Product Details

• Actors: Jane Brakhage, Myrrena Brakhage, Stan Brakhage, A. Austin, Robert Benson
• Directors: Stan Brakhage
• Writers: Stan Brakhage
• Producers: Stan Brakhage
• Format: Black & White, Color, Dubbed, NTSC
• Language: English (Dolby Digital 2.0 Mono)
• Dubbed: English
• Region: Region 1 (U.S. and Canada only. Read more about DVD formats.)
  
• Aspect Ratio: 1.33:1
• Number of discs: 2
• Rated: NR (Not Rated)
• Studio: Criterion
• DVD Release Date: June 10, 2003
• Run Time: 243 minutes
• Average Customer Review: 4.2 out of 5 stars  See all reviews (36 customer reviews)
• ASIN: B000087EYF
• Amazon Best Sellers Rank: #65,984 in Movies & TV (See Top 100 in Movies & TV)
• Learn more about "By Brakhage: Anthology (The Criterion Collection)" on IMDb

Editorial Reviews

Amazon.com

While you go out to see most other kinds of movies, you must go inward to see the extraordinary avant-garde films of Stan Brakhage. Foremost among American experimental film artists, Brakhage influenced the evolution of the moving image for nearly 50 years (his impact is readily seen on MTV), and this meticulously prepared Criterion Collection anthology represents a virtual goldmine of Brakhage's finest, most challenging work. Challenging because--as observed by Brakhage film scholar Fred Camper in the accompanying booklet--these 26 carefully selected films require the viewer to be fully receptive to "the act of seeing with one's own eyes" (to quote the title of one film, consisting entirely of autopsy footage), which is to say, open to the perceptual and psychological responses that are provoked by Brakhage's non-narrative shorts, ranging here from nine seconds to 31 minutes in length. While "Dog Star Man" (1961-64) is regarded as Brakhage's masterpiece, what emerges from this superb collection is the creative coherence of Brakhage's total vision. Through multilayered textures (often painted or scratched directly on film) and infinite combinations of imagery and rhythmic cutting, these films (most of them soundless) represent the most daring and purely artistic fulfillment of Criterion's ongoing goal to preserve important films on DVD. --Jeff Shannon

Product Description

Working completely outside the mainstream, Stan Brakhage has made nearly 400 films over the past half century. Challenging all taboos in his exploration of "birth, sex, death, and the search for God," Brakhage has turned his camera on explicit lovemaking, childbirth, even actual autopsy. Many of his most famous works pursue the nature of vision itself and transcend the act of filming. Some, including the legendary Mothlight, were made without using a camera at all. Instead, Brakhage has pioneered the art of making images directly on film itself––starting with clear leader or exposed film, then drawing, painting, and scratching it by hand. Treating each frame as a miniature canvas, Brakhage can produce only a quarter- to a half-second of film a day, but his visionary style of image-making has changed everything from cartoons and television commercials to MTV music videos and the work of such mainstream moviemakers as Martin Scorsese, David Fincher, and Oliver Stone.

Criterion is proud to present 26 masterworks by Stan Brakhage in high-definition digital transfers made from newly minted film elements. For the first time on DVD, viewers will be able to look at Brakhage's meticulously crafted frames one by one.

Most Helpful Customer Reviews

24 of 28 people found the following review helpful

5.0 out of 5 stars Essential experimental films October 27, 2005

By James L.

I rented this and watched it carefully over a period of days. Now I'm going to buy it from one place or another. It's one of the few DVDs I'd call essential, for me at least.

To answer the one-star reviewers who thought these films are just "pretentous," "boring," or "huh?," I have this to say. "Meh." If this isn't your type of thing at all, then who cares what you think? I won't bother to read your reviews of Xenakis CDs either. Go back to watching "An Officer and a Gentleman" or something.

One reviewer who had something intelligent to say was miffed at the lack of mid-period Brackage films. That's a good point. I didn't get much of a sense of what he was trying to do in the 70's. There's just two from that decade in the set and it's not enough.

But I disagree with this guy about the value of the later films, which do dominate the second disc. I think that they're all very different and intensely fascinating in different ways. I wouldn't recommend watching more than 5 or 6 in one sitting. But if you watch a few in a dark, completely silent setting (I like my noise-blocking headphones), I think you might find that these are some of the most interesting films you could hope to see. These aren't just random paintings on film strung together. There are specific patterns, colors, shapes and movements that dominate each film, as well as the underlying images on the film, all of which give a definite identity to each one. Looking at some of them a second time after a few days I found myself saying, "Oh yeah, that one!" That wouldn't happen if there wasn't some shape or character to the films.

Dog Star Man, the main item on disc 1, is a great film, and lots of people have thought so, for lots of reasons, for a long while. Not much more to say about that.

In the interviews and comments on the disc, Brakhage can sometimes come across as overly arty, referential, and yes, pretentious. But his films aren't at all. Because in the films Brakhage was putting his considerable talent, insight and energy into what he really knew how to do, making something he hadn't seen before, but wanted to see. That's just real explicative-deleted-by-Amazon art, folks.

24 of 29 people found the following review helpful

4.0 out of 5 stars Excellent release by Criterion November 20, 2004

By Ted VINE™ VOICE

Before seeing this anthology, I had never heard of Stan Brakhage. The Criterion Collection did a great service to the experimental film community be releasing 26 of his nearly 400 films. Sadly, he died a few months before this was released and never got a chance to see the finished work. He has been called the Jackson Pollock of filmmakers. Many of his films are hand painted. He would take blank film stock and paint directly on the film.

This release has interviews with Brakhage and audio commentary on selected films. The liner noted contain a description of each film featured.

Disc one contains the following films: "Desistfilm," "Wedlock House: An Intercourse," the "Dog Star Man" quintilogy, and "The Act of Seeing with One's Own Eyes"

Note that "Wedlock house" contains an explict sex scene and "act of seeing" contains extremely graphic footage of a real autopsy.

Disc two contains the others. "Cat's Cradle,"
"Window Water Baby Moving" (Brakhage filmed the birth of his first child Myrrena. The film has graphic content and may offend some people.)
"Mothlight" (moth wings glued to the film stock)
"Eye Myth" (Brahage's shortest film at 9 seconds)
"The Wold Shadow"
"The Garden of Earthly Delights"
"The Stars are Beautiful"
"Kindering"
"I...Dreaming"
"The Dante Quartet"
"Nightmusic"
"Rage Net"
"Glaze of Cathexis"
"Delicacies of Molton Horror Synapse"
"Untitled (For Marylin"
"Black Ice"
"Study in Color and Black and White"
"Stellar"
"Crack Glass Eulogy"
"Dark Tower"
"Commingled Containers"
"Love Song"

This is a must buy for those interested in some of the most unique films ever made. His widow is still living and many of his other films are available for rental in 16mm format.

16 of 19 people found the following review helpful

5.0 out of 5 stars A Haunting Overview of a Life's Work in Film April 25, 2004

By Nicholas Croft

This two-disc DVD set contains twenty-six experimental films by Stan Brakhage. The total playing time is approximately two hundred and forty-three minutes. Three short video encounters of the filmmaker are included on disc two, and a 24-page booklet, of supporting documentation by Fred Camper, is supplied in the deluxe DVD case.

Disc one consists of four films, shot mostly before 1964, with Brakhage in his role as a mountain dwelling family man. Here he photographs a drunken party, scenes of himself making love to his wife and uses extended shots of himself as a woodsman chopping logs. The first three films are mostly edited in an abstract manner, with a generous use of multiple exposures. The fourth film, "The Act of Seeing With One's Own Eyes", is a more literal exploration of the facts surrounding bodily death. It is shot with a sense of reverence and distant objectivity towards the remains of the human body.

Disc two consists mostly of silent films. The first two consist of representational images and deal with both sex and childbirth. Most of the next twenty films were made by hand painting film stock and then using a range of optical printing techniques to achieve an amazing spatial/temporal image sequence variety. The highlight of this set of films is "Untitled ( For Marilyn )" [ 1992 ]. This film intercuts existential poetry, Brakhage's hand film painting techniques and haunting processed photography of a local church.

Much as in the reading of good poetry texts, one should perhaps watch these films a few at a time, in order to savor the nuances available in each work.

The short video "encounters" with the artist suggest, that even with his retrospectives at the Museum of Modern Art, Brakhage wonders whether pursuing a life as a filmmaker might be considered to be madness. One can clearly see the wisdom of his life's choice, however, in the act of viewing these captivating experimental films.