From Library Journal
In this new horror/techno/medical thriller by the author of several Christian fiction best sellers (e.g., Leviathan, LJ 9/1/95), readers are treated to the distinct possibility of evil incarnate taking over the world. The plot is murky at best: a hideous being is running amok, drinking blood and kidnapping an innocent child who holds the key to its survival. The good guys are a tormented priest, a disillusioned soldier, and a beautiful doctor (mother of said innocent child). The baddies are double-dealing government agents who are working for "The Dark Side." The main quibble with Huggins's story is a common one, particularly in Christian fiction. Stephen King can mix and match his monsters, blending characteristics, but most authors simply lack the talent. What is Huggins's evil being? Is it a golem? A vampire? A saber-toothed terminator? Lucifer? Cain, son of Adam and Eve? Or just a big, mean, genetically engineered predator who wasn't too nice in the first place? Whatever he is, the novel is a poor blend of Satanic philosophy, Christian platitudes, and garbled Hebraic mythology. Not recommended.
-?Lesley C. Keogh, Bethel P.L., Ct.Copyright 1997 Reed Business Information, Inc.
Bruce Willis has acquired the rights to
Cain, a supernatural thriller from Christian crossover writer Huggins, author of the rather turgid
Leviathan (1995) and the chilling
Wolf Story (1993). Why would Willis be interested? Well, Cain is the first and the eternal killer, and here he is awakened from the chamber in which the Nazarene sealed him away 2,000 years ago. His spirit links with an almost indestructible body, built as part of a hush-hush military project headed by Maggie Milton, who is young, brilliant, and beautiful. Her monster escapes and goes about fulfilling prophecy, killing soldiers right and left, devastating cities. Enter Colonel James Solomon, a retired commando who nearly died killing the terrorists who slaughtered his family. With incredible rigor, he has slowly brought himself back into good enough shape for a Bruce Willis part. Solomon, Maggie, and an old priest battle the bloodthirsty, blood-drinking Cain, and Huggins turns in a suspenseful performance, no question. He also has a freer hand in the mainstream market: his soldiers talk a lot tougher, and the bloody scenes are bloody, indeed. Somewhat reminiscent of Barry Sadler's eternal soldier, Casca, protagonist of a pulp series with huge sales in the early 1980s.
John Mort