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59 of 61 people found the following review helpful:
4.0 out of 5 stars
A Chilling, Spine-Tingling, Just Plain Scary Thriller!, August 2, 2003
"The Cabinet Of Curiosities" is the first book I've read by Douglas Preston and Lincoln Child, and now I look forward to reading more of their work. I understand that many of this book's characters are from their earlier novels, but this character revival does not disturb the narrative's flow at all. All necessary background is explained well, and gives depth to the relationships and plotline. My one complaint about this novel is that it is at least 100 pages too long. The authors build suspense to a fever pitch, the tension peaks, begins to fall-off, and their point is still not made, nor are the various mysteries solved. There are also two endings. One is not very satisfying, and the other, much better conclusion, is found in the epilogue. The lack of tightness in the narrative, makes the novel weaker than it would have been with better editing. That said, this is a real thriller, and scary/chilling to boot - the way Stephen King's early novels are scary. During the excavation for the construction of a sixty-five story residential tower in lower Manhattan, a charnel house of murder victims is discovered. The 36 victims were destitute youths, residing along the crime-ridden waterfront of 1870s New York City. They were buried beneath what was then known as Shottum's Cabinet. Cabinets of curiosities housed strange & diverse collections of artifacts, and were the precursors to the natural history museum. FBI Special Agent Pendergast enters the story to investigate this most heinous of American serial murders. He calls upon Dr. Nora Kelly, archeologist, conservator and researcher at New York's Museum of Natural History, for assistance in his investigation. Dr. Kelly, in turn involves her fiance, New York Times investigative reporter William Smithback. Together they discover the eerie background of the murders. Just after Smithback's indiscreet article appears on his newspaper's front page, new murder victims begin to appear. The modus operendi is the same. The major difference is that the original victims were killed in the latter part of the nineteenth century. The new victims were murdered at the beginning of the twenty-first, seemingly by the same killer. Is this a copycat crime, or something much more disturbing? I was on the edge of my seat throughout this novel - just couldn't put it down. The historical detail is a wonderful addition. I would have rated the book five stars, except for the annoying flaws mentioned above. Still, I highly recommend "The Cabinet of Curiosities" as a very unusual mystery, and a spine-chilling read!
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41 of 42 people found the following review helpful:
5.0 out of 5 stars
Another great read from Preston & Child, May 30, 2002
Douglas Preston and Lincoln Child's seventh novel has been a long time coming, but it was well worth the wait. It represents, without question, their best writing to date. As always, the scene is set with great skill, but now their talent for set piece drama has evolved into excellent characterization and superbly subtle plot development. It would be difficult for me to describe the story without spoiling the plot, but I can safely say that "The Cabinet of Curiosities" is a diabolically twisted thriller. What starts out as a seemingly standard, albeit very creepy, serial killer mystery rapidly develops into something far more bizarre, and vastly more sinister. I read a lot, and it is rare that I am caught completely off guard by plot twists, but with one hundred pages to go I was hit with not one, but two! The authors deftly throw the reader off guard at a key moment, which makes the concluding chapters absolutely breathless. As I alluded to earlier, the writing in this novel is outstanding; "The Cabinet of Curiosities" is much more thoughtful than their earlier novels, and significantly darker. While still showing their roots in the "techno-thriller" genre, Preston and Child have branched out into considerations of love, madness and morality. Whereas their earlier novels certainly told a great story, and contained tragically flawed characters, this novel makes an excellent stab at exploring the heart of darkness in a much more methodical, dare I say, literary, way. Of particular note in this regard is the character of Pendergast. For those readers who are unfamiliar with "Relic" and "Reliquary", he is an FBI agent with remarkably refined tastes, and equally unorthodox methods. The best way I could think to describe him would be if you turned Hannibal Lecter into a good guy (while is in no way insinuating that he was ripped off, which he clearly wasn't). At any rate, he was always an intriguing character, I would even go so far to say that he was the authors' best to date, but he was also somewhat two-dimensional. Mystery is one thing, but it can come at the expense of character development. "In Cabinet of Curiosities", however, Pendergast has been given an enormous depth of personality, and his background has been revealed in such a way that deepens the mystery surrounding him even as it injects him with a sense of pathos. He is now a fully realized, and immensely interesting character that I look forward to encountering again. Ultimately, "The Cabinet of Curiosities" will make a great beach read for the summer, but it is much more than that. It is a well-crafted, very suspenseful and deeply thoughtful novel that should ranks among the best popular fiction of the year, and I recommend it highly. Finally, my praise for this novel should in no way be construed as disparaging to the authors' prior books; I have bought, read, re-read, and enjoyed the all. It is just that in this novel, Preston and Child have taken their writing to a whole new level and I felt it bore mentioning. If you haven't read their other novels do yourself a favor and order them at the same time as this one. Enjoy!
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12 of 12 people found the following review helpful:
5.0 out of 5 stars
intelligent thriller, great settings and characters, May 13, 2003
This is the first book I've read by this writing team, though it will not be my last. Preston and Child work well together, and I'm interested in reading their solo work as well. In this not-quite-contemporary setting (only one person has a cell phone, for instance), New Orleans FBI Special Agent Pendergast is inexplicably interested in the recent discovery of a charnel beneath a New York construction site. He builds a team of assistants: Nora Kelly, Utahan archaeologist determined to make a go of her once-in-a-lifetime chance at working at the world's greatest natural history museum; William Smithback, reporter aching for a Pulitzer (and a suit worthy of the acceptance ceremony); Patrick O'Shaughnessy, a sergeant in the NY Police Department, fifth generation cop at the mercy of a cruel and petty precinct captain; Proctor, his invisible and indispensable chauffeur. These main characters, excepting Proctor, are well fleshed out and engaging, while Pendergast himself is an intriguing variant on the Sherlock Holmes-style detective. (These characters appear in other books by the same authors.) A healthy field of minor characters are also three-dimensional. Settings are vivid and evocative. Dialogue flows naturally. And bonus -- I even learned a little about urban archaeology and the scientific/fantastical collections of the title. Very well done. I'm anxious to read more from these authors and to read more about these characters. If you are interested in an intelligent thriller rooted in NYC history, you will probably enjoy this too. If you like Caleb Carr, Iain Pears or Jack Finney, you will likely appreciate this masterful and gripping mystery.
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