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COMPANION Import, Original recording remastered


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Audio CD, Import, Original recording remastered, December 14, 2007
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Product Details

  • Audio CD (December 14, 2007)
  • Number of Discs: 1
  • Format: Import, Original recording remastered
  • Label: LTM
  • ASIN: B00008HAUF
  • Average Customer Review: 4.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon Best Sellers Rank: #64,490 in Music (See Top 100 in Music)

1. Intro
2. Weird Gear (US Remix)
3. Lights In My Brain (Spooky Remix)
4. Geezer (Sweet Exorcist Remix)
5. The Downer
6. Panther (Coco Steel & Lovebomb Remix)
7. Outro
8. My First Canoe Trip
9. Early Discovery
10. Saratoga (Remix)
11. Stella Connects (Edit)
12. Lovelife #1
13. Nova Scotia
14. Old Geezer Club
15. Pansy (Live)

Editorial Reviews

In 1991 electronic duo Ultramarine recorded their landmark album Every Man & Woman is a Star which was re-released by LTM/Darla to widespread acclaim in 2002.\n\nCompanion collects together the various remixes released on the US & UK versions of the 1992 ep Nightfall in Sweetleaf together with a host of other alternative versions & previously unheard tracks from the same sessions.\n\nThe star remixers include Spooky Sweet Exorcist (Richard H Kirk) Coco Steel & Lovebomb & Ultramarin

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Most Helpful Customer Reviews

By scoundrel on April 29, 2012
Format: Audio CD
Even though the highlight of Ultramarine's COMPANION is the full inclusion of their stellar remix EP, NIGHTFALL IN SWEETLEAF, the other versions of various tracks shows their range. "Weird Gear (US Remix)" shows them slowing down the original a notch and filling out the sound with the bass, while "Early Discovery" is more mellow, stripped-down, and soaked in dub than the album version. Both "Stella Connects (Edit)" and "Nova Scotia" seem to have more prominent basses, but both soon merges into their respective originals. The "Old Geezer Dub," however, diverges more significantly from its original, eliminating most of the dub elements for a more atmospheric mix. "Pansy (Live At Glastonbury)" offers a middle ground: it essentially retains the feel of the original, but with the addition of what one can imagine is a saxophone line. But it's the heretofore unseen track here that stands out the most: "Lovelife #1" is a slice of summery 70s pop, with a filtered bit of Moroder's "Love to Love You Baby" drifting in. A fitting companion to a superb album.
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