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Most Helpful Customer Reviews
23 of 28 people found the following review helpful:
5.0 out of 5 stars
Tess is an imperfect protagonist, but she's improving.,
By Henry (Elkton, MD) - See all my reviews
This review is from: Butchers Hill (Tess Monaghan Mysteries) (Mass Market Paperback)
This is the third of the Tess Monaghan books. Mysteries are often filled with cardboard characters and one or two well developed characters. Laura Lippman doesn't work that way. All her characters are imperfect, but then, so are real people. The characters in this, and the other two novels in this series are interesting and have twists and turns in their characteristics that are as amusing as are the twists and turns of the plots. Normally, I don't identify with female protagonists, but Tess is such an interesting person that even a straight guy such as myself enjoys her point of view. I recently had the opportunity to meet Laura Lippman when she came around to the local library to talk to her fans. She's also an interesting character.
4 of 4 people found the following review helpful:
3.0 out of 5 stars
Better...but Still Underwhelming,
By A. Ross (Washington, DC) - See all my reviews (VINE VOICE) (HALL OF FAME REVIEWER) (TOP 500 REVIEWER) (REAL NAME)
This review is from: Butchers Hill (Tess Monaghan Mysteries) (Mass Market Paperback)
Even though I didn't particular care for the first two books in the Tess Monaghan series, a friend's recent relocation to Baltimore gave me enough of a nudge to go ahead and try the third. This installment opens with a prologue involving an altercation between a proud old man and a group of foster children running wild, which doesn't end well. Fast forward five years to the present, and we find former newspaper reporter Tess hanging out her shingle as a private investigator, complete with office in the titular semi-seedy neighborhood. (Given her relative ineptitude in the other two books, I'm not sure why her lawyer-rowing coach-mentor Tyler Gray thinks it's a good idea to push her into becoming a detective, but whatever.)
Her first two cases present themselves on the same day. The first is Luther, the old man seen in the prologue, just released from five years in prison on gun charges stemming from the incident in the prologue. He wants Tess to track down the kids so that he can try and do some good. Her other client is a young professional black woman around her own age, seeking to track down her estranged sister. Of course, neither case is quite what it seems at first glance, and various reversals and revelations make for a rocky start to Tess's detecting career. They also make for a somewhat more compelling read than the previous two books in the series, although this one is also far from perfect. For one thing, the prologue presents a very obvious clue to the reader about the events of that evening five years previously, leaving the reader wondering for more than half the book just when Tess is going to be given the same information. And of course, when she does, it isn't the stunning scene it's meant to be. There's also a logical problem involving the other client's case, involving a "test" the client gives Tess, and its relation to the client's motivation for hiring her. I don't want to reveal anything, but the rationale for this test makes no sense in light of later revelations. Finally, Tess continues to be a rather dim investigator. Her two cases here are basically tracking people down, and she seems to have little notion of how to do this, and once again, she has to rely on family connections to arrive at one of her breakthroughs, and outsource computer searching to another person. On the plus side, Tess emerges as a richer character in this book (although still not one I'm hugely fond of). As in the last book, one plotline ends up entangling her family, and here we get a richer picture of her family dynamics (although her colorful Aunt Kitty is thankfully absent for most of the book). The book's highlight is the nicely realized construction of a friendship between Tess and her female client. The two plotlines also take the reader into the politics and economics of adoptions and foster care, making some interesting public policy commentary along the way. On the whole, I'm still rather underwhelmed by the series (given the amount of positive press it's received), but this is a notch better, so maybe like a lot of crime fiction authors, Lippman gets better as she writes more.
14 of 19 people found the following review helpful:
4.0 out of 5 stars
Each novel gets stronger,
By A Customer
This review is from: Butchers Hill (Tess Monaghan Mysteries) (Mass Market Paperback)
Butchers Hill is the best of the series. There are many surprising twists. And well-constructed: I quickly got trapped in the dream of the novel, switching focus as the author placed different lenses of perspective on the "facts" presented to Tess. I also like that Tess herself puts together incorrect suppositions. It's real to life -- unlike, say, Mickey Spillane. Though mystery aficionados might find Tess' humanity a nuisance.Nice touch with the convict's dictionary-derived pedantry; I wish it had been carried further (in Charm City Laura did a similar thing with Spike's assistant's forming statements as questions). One caveat for the author: the heroine's family/friend environment is starting to resemble a Tom Clancylike picture of social palatability, albeit with an NPR-approved, nineties urbanite twist. Sigh. I mean, what's next? Kitty becomes a lesbian and finally can enjoy a meaningful relationship? There might be more dimension in revealing the humanity of one who is politically anathema to the author. Readers should check out NYC journalist Sparkle Hayter's wacky mysteries. Though I prefer Baltimore!
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