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Butcher of Dreams Paperback – June 22, 2012

4.5 out of 5 stars 11 customer reviews

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Editorial Reviews

Review

The novel is a bit more graphic and horrific than most mysteries. But this works in its favor. Lee is the perfect heroine, imperfect enough to be interesting - yet accomplished and intelligent enough to be believable. She works, along with the entire theater milieu, to create a mystery that is involving and surprising.   Terry Lowe

"The writing is tight and precise, the characters amazingly detailed and believable, with their back-stories intricately weaving in and out. It  is one of the really thrilling mysteries I've read, mysterious to the very end ... and scary enough that I did not want to read it when I was alone." Olivera Baumgartner-Jackson, ReaderViews

It is Lee's ultimate struggle with loneliness and an overloaded professional struggle that brings the story to its shocking climax.Don't start this wonderful story if you have something else to do, because this fantastic plot will win the fight! A big thumbs up!! Shelley Glodowski, Midwest Book Review

"With a whole troupe [of actors], there are plenty of suspects. Backstage details have authority; Lee's story is effectively told." -- Akron Beacon-Journal, Barbara McIntyre, July 22, 2007

From the Publisher

Butcher of Dreams is a gripping suspense thriller set in the 1980's Hell's Kitchen when porno shops, girlie shows, prostitution and crime ran rampant. With this seedy and ominous off-Broadway theater district as the backdrop, Lee Fairchild is attempting to start a repertory theater in an abandoned burlesque house. Not only is someone or something threatening the future of the theater (Lee's dream-come-true), but this force threatens her very existence. Who is responsible for the ritualistic sacrifice on the third floor of the theater? Is the stolen Aztec mask and its ancient curse somehow connected to the bizarre events? Who is the psychopath/sociopath behind the destruction that begins to affect the entire company? Lee's mercurial cast members and stage crew become suspects as events begin to spiral out of control. The authors' command of the English language as well as their knowledge of literature adds both nuance and interest to this well-plotted white knuckle read.

Readers will come away with a deeper understanding of the complexity and drive of those who pursue theater as a career--actors, directors, playwrights--and a new respect for what they do for love.

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Product Details

  • Paperback: 416 pages
  • Publisher: Calliope Press (June 22, 2012)
  • Language: English
  • ISBN-10: 0964924161
  • ISBN-13: 978-0964924161
  • Product Dimensions: 6.1 x 0.9 x 9.2 inches
  • Shipping Weight: 1.2 pounds (View shipping rates and policies)
  • Average Customer Review: 4.5 out of 5 stars  See all reviews (11 customer reviews)
  • Amazon Best Sellers Rank: #5,644,827 in Books (See Top 100 in Books)

Customer Reviews

Top Customer Reviews

By P. A. Gill on September 9, 2007
Format: Paperback
I thoroughly enjoyed Butcher of Dreams with its picture of 80s off-Broadway theater and its dabbling in Aztec cults and lore.

Trusting Lee Fairchild, empathetic Alan Dunbar, and their third partner crusty Ernst Kromer open a repertory theater on 42nd St. in NYC with a foundation grant. From the moment they begin rehearsals, disturbing events take place and seem to conspire against them. One after another each actor in the theater falls under suspicion as the potential perpetrator.

Looking at the story from the perspective of 2007, one might wonder how Lee could be so trusting and innocent until one remembers that the story is set in the 80s before identity theft and sociopathic behavior were much in the news.

I found the book increasingly difficult to lay down, especially as the second half came into play. The authors have achieved a quite satisfying novel of mystery and suspense.
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BUTCHER OF DREAMS is a mystery-suspense book set in a struggling off Broadway theatre in the days when 42nd Street was home to pimps, prostitutes, homeless and drug dealers. They all play a part in this fascinating story which combines the pragmatic problems of a group of players with the mystical magic of masks, masqueraders and Mexican folklore. Figuring it out is only half the fun - the page by page power and pace is even more rewarding.
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Kay Williams and Eileen Wyman team up for this suspenseful mystery/romance. Williams is a writer and actress with ONE LAST DANCE: IT'S NEVER TOO LATE TO FALL IN LOVE, a novel begun by her father, journalist Mardo Williams and finished by she and her sister, Jerri Lawrence. Published in 2005, DANCE garnered a Best Regional Fiction Award and a finalist nomination for the National Readers' Choice Award. Eileen Wyman is a comedy writer and has experience in radio and television. Both authors live in Hell's Kitchen, now safe and gentrified, but are originally from Ohio.

Lee Fairchild is a recent widow who has picked herself up by launching a under-budgeted theater in Hell's Kitchen on the fringes of Times Square with an old friend. The theater is almost immediately plagued with problems when a derelict is found murdered in a cult-like slaying on the third floor of the theater. A young man named Michael Day wanders off the street and into Lee's life as an assistant and lover. But Day's excess of spending and propensity towards lying, as well as his grand romantic gestures, keep Lee from seeing that someone is robbing the theater blind:

"'Bounced?' Lee stopped sorting the mail. The phone cradled in the hollow of her shoulder slipped. She caught it at her rib cage and wrestled it back to her ear. 'That's our new account.' No new exactly. She'd opened it at the beginning of the season, along with the other two. But that was the first check she'd written from it. 'They showed me the notice.' His voice rose indignantly. 'Insufficient funds. It came in their mail this morning.'"

Williams and Wyman put together a first-rate suspense.
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This "who done it" mystery grips the reader from the start with its cast of possible villains, but beyond that, the authors have created main character Lee Fairchild with whom everyone should be able to identify. In her heart Lee knows of whom to be weary, but because of her emotions, she finds the best in all of her colleagues. How many of us have faced the same dilemma? De-Nile is not just a river in Egypt, but a real, if ineffective, coping device of human beings, and vulnerable Lee falls into the chasm of denial, causing her to justify behaviors of others rather than face them head-on. Even as I worried over her physical safety, I related to the emotional stresses she faced, making her seem "real" rather than a character in a novel.

Besides the effective characterizations of Lee and her colleagues, the authors have written a book that offers insight into the world of theater that I never knew existed. It has given me an enhanced appreciation of the "art" of theater and has encouraged me to support repertory theater productions within my community. Plus, the novel is simply good reading, one that's hard to put down. Just as the cover grabbed my eyes, the words grabbed my passion for reading. Don't miss this book!
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I loved it. I was pulled immediately into the tension of the mysterious and frightening events. The behind the scenes life of the theatre and the complex personalities who staff it create a fascinating setting as the mystery develops and the suspense becomes unbearable. Suspicion as to the perpetrator builds in many directions and I found myself wanting to talk to the lead character, Lee Fairchild, to advise her. Eventually I sucumbed. I ignored the world around me and read to the end nonstop.
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Reviewed by Olivera Baumgartner-Jackson for Reader Views (12/07)

I've always loved mysteries. If I had to read just one genre for the rest of the days, I believe my choice would be the immensely entertaining field of mystery and suspense. I like the short, cozy British ones, adore the old classics and fall easily under the spell of the more contemporary ones. A lot of the new ones, though, fall short in the "thrill factor" area - they tend to be unnecessarily graphic in their shocking descriptions, yet they do not make me truly afraid and even less truly perplexed.

Kay Williams' and Eileen Wyman's "Butcher of Dreams," aptly subtitled "A Suspense Novel about the Theater," was one of the really thrilling mysteries. No matter how much I tried to guess who the villain was, the authors managed to sidetrack and blindside me again and again. While I correctly guessed one of the subplots, the main mystery remained so until the chilling end of the book.

Lee Fairchild, a talented actress, is managing a rather fledgling theater in NYC's Hell's Kitchen. She is a strong, courageous and smart woman, yet weakened by the recent death of her husband and a crumbling relationship with her only child, Heather. The theater has its own share of problems, starting from the motley crew on its payroll and continuing to its not-so-desirable location, lack of future funding and strange happenings in the area. When a dead vagrant is found in the theatre, his body mutilated in a ritual-looking manner, Lee enters a bizarre world of unexplainable events, all of which threaten the further operations of the theater as well as the lives of crew and cast. Will Lee manage to solve the mystery - or will she become the next victim?
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