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Product Details

  • Actors: Daniel Auteuil, Juliette Binoche, Maurice Bénichou, Annie Girardot, Bernard Le Coq
  • Directors: Michael Haneke
  • Writers: Michael Haneke
  • Producers: Andrew Colton, Margaret Ménégoz, Michael André, Michael Katz, Michael Weber
  • Format: Multiple Formats, Closed-captioned, Color, Dolby, DTS Surround Sound, Dubbed, NTSC, Subtitled, Widescreen
  • Language: French (Dolby Digital 5.0)
  • Subtitles: English, Spanish
  • Dubbed: English
  • Region: Region 1 encoding (US and Canada only)
    PLEASE NOTE:
    Some Region 1 DVDs may contain Regional Coding Enhancement (RCE). Some, but not all, of our international customers have had problems playing these enhanced discs on what are called "region-free" DVD players. For more information on RCE, click .
  • Aspect Ratio: 1.78:1
  • Number of discs: 1
  • Rated: R (Restricted)
  • Studio: Sony Pictures Home Entertainment
  • DVD Release Date: June 27, 2006
  • Run Time: 117 minutes
  • Average Customer Review: 3.3 out of 5 stars  See all reviews (146 customer reviews)
  • ASIN: B00000F7E6
  • Amazon Best Sellers Rank: #40,803 in Movies & TV (See Top 100 in Movies & TV)
  • Learn more about "Cache (Hidden)" on IMDb

Special Features

  • Documentary on director Michael Haneke
  • Behind the scenes of Cache

Editorial Reviews

Product Description

Academy Award(r)-winner Juliette Binoche (1997, Best Supporting Actress, The English Patient) stars in CACHÉ, a psychological thriller about a TV talk show host and his wife who are terrorized by surveillance videos of their private life. Delivered by an anonymous stalker, the tapes reveal secret after secret until obsession, denial and deceit take hold of the couple and hurl them to the point of no return. CACHÉ is director Michael Haneke's dark vision of a relationship torn mercilessly apart by the camera's unblinking eye.

Amazon.com

Hidden throughout Caché is the sense that you should be watching every moment in this film closely, just as the protagonists are themselves being watched by someone unknown. Georges and Anne Laurent’s (Daniel Auteuil and Juliette Binoche) enviable lives are terrorized by the sudden arrival on their doorstep of a videotaped recording of their Parisian townhouse. It’s nothing but a long, unedited shot of the façade of their house, but it’s disturbing nonetheless. Soon another arrives, this time of the farmhouse Georges grew up in, and then another of a car driving down a suburban street, and a walk down a hallway to a low-rent apartment. Again the videos are benign but unsettling. Then the mystery becomes more threatening when they receive gruesome postcards depicting child-like drawings of bloody, dead stick figures. Georges believes he knows who the culprit is, but for reasons all his own refuses to let his wife in on the secret. Clearly more is hidden here than just the identity of their stalker. In Caché, writer and director Michael Haneke skillfully, methodically pulls back multiple layers of deception, like new skin being pulled off an old wound. he masterfully fuses elements of his predecessors to create a film that is haunting and memorable. There is Bergman's fascination with the complexity of relationships, the suspense and lurking danger of Hitchcock, and the unique cinematic sensibility of Antonioni. In fact, the provocative final shot is practically a tribute to The Passenger--a lot of people will want to rewatch it many times to see what they can find in it (if, after watching it, you are still unsatisfied with the resolution, then watch the interview with Haneke in the DVD's special features for his insights). It's a film of great effect and intrigue. There are no easy resolutions, and the answers given in this mystery will only lead to more questions. --Daniel Vancini

Customer Reviews

It doesn't have an ending; it just ends.
Al Bowers
Haneke has made a film that is suspenseful and intense, while also commenting directly to the audience how they anticipate and think about violence and voyeurism.
Warputty
Little by little, Georges seems to remember some childhood events involving Majid, the son of Algerian farmhands who worked on his parents' farm.
Tintin

Most Helpful Customer Reviews

28 of 29 people found the following review helpful By Tintin on May 22, 2006
Format: DVD
The film opens with a static long shot of a private villa nestled between buildings of lesser standing on a quiet Parisian street, over which the credits appear in a teletypewriter fashion. Nothing is happening except for an occasional passer-by hurrying across the screen. After a while, the image is shown going backward: we then realize that we were watching a video recording that protagonist Georges Laurent (Daniel Auteuil) is rewinding on his VCR, after having viewed it on his television set. We then see, this time from the point of view of the camera, Georges and his wife Anne (Juliette Binoche) watching the video of their own villa on their television. This VHS tape, sent anonymously, had materialized mysteriously at their doorstep.

Georges is a prominent television personality who hosts a literary program, and Anne works for a publishing house. They have an adolescent son, Pierrot (Lester Makedonsky). Together, they form a family of ordinary bourgeois, living a quiet and comfortable life, protected from the outside world by money and culture, surrounded by an homogeneous circle of friends. Soon, another tape appears, wrapped in a childish drawing of a child throwing up blood. Pierrot is also the recipient of the same drawing at his school. Later on, as the Laurents are hosting a dinner, someone rings the front door bell: nobody is at the door but another videotape is left, once more wrapped up in a childish sketch depicting a bird (a chicken?) with its neck cut off and bleeding. This video, shot from inside a car, shows a country road leading to the farm of Georges' parents, where Georges was raised.

Who is filming? What at first was thought to be a prank or some kind of bad joke starts to worry both Georges and Anne.
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36 of 41 people found the following review helpful By Doug Anderson VINE VOICE on July 5, 2006
Format: DVD
As a boy of 6 Georges Laurent (Daniel Auteil) was responsible for what some might consider to be an atrotious crime: he lied about something and the result was that another boy's life was changed forever. Arguably you cannot hold a six-year-old responsible for the fate of another child and yet what is fascinating is that even when Georges Laurent has reached middle-age he still refuses to acknowledge anything like remorse or regret. His way of dealing with his own demons is to withdrawal into himself, to sleep, but even that is no escape for the past still presses in on him through recurring dreams.

As far as we know Georges has been having these dreams even before the videos start arriving and he may have been having them his entire life. This may explain why as a middle-aged man Georges is bitter and suffers from an inability to connect to others. Instead of connecting to other people he isolates himself behind a wall of books and videos (every wall in his house is lined with books and/ or videos). It would seem Georges prefers the impersonality of books and films to people. Thus it is fitting that he should be a host of a television book chat show for on the show he simply asks a set of formulaic questions, and he can control the content (as well as his own persona) with editing. Georges' wife Anne organizes all of their social functions and really it would seem that the group of friends is really her reponsibility, not his. At social gatherings he seems too preoccupied with his own life to give any attention to others. Georges simply seems frozen and remote.
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38 of 46 people found the following review helpful By Sylvilagus on July 27, 2006
Format: DVD
Reviewer reactions to this film seem to say more about the reviewer than they do about the film, especially the negative ones. I too watched the film expecting "merely" a good thriller. I, however, was captivated by the slow long shots and the building tension. Like many, I initally found the ending sudden, unsatisfying, and unsettling. What! It's over now?!? But knowing that the film was highly acclaimed led me to immediately question that reaction. I scanned backwards and watched the final 5 minutes or so several times. I also THOUGHT about what I had seen, carefully. I went to bed convinced that I had seen a very good, possibly great film, but not sure that I had understood it yet. The next morning I couldn't stop thinking about the film. That is one definition of a great film.

Rather than complain about the way the movie was put together, one could decide to investigate why it is done that way, why so many others speak of this as an amazing film. For example, one reviewer below claims that the wife character (Juliette Binoche) is "not guilty of anything". I wouldn'tnecessarily say that. The film suggests very strongly that she is, or at least could be. Why does the son accuse her of having an affair? Where did he get that idea, and does it have anything to do with who he meets in the final shot? There is much much more going on in this film then the negative reviewers have bothered to see. This is the sort of movie that whole books will be written about, the kind of film studied shot by shot in university classes. The film is simultaneously about national/international politics, racism, marriage, and the socio-psychology of trust, guilt, and denial at many levels.

It's true that there are no easy "solutions" to the mystery, and that's part of the point of the film.
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