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CHORUS AND COMMUNITY
 
 
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CHORUS AND COMMUNITY [Paperback]

Karen Ahlquist (Editor)

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Book Description

September 14, 2006
Karen Ahlquist's "Chorus and Community" represents the first focused look at choruses not only as a source of music, but as organizations that come together for aesthetic, social, political, and religious purposes, and are found throughout history, cultures, and around the world. The volume's thirteen essays discuss groups, including an East African chorus; groups from nineteenth-century England, Germany, and America; early twentieth-century Russian Menonites; barbershops; Soviet workers' clubs; a Sardinian brotherhood; an Australian symphonic choir; women's garment workers in Pennsylvania; and gay and lesbian choruses. The essays range from the celebratory to the analytical and critical, but they collectively work to demonstrate that these diverse choruses not only make music, but may also use it to foster an idealized social system. One essay shows the surprising power of a chorus to influence social change by examining the African American Fisk Jubilee Singers' 1877 trip to the Netherlands, where they reminded Dutch audiences of their nation's participation in the slave trade. An accompanying CD illustrates the choruses and traditions discussed in the book.

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Editorial Reviews

Review

"This book represents a timely and excellent contribution to choral music scholarship, and it is the first-ever collection of essays on the relationship of chorus and community. . . . Chorus and Community is a fascinating and enlightening volume. "--Journal of Folklore Research

Book Description

How choruses use their voices to create artistic, social, and sometimes political power

 

Karen Ahlquist’s Chorus and Community represents the first focused look at choruses not only as a source of music but as organizations that come together for aesthetic, social, political, and religious purposes, and are found throughout history, cultures, and around the world.

 

The volume’s thirteen essays discuss groups including an East African chorus; groups from nineteenth-century England, Germany, and America; early twentieth-century Russian Menonites; barbershops; Soviet workers’ clubs; a Sardinian brotherhood; an Australian symphonic choir; women’s garment workers in Pennsylvania; and gay and lesbian choruses. The essays range from the celebratory to the analytical and critical, but they collectively work to demonstrate that these diverse choruses not only make music, but may also use it to foster an idealized social system. One essay shows the surprising power of a chorus to influence social change by examining the African American Fisk Jubilee Singers’ 1877 trip to the Netherlands, where they reminded Dutch audiences of their nation’s participation in the slave trade. An accompanying CD illustrates the choruses and traditions discussed in the book.


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Inside This Book (learn more)
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
urban kwayas, kwaya communities, kwaya music, light genre music, different makabila, choral circles, proletarian music, mixed choruses, show choir, symphonic choirs, choral repertoire, mass songs, choral movement, temperance songs, labor song, hidden musicians, choral festival, choral singers, choral tradition, field colleagues, choral music, musical literacy, revolutionary music, music circles, choral singing
Key Phrases - Capitalized Phrases (CAPs): (learn more)
Tonic Sol-fa, New York, Park Singers, Hall Johnson, United States, New Negro, Northeast Department, Wyoming Valley, African American, Band of Hope, Park District, Azania Front, Min Matheson, Civil War, Gregory Barz, Jewish People's Philharmonic, Melinda Russell, Mary Brown, Musical Union, The Green Pastures, Adama van Scheltema, Cultural Revolution, Edward Elgar, Fisk University, Schiedamsche Courant
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