Buxtehude: Trio Sonatas - Trio Sonnerie

Dietrich Buxtehude (Artist), Trio Sonnerie (Artist) | Format: Audio CD

Product Details

• Audio CD (April 23, 1993)
• Number of Discs: 1
• Label: Asv Living Era
• ASIN: B0000030NT
• Average Customer Review: 5.0 out of 5 stars  See all reviews (1 customer review)
• Amazon Best Sellers Rank: #635,574 in Music (See Top 100 in Music)

Track Listings

1. Sonata for 2 violins, viola da gamba & harpsichord in G major, Op. 1/2, BuxWV 253

2. Sonata for 2 violins, viola da gamba & harpsichord in B flat major, Op. 1/4, BuxWV 255

3. Sonata for 2 violins, viola da gamba & harpsichord in D minor, Op. 1/6, BuxWV 257

4. Sonata for violin, viola da gamba & harpsichord in G minor, Op. 2/3, BuxWV 261

5. Sonata for violin, viola da gamba & harpsichord in D major, Op. 2/2, BuxWV 260: No.2 in D major, BuxWV.260

Customer Reviews

Most Helpful Customer Reviews

1 of 2 people found the following review helpful:

5.0 out of 5 stars Held Me Spellbound, November 9, 2008

By 

Leslie Richford (Selsingen, Lower Saxony) - See all my reviews
(REAL NAME)   

This review is from: Buxtehude: Trio Sonatas - Trio Sonnerie (Audio CD)

Dietrich Buxtehude (c. 1637 - 1707): Trio Sonatas Op. 1, Nos. 2, 4 and 6; Op. 2 Nos. 2 and 3. Performed by Trio Sonnerie [Monica Huggett, baroque violin; Sarah Cunningham, viola da gamba; Mitzi Meyerson, harpsichord]. Recorded at St. John's Church, Hackney, London [no date given]. First released in 1987, re-released in 1997 as ASV CD CAU 110. Total time: 47'00".

I wouldn't have thought it very likely: Dietrich Buxtehude, the grand old man of German organ playing around 1700 (yes, the one the young Bach went off to hear at Lübeck) also produced some of the most delightful and daring chamber music of the 17th century. The only way I think I can give an impression of this is by quoting verbatim from Sarah Cunningham's notes. Let's take her description of the Sonata Op. 1; no. 6 in D minor. "It begins innocently enough, with violin and gamba ascending and descending sweetly in thirds in the short opening Grave, followed by an aggressive Allegro fugue based on octave leaps and sequences. But the next rhapsodic slow section, in B flat, is a transition to another world, a whole series of whirling or galloping figures over completely static harmony, interspersed with dreamy though dissonant Adagios. in the midst of all this the harpsichord comes forward with a curious song-like theme, with rhetorical comments by the strings; even the lively 6/8 Poco presto lapses for a few bars in the middle into a mournful Purcellian Poco adagio, before finishing with a final chromatic few bars of Lento. Though the effects are surprising, the architecture is carefully planned."

The performers here (unfortunately there is no information given in the booklet about their instruments) are experts for this kind of music and play not only with virtuoso ability but also with a blind understanding of each other, the violin and the gamba holding musical conversations that held me spellbound. The harpsichord, played by Buxtehude expert Mitzi Meyerson, is rather more in the background, but also contributes to the sheer enjoyment of this disc, the only drop of wormwood being its short playing time of merely 47 minutes. If you like baroque chamber music or German baroque, then obtain this by all means!