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Editorial Reviews
Amazon.com
By 1969, black artists were following rock's lead and recording extended epics. At the forefront of such experimentation was big bad Isaac Hayes, coauthor of countless Stax classics and an artist in his own right. On this, his second album, Hayes takes two MOR-pop benchmarks, Burt Bacharach's "Walk On By" and Jimmy Webb's "By the Time I Get to Phoenix," and spins them out into slow-building sermons lasting 12 and 18.5 minutes apiece. Heavily romantic, they predate by two years Barry White's symphonic adventures in the same style, revolutionizing soul music in the process. Meanwhile, on the album's third epic, the 10-minute "Hyperbolicsyllabicsesquedalymistic," Hayes and his backing band the Bar-Kays wind up sounding, bizarrely, like a black Crazy Horse. --Barney Hoskyns
Product Description
Hot Buttered Soul (Remastered) by Isaac Hayes
This product is manufactured on demand using CD-R recordable media. Amazon.com's standard return policy will apply.
Customer Reviews
Most Helpful Customer Reviews
31 of 35 people found the following review helpful
By Nathan
Format:Audio CD
...but, oh, how lovely it is to travel. Isaac Hayes went into the recording studio back in 1969 with his the Bar-Kays as his backing band and created something magical and timeless that is beyond comparison from anything else I've ever heard. With only four numbers present here, it'd be easy to second-guess picking this up, but if you do you are a sucker, because you just don't understand how strong and potent this album is. It's almost ridiculous how many rappers have sampled this material, and how many times they've done it at that, but none of 'em, NONE OF 'EM could amass the emotion and skill that Brother Ike amassed into these four incredible numbers. The opener 'Walk on By' is not to be messed with for nothin'. The intro is hypnotic and intoxicating, stretching on for over two minutes before Brother Ike's mournful and dour voice comes in to sing his frustration and sadness away. Is' a rough number if you lived through it, but it's good fa' the soul. What follows is jus' somethin' funky, fa'real, an' I'm'a try an' spell it all out fa' you. 'Hyperbolicsyllabicsesquedalymistic' is down-and-dirty gut-bucket funktified soul. Rhodes electric piano, classic guitar riffs, and that repetitive piano that Public Enemy jus' loves to sample. Oh, what a classic piece 'a work. I'm surprised lotsa these reviews don't seem to think too highly of 'One Woman' 'cause I can't get enough of that number. It's sweeter and more easy-going than the other three, but it's no less strong. I first tooke heavy notice of it while I was stuck in traffic on the highway on my way to my girl's house an' I heard Brother Ike say "I fight my way through the five o'clock rush hour, as daylight slowly leaves the sky..." That stuff gave me chills, fa'real. The good kinda chills when you can't wait for those loving arms of that special someone to greet you, like they always do at the end of everyday. It's just a nice poetic song, irreplaceable if you ask me. Alright, but the truth is that the next number is the real tear-jerker. For the first eight or nine minutes of 'By the Time I Get to Phoenix' there is nothing in the back ground but a hypnotic thumping bassline and Brother Ike telling a truly heartbreaking story of a man and a woman wo were in love, well, at least the man was in love, you know? ("But, y'see, girls, I don't mean to come down on you, but this man LOVED this woman so, but, they say love is blind...") If you're feelin' it, then when the song finally kicks in, you should already be reduced to a puddle of tears. Then all you can do is moan an' wail along with Isaac about bein' a prisoner of love who will never be free.
Fellas, if you've ever had your heartbroken, an' you intend to get anything outta reading this review, it should be to not go another day without this masterpiece. If your lovelorn, sad, an' need somethin' to feed your sadness, or somethin' to keep you in touch with your spirit and soul, then this is the album to pick up. It's by all means one'a the baddest and best soul albums of ALL TIME, flawlessly performed from start to finish. Like I said, it's a long and lonely road, but it's a lovely one to travel. Again and again.
17 of 18 people found the following review helpful
Format:Audio CD|Amazon Verified Purchase
MAN!!--MAN!!--MAN!!
The memories for me associated with this classic album! (-:
It brings back my childhood watching my parents and older cousins
"do their thing" at the house parties, card parties, BBQ's/Fish-Fries, etc.
that they would throw in my family back then when they were all young
and many who are gone now were still around.
Issac Hayes served notice to the musical world of 1969
that HIS MOMENT had indeed ARRIVED and he was so much more
than just being part of the great Stax Records songwriting/producing
team of Hayes & Porter, who had given the label it's core sound
during the mid 60's with classics performed by Sam & Dave, Otis Redding
and others. This was a MAJOR DEPARTURE from the standard STAX sound
and a glimpse into the bright & funky future of the 1970's and beyond!
I always say that Curtis Mayfield, Sly Stone, Issac Hayes, Stevie Wonder
and Marvin Gaye did more to establish that black music was so much more
sophisticated than it's simple gut-bucket beginnings than any other artists
of their generation. They were the forerunners for Barry White, P-Funk,
The Isley Brothers 70's T-Neck Years, and many others that came after them.
From the opening notes of Issac Hayes' classic sleek, seductive and
infinitely funky re-working of the Burt Bachrach/Hal David via Dionne Warwick
1964 pop classic "WALK ON BY", you just know that this is something very special!
The sweeping orchestration is epic!---The funky-as-a-pot-of-chittlins rhythm section,
replete with fuzztone & wah-wah guitars, percolating bass line, echoplex &
other trippy psychedelic effects, and drums that sounded like the drummer
reached way back and came down on the snare with such force that the drum kit had
to be riveted to the floor! This is an 11 minute soul-funk opus that is just
timeless and still BAD 2 DEATH 40 years later!!
So many hip-hop careers have been made sampling from the riffs
and licks off of Issac Hayes's 1969-1973 work that it's ridiculous!
But not just hip-hop and R&B, but pop, rock and alternative too! (Oh yeah!)
He has to be right up there with James Brown, Sly Stone, P-Funk, Curtis Mayfield
and others for number of songs dissected, sampled, and in some cases, downright
plagiarized by hip-hop and modern R&B producers who have the nerve to label themselves
as modern musical geniuses! HA!!--Yeah, right! (-:
Track 2 is another one of those almighty funk-rock bomb jamz which influenced
so many generations since then and has been sampled to death....
The stank-funky 9-plus minutes long "HYPERBOLICSYLLABISTICSESQUEDALYMYSTIC",
with it's heavy wah-wah, rolling way-out piano, sick bassline, more of
that hellacious drumming...
MAN!!---It's just southern-pimp-a-delic-groovalistic-funk at it's best! (-:
Track 3 is a relatively short (5-plus minute) exercise in soulful romance
advice called "ONE WOMAN", where Brother Ike basically sermonizes the virtues
of finding, loving and sticking with THAT ONE good woman or man in your life!
Track 4, and amazingly the final track on the album is Issac's classic
re-working of Jimmy Webb's country classic "By The Time I Get To Phoenix",
which introduced the world to one of Ike's trademark "raps"
over a sustained organ chord, with sparse bass line and rimshot/high-hat
timekeeping underneath as Issac spins an 8-plus minute tale, building & building,
finally climaxing into the actual song, replete with horns and strings,
which lasts a full 18 minutes and 42 minutes! WOW!!
Let me tell those who don't know already....this was a very innovative
album for it's time and changed the game on so many levels:
The length of what a song could be, arranging & orchestration,
production techniques which were cutting edge for black music at that time,
everything was all about BIG RICH SOUND!!
Issac Hayes voice was also innovative for that time and his baritone crooning
filled with longing and sensitivity while still maintaining his masculinity
and that low bass rumble which drove the women crazy of that time!
No disrespect to the late great Maestro Barry White, but Issac Hayes had
planted that flag in the "soul dirt" 5 yrs before him! (-:
This album was also perfect for the then new & emerging FM RADIO,
where emphasis was being placed on whole albums instead of just 2 minute singles like before.
This album was a HUGE SELLER in it's time and literally saved STAX records,
who had foolishly signed away the rights to their previous publishing catalogue
and all the great artists and songs therein to Atlantic Records in May of 1968.
Damn!!--Talk about bone-head moves!
After an unsuccessful attempt before this album for Issac Hayes to go solo
and break free of the whole behind-the-scenes staff songwriter-producer
thing, "HOT BUTTERED SOUL" was his second attempt, and boy did it work!
Again, I can't emphasized enough how important and influential this record
was in it's time, and it's influence extends way into the future!
If you haven't listened to it before, PLEASE CHECK IT OUT!!
A BONNIFIED SOUL/FUNK CLASSIC that has been remastered to perfection!
REST IN PEACE ISSAC HAYES aka BLACK MOSES!! (1942-2008)
The memories for me associated with this classic album! (-:
It brings back my childhood watching my parents and older cousins
"do their thing" at the house parties, card parties, BBQ's/Fish-Fries, etc.
that they would throw in my family back then when they were all young
and many who are gone now were still around.
Issac Hayes served notice to the musical world of 1969
that HIS MOMENT had indeed ARRIVED and he was so much more
than just being part of the great Stax Records songwriting/producing
team of Hayes & Porter, who had given the label it's core sound
during the mid 60's with classics performed by Sam & Dave, Otis Redding
and others. This was a MAJOR DEPARTURE from the standard STAX sound
and a glimpse into the bright & funky future of the 1970's and beyond!
I always say that Curtis Mayfield, Sly Stone, Issac Hayes, Stevie Wonder
and Marvin Gaye did more to establish that black music was so much more
sophisticated than it's simple gut-bucket beginnings than any other artists
of their generation. They were the forerunners for Barry White, P-Funk,
The Isley Brothers 70's T-Neck Years, and many others that came after them.
From the opening notes of Issac Hayes' classic sleek, seductive and
infinitely funky re-working of the Burt Bachrach/Hal David via Dionne Warwick
1964 pop classic "WALK ON BY", you just know that this is something very special!
The sweeping orchestration is epic!---The funky-as-a-pot-of-chittlins rhythm section,
replete with fuzztone & wah-wah guitars, percolating bass line, echoplex &
other trippy psychedelic effects, and drums that sounded like the drummer
reached way back and came down on the snare with such force that the drum kit had
to be riveted to the floor! This is an 11 minute soul-funk opus that is just
timeless and still BAD 2 DEATH 40 years later!!
So many hip-hop careers have been made sampling from the riffs
and licks off of Issac Hayes's 1969-1973 work that it's ridiculous!
But not just hip-hop and R&B, but pop, rock and alternative too! (Oh yeah!)
He has to be right up there with James Brown, Sly Stone, P-Funk, Curtis Mayfield
and others for number of songs dissected, sampled, and in some cases, downright
plagiarized by hip-hop and modern R&B producers who have the nerve to label themselves
as modern musical geniuses! HA!!--Yeah, right! (-:
Track 2 is another one of those almighty funk-rock bomb jamz which influenced
so many generations since then and has been sampled to death....
The stank-funky 9-plus minutes long "HYPERBOLICSYLLABISTICSESQUEDALYMYSTIC",
with it's heavy wah-wah, rolling way-out piano, sick bassline, more of
that hellacious drumming...
MAN!!---It's just southern-pimp-a-delic-groovalistic-funk at it's best! (-:
Track 3 is a relatively short (5-plus minute) exercise in soulful romance
advice called "ONE WOMAN", where Brother Ike basically sermonizes the virtues
of finding, loving and sticking with THAT ONE good woman or man in your life!
Track 4, and amazingly the final track on the album is Issac's classic
re-working of Jimmy Webb's country classic "By The Time I Get To Phoenix",
which introduced the world to one of Ike's trademark "raps"
over a sustained organ chord, with sparse bass line and rimshot/high-hat
timekeeping underneath as Issac spins an 8-plus minute tale, building & building,
finally climaxing into the actual song, replete with horns and strings,
which lasts a full 18 minutes and 42 minutes! WOW!!
Let me tell those who don't know already....this was a very innovative
album for it's time and changed the game on so many levels:
The length of what a song could be, arranging & orchestration,
production techniques which were cutting edge for black music at that time,
everything was all about BIG RICH SOUND!!
Issac Hayes voice was also innovative for that time and his baritone crooning
filled with longing and sensitivity while still maintaining his masculinity
and that low bass rumble which drove the women crazy of that time!
No disrespect to the late great Maestro Barry White, but Issac Hayes had
planted that flag in the "soul dirt" 5 yrs before him! (-:
This album was also perfect for the then new & emerging FM RADIO,
where emphasis was being placed on whole albums instead of just 2 minute singles like before.
This album was a HUGE SELLER in it's time and literally saved STAX records,
who had foolishly signed away the rights to their previous publishing catalogue
and all the great artists and songs therein to Atlantic Records in May of 1968.
Damn!!--Talk about bone-head moves!
After an unsuccessful attempt before this album for Issac Hayes to go solo
and break free of the whole behind-the-scenes staff songwriter-producer
thing, "HOT BUTTERED SOUL" was his second attempt, and boy did it work!
Again, I can't emphasized enough how important and influential this record
was in it's time, and it's influence extends way into the future!
If you haven't listened to it before, PLEASE CHECK IT OUT!!
A BONNIFIED SOUL/FUNK CLASSIC that has been remastered to perfection!
REST IN PEACE ISSAC HAYES aka BLACK MOSES!! (1942-2008)
12 of 13 people found the following review helpful
By mediaagent
Format:Audio CD
Let me just start off by saying I was 3yrs old when this "Album" came out. And I remember that every one of my relatives had this album (including my mom and grandparents). Everyone would be partying and playing this album. (Ours is worn out....believe me).
You know how a song can trigger a memory? Well, I saw movie "Dead Presidents" (great soundtrack CD), and Issac's "Walk on By" is included in movie (where they count the money). All of a sudden, I remembered this cut! I heard it so many times in my childhood. So I had to see if HOT BUTTERED SOUL was released on CD.
Thank god it is! Honey, this is soul music at its finest. Issac Hayes does not get the credit he deserves in music history. Forget Dionne Warwick's version, Issac Hayes is the BEST version I've ever heard. The horns, the violins, the melody, the man is BAD! This has got to be the best musical introduction I have ever heard in my life!
Then you get to "Hyperbolicsyllabicsesquedelamystic"...I have NO IDEA what the hell this means, but I feel the smoke, the sweat, the sex, the incense, the energy of this cut. I tell you, they just don't make them like this anymore.
You want some soul, get HOT BUTTERED SOUL. Issac may be "Chef" on SOUTH PARK now, but he's a musician always. In heart and soul.
Most Recent Customer Reviews
5.0 out of 5 stars
Can never go wrong with Ike. Innovator, creative genius and multi...
Have the album already but needed it in compact disc. Isaac Hayes will always be remembered for his ground breaking movie theme song Shaft, however his coverings of other classic... Read more
Published 1 day ago by Johantz Caine
4.0 out of 5 stars
Good soul music
Bought it for hubby. He loves it and so do I. I actually the cd and iTunes. This sound will last forever.
Published 1 month ago by BReid1
5.0 out of 5 stars
This is what Soul sounds like.
Not everything he has done has aged as well as this and it is true that he repeated the formula to lesser (though still great) results on Isaac Hayes Movement, To Be Continued, and... Read more
Published 1 month ago by michael j. sweeney
5.0 out of 5 stars
Black Moses
By the time I get to Phoenix, she will be waiting and I will be gone, this standard is the standard
Published 1 month ago by Steven Lott
5.0 out of 5 stars
Iaac Hayes fan
This cd is the bomb!! Isaac Hayes can not be replaced and is solely missed! I am trying my best to collect as many cd's as I possibly can. Read more
Published 2 months ago by mary webb
5.0 out of 5 stars
Top Soul Classic
If this isnt a top soul classic then I dont know what is. This has to be one of the top Soul records of all time. Its the record that made Mr. Hayes famous, and with good reason.
Published 2 months ago by MarcS
5.0 out of 5 stars
The best
The best by the time I get to phenix Is the best song ever well one of them that is
Published 2 months ago by james corry
5.0 out of 5 stars
I love all of Isaac's music
I have no problem recommending Isaac's music to anyone especially to those who think rap songs were the first songs to have a beat.
Published 2 months ago by Searching
5.0 out of 5 stars
An album I should have had all along
After watching the TV1 Unsung episode on Isaac Hayes, I realized that I didnt have any of his music in my collection. Read more
Published 3 months ago by Karen Allen
5.0 out of 5 stars
Great!
I like it. It met my needs. I would higly recommend your service to anyone in need of your products.
Published 3 months ago by Lawrence Anderson
