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THE CRAFTSMAN [Hardcover]

RICHARD SENNETT (Author)
3.4 out of 5 stars  See all reviews (20 customer reviews)


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Product Details

  • Hardcover: 304 pages
  • Publisher: ALLEN LANE (2008)
  • Language: English
  • ISBN-10: 0713998733
  • ISBN-13: 978-0713998733
  • Product Dimensions: 9.3 x 6.2 x 1.3 inches
  • Shipping Weight: 1.3 pounds
  • Average Customer Review: 3.4 out of 5 stars  See all reviews (20 customer reviews)
  • Amazon Best Sellers Rank: #4,195,116 in Books (See Top 100 in Books)

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Customer Reviews

20 Reviews
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 (4)
4 star:
 (4)
3 star:
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2 star:
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1 star:
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Average Customer Review
3.4 out of 5 stars (20 customer reviews)
 
 
 
 
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51 of 52 people found the following review helpful:
3.0 out of 5 stars What happened to editors?, July 30, 2008
By 
RDP (Cleveland, TN USA) - See all my reviews
This review is from: The Craftsman (Hardcover)
While I found the contents of Sennett's book interesting and even, at times, uniquely thought-provoking, reading the book left me bewildered and dismayed: How could a book extolling the virtues of quality in craftsmanship be so poorly edited? Is the manner in which the book is published a purposeful counterpoint to Sennett's basic argument? Without exaggeration, almost every page in the book held one or more instances of unaddressed typographical oversight. In truth, the book read like a poor translation from another language possessing idioms and phraseology totally foreign to English. If this is the best that Yale University Press can do, I will certainly question any future purchases bearing that name. For the prospective buyer, be prepared for a disruptive read.
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66 of 70 people found the following review helpful:
3.0 out of 5 stars Practice What You Preach, June 21, 2008
By 
Vince Leo (minneapolis, mn USA) - See all my reviews
(VINE VOICE)    (REAL NAME)   
This review is from: The Craftsman (Hardcover)
You name it; Richard Sennett breaks it down. Metamorphosis provoking material consciousness? (three ways: internal evolution of a type-form, judgment about mixture and synthesis, domain shift). Mirror tools? (two types: replicant and robot). Sennett combines this penchant for analytic break-down with a treasure trove of stories, examples, and experiences, drilling into craft through the finger movements of pianists, the methodology of cookbook Instructions, and much, much more. The Craftsman isn't proof as much as exploration, the perfect platform for a widely read and experienced scholar to play with a vast and varied data set. Even with all that information, The Craftsman comes down to a belief: that craft isn't about things but about values, not about superior skill but about doing a job well for its own sake. Think of it as a theory of sustainable labor in the age of hyper-capitalism.

My BIG GRIPE with this book is that if Richard Sennett believes so much in craftsmanship, why are there so many typos? DOZENS OF TYPOS. Misspellings. Extra words. Here's the end of the second to the last sentence in the book: "the denouement of this narrative is often marked by marked by bitterness and regret." Ya think? If this book was a car, the dealer would be forced by law to replace it. I'm sure Sennett had nothing to do with this, and that he is mortified that his faith in the practice of craft (proofreading, book-making) has been so blatantly betrayed by his publisher (Yale University Press, of the billions in endowment fame), but frankly, reading this book was to experience cynicism of the highest order: A terrible fate for a story so indebted to a job well done.
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43 of 44 people found the following review helpful:
4.0 out of 5 stars A worthwhile read for managers, for HR people, for craftspeople of all stripes., April 14, 2008
This review is from: The Craftsman (Hardcover)
Richard Sennett (professor of sociology at New York University and at The London School of Economics) is vitally concerned with the devaluation of human values within the context of the new economy.

We live in an age where management decisions can be very remote, and where people's jobs are displaced wholesale, moved offshore, and where human lives are measured by the bottom-line accounting of large organisations.

What Sennett does is put a stake in the ground by asking rhetorically whether our commitment to work - our craftsmanship - is merely about money, or about something deeper and more human. Of course, the answer is that work commitment - the skill, the care, the late nights, the problem solving and pride that go into our work is a LOT more than about money.

In this book Sennett very clearly and thoughtfully dicusses the vital social currency of craftsmanship (and he uses the term in a modern sense - software programmers are craftspeople too.)

The book is timely, especially in a donwturn economy, and it raises many questions about how we value the people in our society. Craftspeople have been devalued of late - how we celebrate the CEO titans! - but maybe the pendulum needs to swing back the other way.

A worthwhile read for managers, for HR people, for craftspeople of all stripes - and for policy makers and economists. If our society is supposed to be more value-based these days (good corporate citizens, good global citizens) then The Craftsman urges us to look closer to home: at our own good people. Well recommended.

See also:
1 The Corrosion of Character: The Personal Consequences of Work in the New Capitalism
2 Flesh and Stone: The Body and the City in Western Civilization
3 The Fall of Public Man (Open Market Edition)


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Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
dead denotation, salutary failure, expressive instructions, resistance and ambiguity, dynamic repair, medieval goldsmith, cleaver chef, medieval workshop, material consciousness
Key Phrases - Capitalized Phrases (CAPs): (learn more)
Van Eyck, New York, Madame Benshaw, Mary Shelley, Middle Ages, Adam Smith, Villa Moller, Second World War, Neue Sachlichkeit, Isaac Stern, Antonio Stradivari, John Ruskin, Elizabeth David, Isaac Ware, Flute Player, Julia Child, Saint Gall, Norbert Elias, United States, Hannah Arendt, Victor Weisskopf, Christopher Wren, Berlinische Monatsschrift, Erin O'Connor, Count Dunin's Man of Steel
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