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Bye-Bye [Paperback]

Jane Ransom (Author)
4.3 out of 5 stars  See all reviews (6 customer reviews)

Price: $14.95 & eligible for FREE Super Saver Shipping on orders over $25. Details
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Book Description

January 1, 1999
She is having three affairs at once: with an S&M pornographer, a beautiful woman found through a personal ad, and a randy heterosexual bartender. Two of her lovers don't know her real name...and that's exactly how she wants it. To escape her past, and perhaps find herself, this smart, troubled, and hilariously cynical young New Yorker is fabricating another identity. As Rose Anne Waldin, or Rosie, she doesn't have a mother who still haunts her, nor an ex-husband who kicked her out after her numerous infidelities. But she does have a new apartment, dyed hair, different clothes -- and an obsession with murder. It is Rosie's intention to break society's taboos, test its limits, push the envelope...and get away with a shocking, perhaps violent, act.

With an intoxicating velocity, Bye-Bye pulls us into the netherworld of the New York performance art scene, the steamy arena of sexual pick-ups and put-ons, and the back alleys of a broken heart. Award-winning first novelist and poet Jane Ransom has created a daring black comedy, a psychological thriller edged with an utterly original class of conundrum. Fearless, erotically charged, and ultimately affirming about the catharsis of fantasy, creativity, and desire, Bye-Bye is a fast, literary, brave new read.


Editorial Reviews

From Library Journal

Ransom won the 1996 New York University Press Prize for Fiction for this first novel about a young woman's sexual escapades and search for identity. No one in this novel has a name except for the narrator, Rosie, but even that is just a name she chooses when she decides to change her identity. The other characters are "My Lover," a woman she met after seeing her photographs in a porn magazine; the Bartender, a man who made her a drink at a performance art happening; and the Personal Ad, a bizarre woman she meets through the personals. The author is trying to challenge the reader about conceptions of identity but gets so caught up in trying to be cutting edge that she fails to make the narrator interesting or appealing. The saving grace is Ransom's gift for description and her keen observations. Recommended only where there is an interest in bisexual, literary erotica.?Editha Ann Wilberton, Kansas City P.L., Kan.
Copyright 1997 Reed Business Information, Inc. --This text refers to the Hardcover edition.

From Kirkus Reviews

Often grim, sometimes droll debut (winner of the 1996 New York University Press Prize for Fiction) by poet Ransom. The bisexual narrator can't forget her ruthlessly intelligent mother, whom she helped die with a morphine overdose, and can't escape the ambiance of her ex-husband, who divorced her for infidelity. She also has a schizo brother who thinks he's God, and an alcoholic father she hasn't seen in 18 years. Her fallback is My Lover, a woman who photographs lesbians for the slicks. In a last- ditch attempt to escape her many entanglements and seize control of her life, the narrator changes her identity (becoming Rose Ann Waldin), dyes her hair red, gets a new Social Security number and driver's license, moves, lets no one know who or where she is, and lives off her inheritance. Her loathsome new apartment is decorated with grungy sub-Disney paintings by top serial-murderer John Wayne Gacy--who sold his works by mail before he was executed. New acquaintances or lovers include Personal Ad, an icy high-toned lesbian with a psychology degree (``How do you feel right now?'') whom ``Rose Ann'' meets through a personals ad, and The Bartender, a blithe male lover. Rosie is obsessed by a mysterious performance artist known only as Andorgenie, an androgyne who appears every few months with a new identity, male or female, then discards it. Who or what Andorgenie is, no one knows. Not much happens as Rosie agonizes and flits between lovers, though the admittedly fairly bizarre waiting time has amusing moments: ``While returning the waiter's stare, I had blinked, which My Lover probably mistook for a wink because my Maybelline Extra-Thick Marathon Mascara eyelashes momentarily stuck together.'' The climax: Rosie pulls off her own performance artistry as a bloodsoaked murderess. More flash than fun. -- Copyright ©1997, Kirkus Associates, LP. All rights reserved. --This text refers to the Hardcover edition.

Product Details

  • Paperback: 208 pages
  • Publisher: Washington Square Press (January 1, 1999)
  • Language: English
  • ISBN-10: 0671027085
  • ISBN-13: 978-0671027087
  • Product Dimensions: 7.2 x 4.6 x 0.7 inches
  • Shipping Weight: 7.2 ounces (View shipping rates and policies)
  • Average Customer Review: 4.3 out of 5 stars  See all reviews (6 customer reviews)
  • Amazon Best Sellers Rank: #3,944,706 in Books (See Top 100 in Books)

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Customer Reviews

6 Reviews
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 (5)
4 star:    (0)
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Average Customer Review
4.3 out of 5 stars (6 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

5 of 5 people found the following review helpful:
5.0 out of 5 stars bye-bye, January 19, 2000
This review is from: Bye-Bye (Paperback)
excellent... nothing like it. If you like updike, vonnegut and martin amis this book will make you jump. Best book I've read in years. This is an excellent effort at the highest level of serious fiction. The story is great, the pace and language wonderful.

A definite plus to any collection.

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4 of 4 people found the following review helpful:
5.0 out of 5 stars "Bye-Bye" : a game of esoteric exploration and return, October 19, 1999
By A Customer
This review is from: Bye-Bye (Paperback)
"Bye- Bye" has everything : live characters and dialogues, action, suspense, sex, general statements influenced by different philosophical and psychological theories and some times lyricism .

The protagonist, changes her identity and she gets involved in three love affairs at the same time. And as she tries to escape her past ( her childhood, her mother - her father, her schizophrenic brother and her husband even her current affairs which become past so quickly ) , testing her limits moving forward, I can listen to the poetic motive, which accompanies this "voyage", this adventure : "Bye - Bye".

"Bye - Bye" is both a farewell to a life and an itching for an esoteric exploration, acceptance and catharsis.

In the very beginning, I liked that a woman writer dares to write about sexual fantasies fictionalizing them especially in a country where "people are scandalized by the same thing that they feel excited". But after that, I understood the most important : that the sex scenes are not only "fresh" but also true , tender, lively and essentially linked with the structure and the development of the characters , almost innocent, unapologetic and that's why poetically attractive.

Also, I would like to mention some fragments of the book that I liked very much because of its profundity, of its poetic precision , and because of its lyrical quality. See, for example, in one of them, how beautifully fictionalized are the scenes from the childhood of the protagonist :

"But it was only after my mother ran off with the chairman of my fathers drama department that a force field up sprang up creating The House. It was precisely then that gravity increased ; the floor became hypermagnetized .From then on, objects fell and stuck to it -towels. books, dishes, newspapers, bottles cans, unopened mail, spoiled food...Most of our furniture also snapped, toppled , or sagged floorward.. For some weeks now, every day at 3.30 P.M. I lie face down on the kitchen floor, overwhelmed by the memory of my body growing heavier the moment I entered The House each day after my room , lock the door, and bulldoze through the piles of clothes, magazines, and hair curls to the bed, where I would lie still as a giant slug until evening."

See also the description of the schizophrenic brother :

" But back then, the only tidy place in The House was my brother's room. Within the first month after my mothers flight, he covered his walls with dozens of maps, all nearly Scotch taped or push-pinned in place, and dozens of clocks, all set to same correct time. On all the maps, my brother marked the location of "The House". Like me, he has always been ambitious : the maps varied in range from our township, to the United States, to the entire solar system. Sometimes my brother drew in The House as rectangle, with an isosceles triangle on top. Other times it was a red paper dot stuck on the planet Earth. On his desk , a chess game was perpetually in progress; my brother played both sides. He kept his room bathed in white light twenty four hours per day using ten or so lamps with bare light bulbs."

And listen to the rhythm in this wonderful fragment about the Lover :

" My lover is a puzzle. My lover is an anesthetic. My lover is a religion - a vague, impersonal power , pleasant to surrender to "

And, see, the rare lyrical quality in this sentence from the narration of her mother's death.

" The TV glowed like an arctic sun, twenty- four hours"

"The point of no return" : how strange, how poetically necessary, and poetically charged, how profoundly equivocal and evocative and at the same time perfectly linked with the purity of the memories of her childhood.

" All haunted houses remind me of my mother, as do all points of no return. Mom took me to one on my eighth birthday. A conveyer belt carried us through the dark. We stood upright, moving forward without walking whirrrrrr, as in a dream. Each of us gripped one handrail ( the rails moved in tandem with the belt, as on as escalator ), and held the others hand in the middle. We passed two witches, some skeletons, one werewolf, one vampire, one Frankenstain Whoosh!! Cold win blew against us, the darkness grew absolute, and the conveyer belt dipped downward as if we were falling ; a voice said, " You have reached the point of no return . Bye-byeeeee" I screamed and lunged at my mother. We were propelled past two heavy vinyl flaps , into full daylight . The ride was over.

Whenever we set out to seduce someone or to be seduced, it is always the point of no return to which we aspire After that point there is not going backward , it is going forward ,no matter what , there is no more doubt. ".

Jane Ransom, gifted with poetic profundity, sensibility, and discernment proves to be a real writer who deserves the best compliment : She made us to eagerly want to wait for her next novel.

Help other customers find the most helpful reviews 
Was this review helpful to you? Yes No


3 of 3 people found the following review helpful:
5.0 out of 5 stars "Bye-Bye" : a game of esoteric exploration and return, October 19, 1999
By A Customer
This review is from: Bye-Bye (Paperback)
"Bye- Bye" has everything : live characters anddialogues, action, suspense, sex, general statements influenced bydifferent philosophical and psychological theories and some times lyricism .

The protagonist, changes her identity and she gets involved in three love affairs at the same time. And as she tries to escape her past ( her childhood, her mother - her father, her schizophrenic brother and her husband even her current affairs which become past so quickly ) , testing her limits moving forward, I can listen to the poetic motive, which accompanies this "voyage", this adventure : "Bye - Bye".

"Bye - Bye" is both a farewell to a life and an itching for an esoteric exploration, acceptance and catharsis.

In the very beginning, I liked that a woman writer dares to write about sexual fantasies fictionalizing them especially in a country where "people are scandalized by the same thing that they feel excited". But after that, I understood the most important : that the sex scenes are not only "fresh" but also true , tender, lively and essentially linked with the structure and the development of the characters , almost innocent, unapologetic and that's why poetically attractive.

Also, I would like to mention some fragments of the book that I liked very much because of its profundity, of its poetic precision , and because of its lyrical quality. See, for example, in one of them, how beautifully fictionalized are the scenes from the childhood of the protagonist :

"But it was only after my mother ran off with the chairman of my fathers drama department that a force field up sprang up creating The House. It was precisely then that gravity increased ; the floor became hypermagnetized .From then on, objects fell and stuck to it -towels. books, dishes, newspapers, bottles cans, unopened mail, spoiled food...Most of our furniture also snapped, toppled , or sagged floorward.. For some weeks now, every day at 3.30 P.M. I lie face down on the kitchen floor, overwhelmed by the memory of my body growing heavier the moment I entered The House each day after my room , lock the door, and bulldoze through the piles of clothes, magazines, and hair curls to the bed, where I would lie still as a giant slug until evening."

See also the description of the schizophrenic brother :

" But back then, the only tidy place in The House was my brother's room. Within the first month after my mothers flight, he covered his walls with dozens of maps, all nearly Scotch taped or push-pinned in place, and dozens of clocks, all set to same correct time. On all the maps, my brother marked the location of "The House". Like me, he has always been ambitious : the maps varied in range from our township, to the United States, to the entire solar system. Sometimes my brother drew in The House as rectangle, with an isosceles triangle on top. Other times it was a red paper dot stuck on the planet Earth. On his desk , a chess game was perpetually in progress; my brother played both sides. He kept his room bathed in white light twenty four hours per day using ten or so lamps with bare light bulbs."

And listen to the rhythm in this wonderful fragment about the Lover :

" My lover is a puzzle. My lover is an anesthetic. My lover is a religion - a vague, impersonal power , pleasant to surrender to "

And, see, the rare lyrical quality in this sentence from the narration of her mother's death.

" The TV glowed like an arctic sun, twenty- four hours"

"The point of no return" : how strange, how poetically necessary, and poetically charged, how profoundly equivocal and evocative and at the same time perfectly linked with the purity of the memories of her childhood.

" All haunted houses remind me of my mother, as do all points of no return. Mom took me to one on my eighth birthday. A conveyer belt carried us through the dark. We stood upright, moving forward without walking whirrrrrr, as in a dream. Each of us gripped one handrail ( the rails moved in tandem with the belt, as on as escalator ), and held the others hand in the middle. We passed two witches, some skeletons, one werewolf, one vampire, one Frankenstain Whoosh!! Cold win blew against us, the darkness grew absolute, and the conveyer belt dipped downward as if we were falling ; a voice said, " You have reached the point of no return . Bye-byeeeee" I screamed and lunged at my mother. We were propelled past two heavy vinyl flaps , into full daylight . The ride was over.

Whenever we set out to seduce someone or to be seduced, it is always the point of no return to which we aspire After that point there is not going backward , it is going forward ,no matter what , there is no more doubt. ".

Jane Ransom, gifted with poetic profundity, sensibility, and discernment proves to be a real writer who deserves the best compliment : She made us to eagerly want to wait for her next novel.

Help other customers find the most helpful reviews 
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First Sentence:
I draw her outline, head to toe. Read the first page
Key Phrases - Capitalized Phrases (CAPs): (learn more)
New York, Rose Anne Waldin, Juan Rescate, Totem Gallery, Cupping Room, Double Agent, Humbert Humbert, John Wayne Gacy, Krazy Kat, Social Security
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