Customer Reviews

Calendar Girl

5 star:		(3)
4 star:		(0)
3 star:		(3)
2 star:		(0)
1 star:		(0)

 

 

The mid-Forties were a time of turn-of-the-century nostalgia by Hollywood studios and the ticket buyers. Provided the actors looked wholesome, the sets were elaborate and the songs appealing, a lot of tickets could be sold by showing an America that was simple, friendly and happy...and far away in time from WWII. Just think of Meet Me in St. Louis, Up in Central Park, The Dolly Sisters, The Shocking Miss Pilgrim, The Harvey Girls and Cover Girl. Republic Pictures, a B level studio if there ever was one, sent out Calendar Girl in 1947. It's an A effort from a B studio, but the final product, while looking good, suffers the same fate of so many movies from B studios...actors who look great and can't act.

It's Greenwich Village in 1900, and moving into a brownstone rooming house are two old friends, aspiring composer Johnny Bennett (William Marshall), big, blonde, poor and innocent, and aspiring artist Steve Adams (James Ellison), big, dark, wealthy and charming. The rooming house is filled with other artists and musicians, ranging from the almost perpetually unbilled Gus Schilling as a painter of horses who spends his time eating bananas and mumbling, to that reliable tenor Kenny Baker. The misunderstandings accumulate like single socks when Johnny and Steve both meet Patricia O'Neil (Jane Frazee), aspiring dancer and daughter of the local fire brigade chief played by Victor McLaglen. It's not long before both men find her special, with Johnny writing songs inspired by her and Steve, that devil, painting her portrait, then submitting it in a calendar competition by adding some leg. Spread liberally throughout the movie is the fireman's jamboree, Delmonico's, the brownstone's patio, a convivial beer garden and Steve and Johnny's rooms. They all get songs to sing there written by Jimmy McHugh (music) and Harold Adamson (lyrics). These two were old pros with many hits between them, and they provide songs that are romantic, melodic and bounce along in the style of the period. If none of the songs are especially memorable, they get the job done nicely. Two, "At the Fireman's Ball" and "Calendar Girl" are nice, indeed.

But by the time the movie is half over, we realize that we're not going to learn anything more about the characters or story than we already have, that the songs will be at a level that won't improve, and that there's a long way to go to the end. And this is because of the casting, which was probably the best Republic Pictures could come up with. Jane Frazee gets top billing. She's a proficient light romantic lead who dances well and looks a lot like Vera Ellen. While she looks about 20, however, she sounds about 35. Marshall and Ellison both look like handsome Hollywood hunks, but neither is believable. Ellison, as usual in his movies, comes across as a self-aware actor. Marshall just seems out of his depth, especially when called upon to do a little dancing and sing the songs he's given. Even Gail Patrick, the quintessential selfish society princess, who plays Steve's rich fiancée from Boston, seems adrift. Well, we'll always have the memory of her as Cornelia Bullock, Carole Lombard's older sister in My Man Godfrey. The problem here, I think, is that we're never sure if we're supposed to detest her or warm up to her.

Calendar Girl is in the public domain. The version I saw looked and sounded awful. When movies look this bad it's hard to find things to like; there's just too much work to get past the blurs and dirt. Unfortunately, that goes for so many public domain titles that are sold using marketing terms such as being 'remastered" or "new transfer." Still, I'm a sucker for Tinsel Town's versions of wholesome Americana. Given a decent DVD transfer, Calendar Girl just might seem better than it appears. Unfortunately, it's unlikely the movie will ever get a decent transfer.

The chance to see the vicaceous Jane Frazee in a workaday musical that combined Gay Nineties nostalgia with better production values that one usually expected from Republic Pictures sixty years ago, make this musical comedy worth watching. Gail Patrick and Victor McLaglen are in good form, too, and old pro Allan Dwan kept the picture moving along so smartly, it seems shorter than its 86 minutes. Not a classic, but you could do worse for something to pass the time. Visual and sound quality make it very watchable.

I know that a lot of guys claim to "just not like musicials." But let me give you some advice - lots of women love musicials, especially the classics.

That's why I bought and ordered this movie and it did not disappoint at all. It is a very traditional hollywood musical complete with show tunes lavish sets and beautiful costumes.

I invited my girlfriend over, we put it in the DVD player and had a really nice evening and she was impressed that I wasn't making her watch another Die Hard movie.

this low budget 1947 b&w movie does not have the best picture and sound
quality but it's a light fun movie to watch. it's a period piece around
1900 with good singing by kenny baker and some dance numbers. enjoy!

This is the movie where the "Calendar Girl" song comes from and it's performed very well. It's a musical in the "Funny Girl" tradition and tells the story of a singer who just wants to get a break so he can make teh big time. Of course he does --- the point of the movie is just to see how he does it. There are enough twists and turns along the way, but the real point of this movie is the music - which is excellent.

"`Calendar Girl' has a wonderfully constructed story, and I found it immensely entertaining. It has all the trimmings of musicals at their very best. I really loved the idyllic Broadway feel of this exuberant movie. This beautiful vintage movie overflows with life."