Amazon.com Review
The three essays in this volume, each long enough to be referred to as a nonfiction novella, originally appeared in the
New Yorker, where Weschler is a staff writer. They engage directly with the theme of political exile by delving into the lives of three exiles: South African author
Breyten Breytenbach, who would attempt to reenter the country to participate more actively in the struggle against apartheid, only to be captured and imprisoned; Kanan Makiya, an Iraqi whose
Republic of Fear offered many Westerners their first in-depth knowledge of Saddam Hussein's regime; and Jan Karan, a participant in the 1968 revolution in Prague who, after years of running a smuggling operation in and out of Czechoslovakia, would return to his liberated homeland only to be denounced for alleged collaboration with its Communist oppressors.
Lawrence Weschler is one of the late 20th century's best journalists, a master of the profile format. He offers the reader tremendous amounts of information, including extensive historical backgrounds, without ever sacrificing any of his prose's immediacy or clarity. Given that his three subjects have each fought against oppressive regimes, it would be easy to portray them as simplistic heroes, but Weschler takes great pains to show the full complexities of their characters, even when it casts them in a less than flattering light. By reading Calamities of Exile, you will learn much about international politics, but, more importantly, you will learn much about people. --Ron Hogan
--This text refers to the
Hardcover
edition.
Weschler, author of the recent heralded
Mr. Wilson's Cabinet of Wonders (1995), here writes three short nonfiction tales of three exiles. Jan Kavan, son of a loyal Jewish Czech Communist who was inexplicably purged in the 1950s, smuggled samizdat material into Czechoslovakia from London. While living in London, Kanan Makiya, the son of Iraq's preeminent architect, pseudonymously published a book about Iraqi atrocities under Saddam Hussein. South African Breyten Breytenbach's mercenary brother waged war on blacks, whereas Breyten became a painter and poet in Paris, married a Vietnamese woman, and denounced his government for denouncing their marriage. All fled repressive regimes that wished to make them examples, and all took what they considered morally proper action. But all experienced betraying friends, shifting truths, and feelings of homelessness. Breytenbach returned and was arrested; Kavan returned and won election; Makiya vowed never to return. The underlying theme is how governments and other decent citizens undercut those taking moral stands. Americans should learn a lot from these tales.
Kevin Grandfield
--This text refers to the
Hardcover
edition.