Cache (Hidden) 2006 R CC

Amazon Instant Video

(141)

When a series of anonymously-produced videos reveal they're under surveillance, a TV talk show host and his wife find themselves embroiled in a mystery steeped in obsession, denial and guilt.

Starring:
Daniel Auteuil, Juliette Binoche
Runtime:
1 hour 59 minutes

Cache (Hidden)

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Product Details

Genres Drama, Thriller, Mystery
Director Michael Haneke
Starring Daniel Auteuil, Juliette Binoche
Supporting actors Maurice Bénichou, Annie Girardot, Bernard Le Coq, Walid Afkir, Lester Makedonsky, Daniel Duval, Nathalie Richard, Denis Podalydès, Aïssa Maïga, Caroline Baehr, Christian Benedetti, Philippe Besson, Loic Brabant, Jean-Jacques Brochier, Paule Daré, Louis-Do de Lencquesaing, Annette Faure, Hugo Flamigni
Studio Sony Pictures Classics
MPAA rating R (Restricted)
Captions and subtitles English Details
Purchase rights Stream instantly and download to 2 locations Details
Format Amazon Instant Video (streaming online video and digital download)

Other Formats

Customer Reviews

I don't mind excruciatingly slow films as long as there's SOME kinda payoff in the end.
John Jackson
A disturbing film that will annoy those who feel like its unfair of filmmakers to give us clues with no real way of finding any definitive solutions to the "mystery".
Doug Anderson
The film is simultaneously about national/international politics, racism, marriage, and the socio-psychology of trust, guilt, and denial at many levels.
Sylvilagus

Most Helpful Customer Reviews

25 of 26 people found the following review helpful By Tintin on May 22, 2006
Format: DVD
The film opens with a static long shot of a private villa nestled between buildings of lesser standing on a quiet Parisian street, over which the credits appear in a teletypewriter fashion. Nothing is happening except for an occasional passer-by hurrying across the screen. After a while, the image is shown going backward: we then realize that we were watching a video recording that protagonist Georges Laurent (Daniel Auteuil) is rewinding on his VCR, after having viewed it on his television set. We then see, this time from the point of view of the camera, Georges and his wife Anne (Juliette Binoche) watching the video of their own villa on their television. This VHS tape, sent anonymously, had materialized mysteriously at their doorstep.

Georges is a prominent television personality who hosts a literary program, and Anne works for a publishing house. They have an adolescent son, Pierrot (Lester Makedonsky). Together, they form a family of ordinary bourgeois, living a quiet and comfortable life, protected from the outside world by money and culture, surrounded by an homogeneous circle of friends. Soon, another tape appears, wrapped in a childish drawing of a child throwing up blood. Pierrot is also the recipient of the same drawing at his school. Later on, as the Laurents are hosting a dinner, someone rings the front door bell: nobody is at the door but another videotape is left, once more wrapped up in a childish sketch depicting a bird (a chicken?) with its neck cut off and bleeding. This video, shot from inside a car, shows a country road leading to the farm of Georges' parents, where Georges was raised.

Who is filming? What at first was thought to be a prank or some kind of bad joke starts to worry both Georges and Anne.
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34 of 39 people found the following review helpful By Doug Anderson VINE VOICE on July 5, 2006
Format: DVD
As a boy of 6 Georges Laurent (Daniel Auteil) was responsible for what some might consider to be an atrotious crime: he lied about something and the result was that another boy's life was changed forever. Arguably you cannot hold a six-year-old responsible for the fate of another child and yet what is fascinating is that even when Georges Laurent has reached middle-age he still refuses to acknowledge anything like remorse or regret. His way of dealing with his own demons is to withdrawal into himself, to sleep, but even that is no escape for the past still presses in on him through recurring dreams.

As far as we know Georges has been having these dreams even before the videos start arriving and he may have been having them his entire life. This may explain why as a middle-aged man Georges is bitter and suffers from an inability to connect to others. Instead of connecting to other people he isolates himself behind a wall of books and videos (every wall in his house is lined with books and/ or videos). It would seem Georges prefers the impersonality of books and films to people. Thus it is fitting that he should be a host of a television book chat show for on the show he simply asks a set of formulaic questions, and he can control the content (as well as his own persona) with editing. Georges' wife Anne organizes all of their social functions and really it would seem that the group of friends is really her reponsibility, not his. At social gatherings he seems too preoccupied with his own life to give any attention to others. Georges simply seems frozen and remote.
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36 of 44 people found the following review helpful By Sylvilagus on July 27, 2006
Format: DVD
Reviewer reactions to this film seem to say more about the reviewer than they do about the film, especially the negative ones. I too watched the film expecting "merely" a good thriller. I, however, was captivated by the slow long shots and the building tension. Like many, I initally found the ending sudden, unsatisfying, and unsettling. What! It's over now?!? But knowing that the film was highly acclaimed led me to immediately question that reaction. I scanned backwards and watched the final 5 minutes or so several times. I also THOUGHT about what I had seen, carefully. I went to bed convinced that I had seen a very good, possibly great film, but not sure that I had understood it yet. The next morning I couldn't stop thinking about the film. That is one definition of a great film.

Rather than complain about the way the movie was put together, one could decide to investigate why it is done that way, why so many others speak of this as an amazing film. For example, one reviewer below claims that the wife character (Juliette Binoche) is "not guilty of anything". I wouldn'tnecessarily say that. The film suggests very strongly that she is, or at least could be. Why does the son accuse her of having an affair? Where did he get that idea, and does it have anything to do with who he meets in the final shot? There is much much more going on in this film then the negative reviewers have bothered to see. This is the sort of movie that whole books will be written about, the kind of film studied shot by shot in university classes. The film is simultaneously about national/international politics, racism, marriage, and the socio-psychology of trust, guilt, and denial at many levels.

It's true that there are no easy "solutions" to the mystery, and that's part of the point of the film.
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