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CARTOONS: ONE HUNDRED YEARS OF CINEMA ANIMATION [Hardcover]

GIANNALBERTO BENDAZZI (Author)
3.9 out of 5 stars  See all reviews (8 customer reviews)


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Hardcover, 1994 --  
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Product Details

  • Hardcover: 514 pages
  • Publisher: JOHN LIBBEY CINEMA AND ANIMATION; English ed edition (1994)
  • Language: English
  • ISBN-10: 0861964462
  • ISBN-13: 978-0861964468
  • Average Customer Review: 3.9 out of 5 stars  See all reviews (8 customer reviews)
  • Amazon Best Sellers Rank: #5,676,246 in Books (See Top 100 in Books)

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Customer Reviews

8 Reviews
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Average Customer Review
3.9 out of 5 stars (8 customer reviews)
 
 
 
 
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5 of 5 people found the following review helpful:
5.0 out of 5 stars Great Documentation of Artistic Animation. Not your average animation history book., July 6, 2008
It's clear that the author derives the majority of his references from Europe's history of Animation, which might explain why many people have not heard of the animators he talks about. But considering that these artists did take part in the history behind animation, it is good that Bendazzi made the effort to bring their names to light. He makes some remarks and does look at other countries, such as America's infamous Walt Disney and Japan's rising anime films, but for the most part, he concentrates on the growth within Europe's artistic groups.

This book is less about the big names in cinematic animation and more about the independent artists and studios who worked in animation during a time when the animator's names and the dates their works were created weren't exactly recorded and copyrighted properly. Many of the animators here can also be identified as fine artists, often working experimentally within the media. This is how animation as cinema started (way before the time of Walt Disney and his overshadowing fame) and is continuing to be produced on the other side of Hollywood.

This book definitely has a text-book feel, but as far as a text book goes, it's not too terribly dry. It's informative and gives a very in-depth look at animation, from its beginning as optical illusions to the cinematic phenomena it has become today.

Also, as a final personal comment, this book is like a documentation of the independent films (as well as mainstream films) of the animation industry. Most people will not have seen them (unless they have access to an animation/video library), but that doesn't mean the films aren't important to history.
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8 of 10 people found the following review helpful:
5.0 out of 5 stars As a fan of cinema history I found this book enlightening!, November 13, 1998
By A Customer
I found this book filled in many gaps I had of my early cinema knowledge. Often making references to many little known events, it set the stage for what was to become mainstream animation.
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17 of 23 people found the following review helpful:
2.0 out of 5 stars Better with some revisions., May 11, 1998
By A Customer
As a brazilian animator I tried to start to read this book by the Latin american section, and comprehensively, by the one that shows the status of animation in my country, Brazil, a reality that I know very well.I don't know where Mr. Bendazzi got his informations for this part of the book.What I know is that it's full of strange or, at least unknown names of people for most of the brazilian animators, illustrators figuring as animators, besides the absence of five or six of the really most important animators in my country.Because of all that,I'm affraid the rest of the book, at least in those sections telling about the animation in Latin America still needs to be revised.
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Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
mated drawings, animated cutouts, animated puppet films, animation cinema, animation edited, puppet animator, cel process, animated cinema, théâtre optique, live action cinema, abstract cinema, puppet animation, animated puppets, first animated film, independent animators, young animators, other animators, second feature film, abstract films, animated feature film, animated works, clay animation, monograph issue, lightning sketches, animation department
Key Phrases - Capitalized Phrases (CAPs): (learn more)
Colour Plate, United States, World War, Great Britain, Walt Disney, Western Europe, National Film Board, Los Angeles, Mickey Mouse, Snow White, Tex Avery, Emile Cohl, John Hubley, Bugs Bunny, Eastern Europe, Len Lye, New Zealand, Van Beuren, John Whitney, Chuck Jones, James Whitney, Walter Lantz, Jordan Belson, Oskar Fischinger, William Moritz
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