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C.S. Lewis: The Signature Classics Audio Collection: The Problem of Pain, The Screwtape Letters, The Great Divorce, Mere Christianity
 
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C.S. Lewis: The Signature Classics Audio Collection: The Problem of Pain, The Screwtape Letters, The Great Divorce, Mere Christianity [Abridged, Audiobook, Unabridged] [Audio CD]

C. S. Lewis (Author), James Simmons (Narrator), Joss Ackland (Narrator), Robert Whitfield (Narrator), Geoffrey Howard (Narrator)
4.7 out of 5 stars  See all reviews (520 customer reviews)

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Book Description

October 4, 2005

Using allegoric narrative, stinging satire, reasoned insight, and his signature wealth of compassion, C.S. Lewis wrote highly entertaining and deeply illuminating essays and books of popular theology that revealed the shared beliefs of Christianity and explored the nature of good and evil. This collection of four of his most imaginative and intelligent works displays a scintillating brilliance that remains strikingly fresh and confirms C.S. Lewis's reputation as one of the leading writers and thinkers of our or any age.

Collection includes:

The Problem of Pain Read by James Simmons
The Screwtape Letters Read by Joss Ackland
The Great Divorce Read by Robert Whitfield
Mere Christianity Read by Geoffrey Howard


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C.S. Lewis: The Signature Classics Audio Collection: The Problem of Pain, The Screwtape Letters, The Great Divorce, Mere Christianity + Bonhoeffer: The Cost of Freedom (Radio Theatre) + The Screwtape Letters: First Ever Full-cast Dramatization of the Diabolical Classic (Radio Theatre)
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Editorial Reviews

About the Author

Clive Staples Lewis (1898-1963) was one of the intellectual giants of the twentieth century and arguably the most influential Christian writer of his day. He was a Fellow and Tutor in English literature at Oxford University until 1954 when he was unanimously elected to the Chair of Medieval and Renaissance English at Cambridge University, a position he held until his retirement. His major contributions in literary criticism, children's literature, fantasy literature, and popular theology brought him international renown and acclaim. He wrote more than thirty books, allowing him to reach a vast audience, and his works continue to attract thousands of new readers every year. His most distinguished and popular accomplishments include The Chronicles of Narnia, Out of the Silent Planet, The Four Loves, The Screwtape Letters, and Mere Christianity.


Clive Staples Lewis (1898-1963) fue uno de los intelectuales mÁs importantes del siglo veinte y podrÍa decirse que fue el escritor cristiano mÁs influyente de su tiempo. Fue profesor particular de literatura inglesa y miembro de la junta de gobierno en la Universidad Oxford hasta 1954, cuando fue nombrado profesor de literatura medieval y renacentista en la Universidad Cambridge, cargo que desempeÑÓ hasta que se jubilÓ. Sus contribuciones a la crÍtica literaria, literatura infantil, literatura fantÁstica y teologÍa popular le trajeron fama y aclamaciÓn a nivel internacional. C. S. Lewis escribiÓ mÁs de treinta libros, lo cual le permitiÓ alcanzar una enorme audiencia, y sus obras aÚn atraen a miles de nuevos lectores cada aÑo. Sus mÁs distinguidas y populares obras incluyen Las CrÓnicas de Narnia, Los Cuatro Amores, Cartas del Diablo a Su Sobrino y Mero Cristianismo.

From AudioFile

Here are four classic Lewis works, all originally published before his Narnia series, each different than the next. MERE CHRISTIANITY, based on a series of wartime radio talks, plays extremely well, as befitting material originally written to be experienced aurally. Likewise THE SCREWTAPE LETTERS, which sound as conversational as from an uncle (albeit an adversarial one). THE PROBLEM OF PAIN, however, deals with matter too deep for a casual listen; even brief lapses in concentration will result in either confusion or rewinding. The material, although illuminating, is dense, better read than heard. THE GREAT DIVORCE delivers nuanced individual characterizations and instills in the listener the suddenness and wonder of its ending. These four, along with the curiously missing ABOLITION OF MAN, comprise the majority of Lewis's output 1940-45. S.M.M. 2006 Audie Award Finalist © AudioFile 2006, Portland, Maine-- Copyright © AudioFile, Portland, Maine

Product Details

  • Reading level: Ages 18 and up
  • Audio CD
  • Publisher: HarperAudio; Unabridged edition (October 4, 2005)
  • Language: English
  • ISBN-10: 0060825782
  • ISBN-13: 978-0060825782
  • Product Dimensions: 5.8 x 5.3 x 2.2 inches
  • Shipping Weight: 1.2 pounds (View shipping rates and policies)
  • Average Customer Review: 4.7 out of 5 stars  See all reviews (520 customer reviews)
  • Amazon Best Sellers Rank: #53,744 in Books (See Top 100 in Books)

More About the Author

Clive Staples Lewis (1898-1963), known as Jack to his friends, was one of the intellectual giants of the twentieth century and arguably the most influential Christian writer of his day. He was a Fellow and Tutor in English literature at Oxford University until 1954, when he was unanimously elected to the Chair of Medieval and Renaissance English at Cambridge University, a position he held until his retirement. His major contributions in literary criticism, children's literature, fantasy literature, and popular theology brought him international renown and acclaim. Lewis and his good friend J. R. R. Tolkien, the author of the The Lord of the Rings, were part of the Inklings, an informal writers' club that met at a local pub to discuss story ideas. Lewis's fascination with fairy tales, myths, and ancient legends, coupled with inspiration drawn from his childhood, led him to write The Lion, the Witch and the Wardrobe, one of the best-loved books of all time. Six further books followed to become the immensely popular The Chronicles of Narnia. The final title in the series, The Last Battle, won the Carnegie Medal, one of the highest marks of excellence in children's literature. His other distinguished and popular accomplishments include Out of the Silent Planet, The Four Loves, The Screwtape Letters, and Mere Christianity.

 

Customer Reviews

520 Reviews
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Average Customer Review
4.7 out of 5 stars (520 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

323 of 337 people found the following review helpful:
5.0 out of 5 stars I wish I'd read this book many years ago..., June 18, 2000
I'd recommend this be one of the first books you read as you start your spiritual journey. This is a profound book that will jolt you awake from your apathetic musings and stir you to the depths of your soul.

I was a Christian for 12+ years before I picked up this little volume and it was of inestimable worth for me, but I regretted not having read it much sooner.

It's one of those books (like E. L. Prentiss's "Stepping Heavenward") that feels like it was written JUST for you. "Screwtape Letters" has that same feel - that C. S. Lewis crawled into your consciousness and described every mental battle you've ever had - and explains that those subtle arguments which steered you away from spiritual growth, were cleverly disguised devilish whispers. As Lewis points out, the path to hell is a gentle slope.

I highly recommend this book to anyone who wants to learn how to differentiate between God's thoughts and the lies of evil. "Screwtape Letters" pulls back the curtain and reveals evil's best kept secrets and oh-so subtle tricks.

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79 of 81 people found the following review helpful:
4.0 out of 5 stars a wise little book, May 6, 2000
This book was assigned reading when I was in 8th grade at a Catholic school. I remember I had no appreciation for it whatsoever at the time. I couldn't relate to the protagonist or his travails in wartime England. Perhaps one needs a little time in this world to appreciate the delicious simplicity of Lewis' allegory. Having read it recently I was struck by the wisdom, strength and genuine spiritualism this book exudes. One needn't, as commented upon elsewhere, be a believer to appreciate this work. Lewis never tries to foist any doctrinaire agenda upon the reader. Neither is he didactic. All that comes across (to this reader, at least) is a sense of hard-won wisdom. It offers some hints about how we might find a bit of peace and happiness on this earth if we are willing to think a little less selfishly and are able to set our powerful egos aside for awhile. I wish that those readers who wasted their money on The Celestine Prophecy and thought it provided wonderful spiritual insight would turn their attention Lewis' way. Here is the matter simply stated, without some wayward attempts at new-age jingoism.
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216 of 233 people found the following review helpful:
5.0 out of 5 stars Speak of the Devil, December 28, 2005
By 
Mark Blackburn (Winnipeg, Manitoba Canada) - See all my reviews
(REAL NAME)   
This review is from: The Screwtape Letters (Paperback)
Today I loaned a copy of "Screwtape" to a young woman - the receptionist where I work -- who just celebrated her 21st birthday. I HOPE she enjoys it, even as I wonder if a fifty year old book could strike a chord with her -- the way it did with me, when I was her age. She seemed eager enough to borrow a copy (I have two) just as soon as I described the book's delightful premise:

"Screwtape" I told her, "is letters from a senior devil to a junior devil - and it's the funniest thing C.S. Lewis ever wrote - Have you heard of C.S. Lewis?" I asked. "No? Well he authored `Narnia.' (Neither of us has seen the movie yet.)

I told her 'Screwtape' is funny because (like all good humor) it seems so TRUE. Or at least you want to BELIEVE it's real, as `Screwtape' the experienced devil coaches his nephew `Wormwood' in his first assigned task: to "secure the damnation" of his 'patient' -- a young man who has just become a Christian.

As with "Narnia," the story unfolds in wartime (WWII) England. That's a long time ago for someone 21 years old and "I'm really interested" I said "to find out if the 'dialogue' of this book still speaks to someone your age."

"Personally, I think it would make good movie" I said. "It has been made into a talking book - read, I think, by John Cleese - the funny guy who starred in the movie `A Fish Called Wanda" - I read somewhere he's recorded a version of `Screwtape.' "

----

So . . after loaning that copy of "Screwtape" today, I opened, at random, my OTHER copy -- it fell open to page 24 -- and I re-discovered why I've loved this book so much for so many years.

It's the sort of book you can open almost anywhere - years after you first read it -- and find yourself laughing out loud - and falling in love once again, with the written magic of C.S. Lewis at his 'finest hour.' Well here, if you can spare two minutes -- get comfortable and see if this random sampling, from page 24, "Chapter IV" -- 'speaks' to YOU:

----

"My dear Wormwood, The amateurish suggestions in your latest letter warn me that it is high time for me to write to you fully on the painful subject of prayer . . .

"The best thing, where possible, is to keep the `patient' (the young man who is spiritually up for grabs) from the serious intention of praying. When (someone like him) is an adult, recently re-converted to the Enemy' (Screwtape's term for Christianity's founder) - such as your man, this is best done by encouraging him to remember - or to THINK he remembers - the parrot-like nature of his prayers in childhood.

"In reaction against that, he may be persuaded to aim at something entirely spontaneous, inward, informal, and `un-regularized' And what this will actually mean to a beginner will be an effort to produce in himself a vaguely devotional MOOD . . . in which real concentration of will and intelligence have no part.

"One of their poets, Coleridge, has recorded that he did not pray `with moving lips and bended knees' but merely `composed his spirit to love' and indulged a `sense of supplication.' That is EXACTLY the sort of prayer we want; and since it bears a superficial resemblance to the prayer of silence, as practiced by those who are far advanced in the Enemy's service, clever and lazy `patients' can be taken in by it for quite a long time.

"At the very LEAST, they can be persuaded that the bodily position makes no difference to their prayers; for they constantly forget what you must always remember, that they are animals and that whatever their bodies do affects their souls.

"It is funny how mortals always picture us as putting things into their minds: in reality our best work is done by keeping things OUT.

"If this fails, you MUST fall back on a subtler misdirection of his intention. Whenever they are attending to the Enemy Himself we are defeated, but there are ways of preventing them from doing so. The simplest is to turn their gaze away from Him towards themselves.

"Keep them watching their own minds and trying to produce FEELINGS there, by the action of their own wills. (So that) when they meant to ask Him for Charity, let them instead start trying to manufacture charitable feelings for themselves - and not notice that this is what they are doing.

"When they are meant to pray for courage, let them really be trying to FEEL brave. When they say they are praying for forgiveness, let them be trying to FEEL forgiven. Teach them to estimate the value of each prayer by their success in producing the desired feelings, and NEVER let them suspect how much success or failure of that kind depends on whether they are well or ill, fresh or tired, at the moment.

"But of course, the Enemy will not meantime be idle. Whenever there is prayer there is danger of HIS own immediate action. He is cynically indifferent to the dignity of HIS position (and to OURS as pure spirits!) and to human animals on their knees He pours out self-knowledge in quite shameless fashion.

"But even if He defeats your first attempt at misdirection, we have a subtler weapon . . ."

After describing that more subtle `weapon' in detail, -- and it concerns the true nature of God as opposed to the `composite images' that can be "derived from pictures of the Enemy as He appeared during (His) Incarnation" (20 centuries earlier) Screwtape advises his green nephew:

"Whatever the nature of his composite (picture of the `Enemy') you must keep your `patient' praying to IT - to the thing that he has made - be it something in his own head or a crucifix on the wall - and NOT to the Person who has made him.

"You may even encourage him to attach great importance to the correction and improvement of his composite object, and to keep it steadily in his imagination during the whole prayer. For if he ever comes to make the distinction, if ever he consciously directs his prayers `Not to what I think thou art, but to what thou knowest thyself to be,' our situation is, for the moment, desperate."

The good news, says the `senior devil,' is that, "in avoiding this situation - the real nakedness of the human soul in prayer - you will be helped by the fact that the humans themselves do not desire it as much as they suppose. There's such a thing as getting more than they bargained for!"

That "more than they bargained for," Screwtape explains (earlier in this same chapter) is that humans (at least the majority, who are far from saints) - "have never known that ghastly luminosity, that stabbing and searing glare (of true self-knowledge) which makes the background of permanent pain in our own lives (as devils).

Your affectionate uncle,

Screwtape.

-----

Late in life C.S. Lewis was asked WHY he never wrote a sequel (apart from a few pages entitled, "Screwtape Proposes a Toast"). The greatest of Christian `apologists' replied in effect, that it "hurt" him too much -- to maintain within himself the necessary state-of-mind where he was thinking purely as a devil -- in order that Screwtape's words could pour from his pen onto paper.

Living 'inside' "Screwtape" Lewis experienced an exhausting -- even terrifying -- spiritual/psychological torment that he was NEVER prepared to re-visit. Despite the fact this little book was, until "Narnia," his most enduring source of fame - so much so, it got C.S. Lewis onto the cover of TIME magazine -- fifty years ago -- a red cartoon devil on his shoulder, poised -- it seemed -- to whisper sweet words of prideful praise into Lewis' deaf ear.

Mark Blackburn
Winnipeg Canada
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