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C. P. Cavafy: Collected Poems [Hardcover]

C.P. Cavafy , Daniel Mendelsohn
4.7 out of 5 stars  See all reviews (9 customer reviews)


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Book Description

April 7, 2009
An extraordinary literary event: the simultaneous publication of a brilliant and vivid new rendering of C. P. Cavafy’s Collected Poems and the first-ever English translation of the poet’s thirty Unfinished Poems, both featuring the fullest literary commentaries available in English—by the acclaimed critic, scholar, and award-winning author of The Lost.

No modern poet brought so vividly to life the history and culture of Mediterranean antiquity; no writer dared break, with such taut energy, the early-twentieth-century taboos surrounding homoerotic desire; no poet before or since has so gracefully melded elegy and irony as the Alexandrian Greek poet Constantine Cavafy (1863–1933). Now, after more than a decade of work and study, and with the cooperation of the Cavafy Archive in Athens, Daniel Mendelsohn—a classics scholar who alone among Cavafy’s translators shares the poet’s deep intimacy with the ancient world—is uniquely positioned to give readers full access to Cavafy’s genius. And we hear for the first time the remarkable music of his poetry: the sensuous rhymes, rich assonances, and strong rhythms of the original Greek that have eluded previous translators.

The more than 250 works collected in this volume, comprising all of the Published, Repudiated, and Unpublished poems, cover the vast sweep of Hellenic civilization, from the Trojan War through Cavafy’s own lifetime. Powerfully moving, searching and wise, whether advising Odysseus as he returns home to Ithaca or portraying a doomed Marc Antony on the eve of his death, Cavafy’s poetry brilliantly makes the historical personal—and vice versa. He brings to his profound exploration of longing and loneliness, fate and loss, memory and identity the historian’s assessing eye as well as the poet’s compassionate heart.

With its in-depth introduction and a helpful commentary that situates each work in a rich historical, literary, and biographical context, this revelatory new translation, together with The Unfinished Poems, is a cause for celebration—the definitive presentation of Cavafy in English.


Editorial Reviews

From Publishers Weekly

Starred Review. Already a celebrated critic, memoirist and classicist, Mendelsohn drew together his interests in ancient history, literature, gay life and culture, and beautiful language to produce the finest, most readable version of the modern Greek poet Cavafy (1863–1933) to come along in decades. Cavafy has long been highly regarded by American readers, especially for the straightforward, seemingly timeless, hard-to-pin-down tone of his poems—which alternately revel in and suffer from both ancient Greek history and homoerotic desire—but, as Mendelsohn observes in his deeply impassioned and informative introduction, many American readers overlook those poems that are deliberately set in the obscurer margins, both geographical and temporal, of the Greek past... in favor of the works with more obvious contemporary appeal. With this new, completely annotated, translation, Mendelsohn says he aims to restore the balance, to help readers reanimate Greek history with Cavafy, to see how relevant and pressing his whole oeuvre truly is. This larger volume (Knopf is also publishing Mendelsohn's version of Cavafy's Unfinished Poems, never before translated into English, as a separate volume, reviewed below) contains all the poems by Cavafy we have known in English, from famous works like Ithaka (you will understand, by then, these Ithacas; what they mean) and The First Step (you must claim your right to be/ a citizen of the city of ideas), all rendered with a lucid music. This is likely to be the definitive Cavafy for some time to come. (Mar.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist

*Starred Review* The first decade of the twenty-first century ends as it began, with a new, near-complete translation of Cavafy. But whereas Theoharis Constantine Theoharis’ literarily distinguished Before Time Could Change Them (2001) let several naive impressions of Greek-less readers stand, and Aliki Barnstone’s yet more readable Collected Poems of C. P. Cavafy (2006) did nothing to dispel them, Mendelsohn’s effort corrects them. Besides sketching Cavafy’s rather bland life and appraising his poetry as a whole, the introduction explains Cavafy’s poetic techniques and Mendelsohn’s approximation of them in English. Cavafy’s Greek originals are mostly rhymed, metrically regular verses, in familiar forms early on and relaxing into verse paragraphs as he matured. His diction became more demotic as he developed, though he always used bits of nineteenth-century literary Greek for historical and cultural nuance. This technical information may be revelatory for ardent yet unscholarly admirers of the poetry but should only increase their admiration. More revelation, for those who haven’t ferreted out the historical references in the poems, comes in the 282 pages of notes Mendelsohn has written as clearly and gracefully as the introduction. There are at least three older translations than Mendelsohn’s, Barnstone’s, and Theoharis’, and in them Cavafy is the same. But Mendelsohn has gone the extra mile, so to speak. If it was a great effort for him, it is an immensely gratifying pleasure for Cavafians to follow in his footsteps. --Ray Olson

Product Details

  • Hardcover: 624 pages
  • Publisher: Knopf; First Edition edition (April 7, 2009)
  • Language: English
  • ISBN-10: 0375400966
  • ISBN-13: 978-0375400964
  • Product Dimensions: 6.4 x 1.6 x 9.5 inches
  • Shipping Weight: 1.9 pounds
  • Average Customer Review: 4.7 out of 5 stars  See all reviews (9 customer reviews)
  • Amazon Best Sellers Rank: #502,884 in Books (See Top 100 in Books)

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Customer Reviews

4.7 out of 5 stars
(9)
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Most Helpful Customer Reviews
23 of 24 people found the following review helpful
5.0 out of 5 stars A feast of poetry August 2, 2009
Format:Hardcover
This is a feast of a book.

Thirty years ago I acquired the translation by Keeley & Sherrard, who were friends of the great Cavafy scholar George Seferis . . . at that time, Cavafy was one of those forbidden pleasures like the PARIS AND NEW YORK DIARIES OF NED ROREM, and OUR LADY OF FLOWERS by Jean Genet that were available in serious LA and New York bookshops of the period.

I was bored by Rorem and Gide, but there were a few great Cavafy poems, it seemed to me at the time, for example "Waiting for the Barbarians", that set apart this late 19th century-early 20th century Greek speaking poet who lived in Alexandria, Egypt from the other merely transgressive, but certainly not transcendent, purveyors of illicit literary pleasures.

I almost didn't bother to pick up the Mendelsohn translation when I saw it in a Sydney bookstore this week, because in my mind I had long ago pigeon-holed Cavafy as a second tier poet of historically subtle poems and of ardent, but somewhat tiresome, gay eroticism.

I am so glad that I bought this book. Reading Cavafy in Mendelsohn's translation is a revelation, a rebirth of a splendid poetic sensibility, and also one of the sure signs of the maturity and stature of American culture in the 21st century, for Mendelsohn is an American. This edition is not simply an accidental conjunction between the poet and a scholar who happened to have a relationship with figures close to Cavafy, it is the union of two complementary and deeply sympathetic spirits, that of Cavafy himself and Mendelsohn. We seem to be emerging from a generation-long desert of American cultural mediocrity imposed upon us by the spiritual tyranny of Theory.

Everything about this edition is first class and saturated in learning and great artistic insight. The scholarly apparatus is extensive but non-intrusive and always edifying. Mendelsohn seems to be that rare scholar who is generous in spirit, repeatedly referring in the text by name to colleagues who have made contributions he considers significant to understanding Cavafy--rather than relegating them to footnotes. The way he has chosen to organise the poems, with characteristic thoughtfulness and sympathy, is far superior to the order in Keeley & Sherrard.

I have found it a deeply moving experience to read Cavafy's poetry in this edition. Please note this review doesn't contain even a hint of the wonders of the poetry itself: I want to preserve that as a pristine pleasure for anyone who choses to read Cavafy in this edition
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4 of 5 people found the following review helpful
5.0 out of 5 stars Excellent edition. July 14, 2009
Format:Hardcover|Amazon Verified Purchase
This volume is a real pleasure to read. Start with the introduction to get grounded; then read the poems; then skim through the extensive notes on the poems in the back of the book; then return to the poems you really liked to reread them AND the notes that go with them. Getting to know Cavafy is well worth the time.

I did not find the second volume satisfying, however. The unfinished poems were not up to the ones in the main volume. I'd skip it.
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1 of 1 people found the following review helpful
5.0 out of 5 stars Best on Cavafy November 13, 2011
Format:Hardcover|Amazon Verified Purchase
Best english translation of the Cavafy Poems so far.
And the notes on the poems by the author are fundamental for a full compreensive and relaxing reading.
Great work.
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