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The Caged Owl: New & Selected Poems
 
 
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The Caged Owl: New & Selected Poems [Paperback]

Gregory Orr (Author)
3.0 out of 5 stars  See all reviews (2 customer reviews)

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Book Description

April 1, 2002

Gregory Orr’s genius is the transformation of trauma into art. Whether writing about his responsibility for a brother’s death during a hunting accident, drug addiction, or being jailed during the Civil Rights struggle, lyricism erupts in the midst of desolation and violence. Orr’s spare, succinct poems distill myth from the domestic and display a richness of action and visual detail.

This long-awaited collection is soulful work from a remarkable poet, whose poems have been described as "mystical, carnal, reflective, and wry." (San Francisco Review)

"Love Poem"

A black biplane crashes through the window
of the luncheonette. The pilot climbs down,
removing his leather hood.
He hands me my grandmother’s jade ring.
No, it is two robin’s eggs and
a telephone number: yours.

from "Gathering the Bones Together"

A father and his four sons
run down a slope toward
a deer they just killed.
the father and two sons carry
rifles. They laugh, jostle,
and chatter together.
A gun goes off
and the youngest brother
falls to the ground.
A boy with a rifle
stands beside him,
screaming…

"Orr’s is an immaculate style of latent violence and inhibited tenderness, charged with a desperate intensity whose source is often obscure."—The New York Times Book Review

Gregory Orr is the author of seven volumes of poetry and three books of criticism. He is the editor at Virginia Quarterly Review, teaches at the University of Virginia, and lives with his wife and daughters in Charlottesville. In 2002, along with his selected poems The Caged Owl, he will also publish a memoir and a book about poetry writing: Three Strange Angels: Trauma and Transformation in Lyric Poetry.

Also Available by Gregory Orr:
Orpheus & Eurydice: A Lyric Sequence
TP $12.00, 1-55659-151-9 • CUSA


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Editorial Reviews

From Publishers Weekly

The constraints of personal narrative are stretched to their limits in this summation from Orr, an editor of the Virginia Quarterly Review and professor of creative writing at the University of Virginia, as his poems are often based on tragic experiences occurring to those close to him. Orr's archetypal subject in the new poems and selections from six previous collections (including City of Salt and We Must Make a Kingdom of It) is fratricide. As a child, Orr accidentally shot and killed his young brother in a hunting accident. In "Gathering the Bones Together," his speaker describes the experience in a trademark clenched, almost self-flagellatingly declarative style: "I was twelve when I killed him; I felt my own bones wrench from my body." "A Litany" returns to the subject: "I remember him falling beside me, the dark stain already seeping across his parka hood I remember screaming and running the half mile to our house." And the experience is echoed by the poet's agonized critique, "To My Father, Dying": "Where is your scorn now? Where your jaggedness, old antagonist?... Your handsome face gone slack..." For Orr, even a young daughter's bloodying herself seems fair game for a poem, as when, "against admonishment, my daughter balanced on the couch back, fell and cut her mouth." There are some attempts at relieving the gloom, as in "Best" "To live and love is best" or "A Shelf Is a Ledge," where a volume of Darwin "screams in the dark: Survive! Survive!" Still, the threnody of titles here, like "Song of the Invisible Corpse in the Field" and "Song: Early Death of the Mother," makes for a consistently mournful stance that, perhaps purposefully, does not advance linguistically or emotionally.
Copyright 2002 Cahners Business Information, Inc.

About the Author

Gregory Orr is the author of ten books of poetry, four collections of criticism, and a memoir that was selected by Publishers Weekly as a "Best Book of the Year." The former poetry editor for the Virginia Quarterly Review, Orr teaches at the University of Virginia and lives in Charlottesville.

Product Details

  • Paperback: 224 pages
  • Publisher: Copper Canyon Press (April 1, 2002)
  • Language: English
  • ISBN-10: 1556591772
  • ISBN-13: 978-1556591778
  • Product Dimensions: 9 x 6.1 x 0.7 inches
  • Shipping Weight: 13 ounces (View shipping rates and policies)
  • Average Customer Review: 3.0 out of 5 stars  See all reviews (2 customer reviews)
  • Amazon Best Sellers Rank: #672,729 in Books (See Top 100 in Books)

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7 of 7 people found the following review helpful:
5.0 out of 5 stars Devestating and Beautiful, March 5, 2004
By A Customer
This review is from: The Caged Owl: New & Selected Poems (Paperback)
Orr's collection here covers his entire body of work, from the brilliant Burning the Empty Nests to more recent, unpublished work, in an edition that is top notch in every way. Check out Orr's nonfiction writing as well: both The Blessing and Poetry as Survival are must-reads for those interested in the artistic process and the significant meaning that poetry can have in our daily lives. Stunning.
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1 of 28 people found the following review helpful:
1.0 out of 5 stars smoke and mirrors, September 17, 2003
By A Customer
This review is from: The Caged Owl: New & Selected Poems (Paperback)
there are so many better poets out there-- Sharon Olds for example
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