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CLPPNG

12 customer reviews

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Clppng [Explicit] [+digital booklet]
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Vinyl, June 10, 2014
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$22.99 & FREE Shipping on orders over $35. Details Only 6 left in stock (more on the way). Ships from and sold by Amazon.com in easy-to-open packaging. Gift-wrap available.

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Editorial Reviews

CLPPNG is the debut album from LA based rap trio, clipping. for Sub Pop Records. Blending precise, quick fire vocals with caustic burst of noise, clipping. are classic west coast rap music from the tradition where sounding different wasn't cause for fear.


1. Body & Blood
2. Work Work (Feat. Cocc Pistol Cree)
3. Summertime (Feat. King T)
4. Inside Out
5. Tonight (Feat. Gangsta Boo)
6. Dream
7. Get Up (Feat. Mariel Jacoda)
8. Or Die (Feat. Guce)
9. Taking Off
10. Story 2
11. Dominoes
12. Williams Mix (Feat. Tom Erbe)
13. Run Out

Product Details

  • Vinyl (June 10, 2014)
  • Number of Discs: 1
  • Label: Sub Pop
  • ASIN: B00IY30JVA
  • Average Customer Review: 4.3 out of 5 stars  See all reviews (12 customer reviews)
  • Amazon Best Sellers Rank: #29,374 in Music (See Top 100 in Music)

Customer Reviews

Most Helpful Customer Reviews

4 of 4 people found the following review helpful By Nicholas Hatley on June 16, 2014
Format: Vinyl
I consider myself a hip-hop head; therefore, I do not usually tell someone something along the lines of "this album isn't for you if..." However, if you are more into the modern mainstream hip-hop state, this album may not be for you. After hearing the lead single off of the album, "Work Work," which featured Cocc Pistol Cree, the sound varied from their debut album "midcity." I seen several YouTube comments downing clipping. for switching up their style but to me, the instrumental, lyrics, video, and the feature were so beautifully intertwined so much so that CLPPNG, had me more hyped than Kendrick Lamar's sophomore LP apparently releasing later this year.

Tonight, featuring Gangsta Boo, Summertime, featuring King Tee, and Get Up, featuring Mariel Jacoda are my favorite tracks from the album. Tonight, at first listen, was the worst track on this album because of the god-awful chorus but it grew out of nowhere on me and quickly became my favorite track. It's something that is bumped in the whip on nights. It also makes me want to tip waitresses hundred dollar bills but that's beside the point. Summertime, my God, is the best instrumental on this album period. Talk about a flashback embodying what the west is all about. Get Up is my third favorite because it's now my alarm. Diggs rhyming over this is truly amazing.

I recommend.
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3 of 3 people found the following review helpful By Eric Titus on June 10, 2014
Format: MP3 Music
Clipping revitalizes hip hop with this strange yet accessible album. Jonathan Snipes and William Hutson, industrial/noise/techno experts, create some of the most unique beats out there, and Daveed Diggs, whose fundamentals are as solid as anyone in the rap game, raps with a ferocious flow and catchy melodies. Clipping combines to form a self-aware rap/electronic album that pushes the boundaries of both genres. The features prove they have their finger on the pulse of underground gangster rap, and the feel of the record shows that they are growing more fluent in their newly forged style.

The album, while experimental, is diverse in its approaches. Tracks like “Body and Blood” bang distorted, industrial techno beats that match the gruesomeness of the lyrics in pace and abrasiveness. Tracks like “Story 2” create minimalist tracks, where the beat is simple, but the snare hits on varying down- and up-beats to throw off the rhythm. Tracks like “Taking Off” and "Tonight" create dreamy techno-scapes akin to movie soundtracks or remixes of what sounds like 80s-inspired synth pop. For fans of techno or hip hop, you will probably find at least a couple of tracks that you like.

Clipping is a group that experiments with hip hop. They have solid vocals in Diggs. Their beats, despite their complexity and unconventional character, are infectious, no doubt possible only through the experience of Snipes and Huston. In being familiar, they are something that a fan of either hip hop or techno could appreciate. In pushing boundaries, though, they are something that could easily alienate party-line or hardcore fans of either techno or hip hop.
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1 of 1 people found the following review helpful By Tyson Smalley on December 21, 2014
Format: Vinyl
I rarely right reviews here on amazon. But this one deserves it! after i feel in love with Death Grips and Shabazz Palaces. I had a huge craving for more modern industrial hip-hop. This album was the perfect food for my very needed hunger. Lets start with overall sound of the album. The beats and overall sound is very experimental and magnetic in approach. Get Up actually uses the sound of an alarm clock and makes a decent beat out of it. Body & Blood has a techno/horror core sound that bangs in the whip. Work Work has a hazy cloud rap, Story 2 had an electro beat that throws off it's time. Daveed Diggs is a hell of an MC on top of these beats. The dude can really spit and has bars for days. His approach is very aggressive and fast paced in delivery. But not to the point of the almost metal raps of MC Ride. I think this album is worth multiple listens. It took me awhile to digest every track (Especially Get Up. The alarm clock sound drove me nuts. But i eventually loved it and couldn't get it out of my head)

It's a murder on the inside.
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By Kyle on January 1, 2015
Format: Vinyl
Of course clipping. draws comparisons to (the late, great) Death Grips. Two of the most obviously "experimental" hip hop groups to find a mainstream audience in the last five years, clipping. and Death Grips both combine harsh production with uncomfortably violent and misogynistic lyrics. However, MC Ride's lyrics are abstract, schizophrenic, and often terrifying, while Daveed Diggs of clipping. raps about extremely specific and candid situations with clear, pointed diction. Basically, Death Grips could be visualized as the hulking, unhinged kid you went to high school with, while clipping. would be the skinny, nasally kid who could probably sell you crystal meth if you were persistent enough.

CLPPNG has earned its stripes as one of the most sonically adventurous hip-hop albums of 2014. The trio's sound runs the gambit in this album, moving from dark club anthem to whispered industrial jam and back while still retaining its noisy qualities. It's good rap music – plain and simple. And although there are times where Diggs's raps are too involved and complex, he proves himself to be a capable MC. Seeing his stylistic evolution from clipping.'s debut album, I feel it's a safe bet that his flow and lyrics will only continue to improve.

Despite being tagged as "experimental" hip hop, this album is actually fairly accessible. Credit this partly to Diggs, whose flow is never so abrasive as to alienate casual listeners. The production can be harsh and sometimes obnoxious but never unbearably so. Although this might come across as a criticism, I actually enjoy the indulgent, challenging final product – something that is obviously a pointed labor of love by this trio of artists.

Although it will never be a classic of the genre, CLPPNG shows that clipping. is certainly headed in the right direction. Cop this...it's one of the most fun, crass, and challenging releases of 2014.
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