and spent 18 weeks in hardcover and paperback, as well as hit bestseller lists in over a dozen countries. The book was adapted into the movie The Social Network -written by Aaron Sorkin and directed by David Fincher - and was #1 at the box office for two weeks, won Golden Globes for best picture, best director, best adapted screenplay, best score, and was nominated for 8 Oscars, winning 3 including best Adapted Screenplay for Aaron Sorkin. Mezrich and Aaron Sorkin shared a prestigious Scripter Award for best adapted screenplay as well.

SEVEN WONDERS, is a departure of sorts--a high stakes epic thriller that Publishers Weekly calls "An Indiana Jones for the 21st Century." A best-selling gem for Brett Ratner's imprint with Running Press, RatPac Press, and soon to be a blockbuster film.

Customer Reviews

The characters are vivid and the story telling is rich and vivid with detail.
Book goes into good detail but it makes me almost believe that it is fiction and not based on fact.
Robert D. Abernethy
It is more like a fiction book so I can see why people are wondering how much has been embelished.
Polly Darcey

Most Helpful Customer Reviews

39 of 43 people found the following review helpful By Jessica Lux on December 6, 2005
Format: Hardcover
Mezrich broke onto the bestseller list with his account of an MIT blackjack uber-card counting team that hit Vegas for big money (in 2003's Bringing Down the House). Now he's back with a another MIT-whiz kid blackjack scam, only this one is even more unbelievable and over-the-top. People have heard of the card counters discussed in Mezrich's first book, but the three types of play desribed in Busting Vegas are going to be brand-new to most readers. So new, in fact, that they may seem unbelievable.

These blackjack techniques (or scams, depending on your point of view) involve as much math as they do shuffle-watching and precise card-cutting. It's a marriage of the intense math required for card counting and the near-impossible perfect moves required in a roulette or craps scam. Complete control of an entire table by the team is required, so that a known card can be directed to hit on the appropriate hand. No random players can be sitting at the table taking cards out of the shuffle.

As with the other MIT scam, the players have to take on fake identities. In this scam, however, it is essential that everyone be a big roller, a "whale." Just watching the insane Russian arms dealer, trust-fund brat, and European rock star characters these guys take around the Strip is entertaining.

Is Mezrich's account to be taken as the literal truth? Of course not! Names have been changed and the story has been spiced up to read like a Grisham novel. Semyon Dukatch himself has said that the story captures the "essense" of his experience. This isn't meant to be 100% truth, and it would probably be a heck of a lot more dry reading if someone had told every literal fact from start to finish.
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21 of 24 people found the following review helpful By Andrew Otwell on June 25, 2007
Format: Hardcover
This is a fun little summer read. Smarty-pants MIT geeks figure out some ways to count cards in blackjack, and win it all! Then, of course, it all comes crashing down! The clever methods turn out to be more or less brute force: count and commit stuff to memory, then time your bets just right. I guess I was hoping for something more MIT-worthy.

Unfortunately, this book is so badly-written it's almost unbearable to read. I wasn't expecting great non-fiction, but this is *bad*. Here's an example: describing a "grueling" month of training the team goes through before hitting Vegas, we're told that the students made "biweekly" trips to a local casino. Really? Two whole trips isn't exactly "grueling" training. (Maybe the author meant "twice weekly"?) This is followed by "every ten days, the team endured 'checkouts'"--basically pop quizzes. Every *ten* days? So...that makes three times during this so-called intense month? This doesn't exactly paint a picture of the team grinding away in Boston in preparation for the big score, it sounds kinda like some kids playing cards every once in a while.

The whole book can't seem to strike the right tone of reality. This *is* a true story, but it isn't told straight. Details are needlessly specific (how many books on a bookcase, the color of a pair of shoes, how good a cup of tea is, and so on). But these are details that aren't just irrelevant to the story, but impossible to recall. It's clear that the author is simply filling in information here in hopes that it all seems more "real". Problem is, it's not possible to tell when these details *are* real, and so everything seems equally fake, and you end up wondering: when Owen was in that secret back room at the casino, did he really get beat up and handcuffed? Did the security team really threaten him like that? Or are those details just imagined, too? If this was pure fiction, it'd be ok, but in a supposedly non-fiction book, it feels mostly made-up.
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29 of 37 people found the following review helpful By Samuel Louis on March 31, 2006
Format: Hardcover
One would like to believe that a group of MIT students truly did take Vegas for millions as Ben Mezrich claims. But in a era when diarists and autobiographers are routinely getting caught in lies, it's very difficult to believe this story. First, it reads like a bad pulp novel, filled with every possible B-movie cliche--security room beatings, casino owners waving guns in their faces on Aruban golf courses, swarthy Europeans threatening to kill them if they ever come back to Monte Carlo. Mix in a cast of characters straight out of central casting--the Russian math genius, the bombshell blond, the screwup with a drug problem, the obese nerd, and the charismatic mystery "leader" who hides hundreds of thousands of dollars in laundry baskets all over the greater Boston area. Then add sexual misunderstandings and B-movie "dialogue," and the author's own self-indulgent "visits" to Vegas brothels and casinos to "retrace" the kids' journey, and you get a far-fetched potboiler seemingly untethered to verifiable facts. Why, for example, did Mezrich not interview the kids' nemesis, a Vegas private eye who follows their movements and foils their plans everywhere they go? Why are there no interviews with security guards and casino managers who roughed them up in Vegas, Aruba, and Monte Carlo? How do we can believe that any of these people even existed, and that any of this is true, when Mezrich swallows their tale hook line and sinker? Read this entertaining but ultimally vacuous trifle for what it is--all bluff and fluff.
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