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5.0 out of 5 stars CULLEN IS UNBELIEVEABLE!!
unrivaled in american literature, Cullen is able to master the subject in a unprecidented manner, his works are truly masterpieces and i would recomend them to any reader looking for literature on the topic.
Published on November 29, 2005 by William L. Bricker

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4 of 8 people found the following review helpful:
2.0 out of 5 stars Pedantic
Cullen's book tries to examine the Civil War from different 20th century perspectives such as Carl Sandburg's Lincoln, the movies Gone with the Wind and Glory, 70's Rebel rock, & 90's battlefield reenactors. It's a yawn - a boring, politically correct, droning waste of some pretty decent research. Cullen writes badly and has no sense of humor. Tony Horowitz' Rebels in the...
Published on December 23, 2002 by Mike Duffy


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5.0 out of 5 stars CULLEN IS UNBELIEVEABLE!!, November 29, 2005
This review is from: CIVIL WAR IN POP CULTURE PB (Paperback)
unrivaled in american literature, Cullen is able to master the subject in a unprecidented manner, his works are truly masterpieces and i would recomend them to any reader looking for literature on the topic.
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4 of 8 people found the following review helpful:
2.0 out of 5 stars Pedantic, December 23, 2002
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Mike Duffy (Chicago, IL United States) - See all my reviews
Cullen's book tries to examine the Civil War from different 20th century perspectives such as Carl Sandburg's Lincoln, the movies Gone with the Wind and Glory, 70's Rebel rock, & 90's battlefield reenactors. It's a yawn - a boring, politically correct, droning waste of some pretty decent research. Cullen writes badly and has no sense of humor. Tony Horowitz' Rebels in the Closet covers basically the same topic in a much more entertaining manner and is a much better read.
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6 of 14 people found the following review helpful:
2.0 out of 5 stars Insightful but extremely biased, August 17, 1999
By A Customer
In analyzing popular culture's portrayals of the Civil War primarily from the persective of race, class and gender, as well as political ideologues, Cullen purposely gives the reader an incomplete picture of this unique analysis. How can Cullen write about GWTW (which he did insightfully) and not mention the portrayals of Sherman and his army or of the Confederate veterans returning home? Why did he choose for an in-depth interview, a female reenactor? Overall, it was an entertaining read if you understand that, as an academic historian, Cullen writes from the biased position of a 'new historian'.
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CIVIL WAR IN POP CULTURE PB
CIVIL WAR IN POP CULTURE PB by Jim Cullen (Paperback - October 17, 1996)
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