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A COMPENDIUM OF CHRONICLES: Rashid al-Din's Illustrated History of the World  (The Nasser D. Khalili Collection of Islamic Art, VOL XXVII)
 
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A COMPENDIUM OF CHRONICLES: Rashid al-Din's Illustrated History of the World (The Nasser D. Khalili Collection of Islamic Art, VOL XXVII) [Hardcover]

Sheila S Blair (Author)
4.0 out of 5 stars  See all reviews (1 customer review)

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Book Description

019727627X 978-0197276273 November 1995
The Khalili Collection owns one of the most important illustrated medieval manuscripts in the world, the Jami al-Tawarikh, or 'Compendium of Chronicles,' which was written by the 14th century court historian Rashid al-Din. The 59 folios in the Collection are reproduced here in color for the first time after their recent restoration and, together with those in the Edinburgh University Library, form a fragment of the earliest surviving Arabic copy of the work.

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About the Author

Sheila Blair is Co-editor, Dictionary of Western Art (Western and Central Asia section)

Product Details

  • Hardcover: 126 pages
  • Publisher: Kha (November 1995)
  • Language: English
  • ISBN-10: 019727627X
  • ISBN-13: 978-0197276273
  • Product Dimensions: 14.8 x 10.7 x 1.4 inches
  • Shipping Weight: 6.3 pounds (View shipping rates and policies)
  • Average Customer Review: 4.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon Best Sellers Rank: #3,509,520 in Books (See Top 100 in Books)

 

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9 of 9 people found the following review helpful:
4.0 out of 5 stars Synopsis, June 20, 2000
By A Customer
This review is from: A COMPENDIUM OF CHRONICLES: Rashid al-Din's Illustrated History of the World (The Nasser D. Khalili Collection of Islamic Art, VOL XXVII) (Hardcover)
The Nasser D. Khalili Collection is the greatest collection of Islamic art in private hands. Among its holdings of manuscripts is a fragmentary copy in Arabic of the Jami al-Tawarikh or Universal History, one of the greatest illustrated medieval manuscripts to have survived from either East or West. Written by the historian and vizier to the Ilkhanid court, Rashid al-Din, and copied in Tabriz between 1310 and 1315 by the author's own calligraphers and illustrators, the manuscript's importance as the first world history was quickly recognized. Sheila Blair reconstructs the often complex history of its ownership, explains its seminal role in the evolution of the illustrated Persian book, and challenges the belief of previous scholars that the Nour fragment and that in the Library of the University of Edinburgh are parts of different manuscripts. Her study of the manuscript's text and miniatures - accompanied by numerous colour details and duotone illustrations of comparative material - provides fascinating insights into the state of pre-Mongol painting and the working practices of a Persian atelier over six hundred years ago
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