Senegalese director Ousmane Sembene has often been referred to as a pioneer of the sub-Saharan African cinema. From Borom Sarret (1963) to Guelwaar (1992), Sembene has developed a political and aesthetic project that has deeply influenced the evolution of African filmmaking. This project, with its goal to create a new "Africa" free of the remnants of colonialist oppression, has subsequently become the objective of emerging generations of African filmmakers. In this book seven scholars explore Sembene's notion of a new Africa by examining the central issues of change, cultural alienation and economic dependence that infuse the director's cinematic and literary works.
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“Petty has put together an interesting and useful collection of essays about Africa's preeminent filmmaker. All of the essays are good....An engaging and interesting collection, suitable for all academic and public libraries.”–Choice
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Petty has put together an interesting and useful collection of essays about Africa's preeminent filmmaker. All of the essays are good....An engaging and interesting collection, suitable for all academic and public libraries.
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First Sentence:
A clear reflection of how cinema has developed in Africa is the fact that the divisions that confront us are largely those of colonial Africa. Read the first page Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
borom sarret, national liberation theory, focalized narrations, mon beau peuple, collective narrations, third cinema, national allegory, cinematic works Key Phrases - Capitalized Phrases (CAPs): (learn more)
God of Thunder, Ousmane Sembene, Camp Thiaroye, Third World, West Africa, God's Bits of Wood, Nogoy Marie, Abdoukader Beye, Ministry of Cooperation, New York, Pierre Henri Thioune, Chamber of Commerce, Burkina Faso, Ibrahima Dieng, Manthia Diawara, The Last of the Empire, Los Angeles, N'Deye Touti, Princess Dior, War Thiandum, Camp de Thiaroye, Med Hondo, Sada Niang, The Black Dockworker, Yaye Salimata New!
Books on Related Topics | Concordance | Text Stats Browse Sample Pages:
Front Cover | Table of Contents | First Pages | Index | Back Cover | Surprise Me!
A clear reflection of how cinema has developed in Africa is the fact that the divisions that confront us are largely those of colonial Africa. Read the first page Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
borom sarret, national liberation theory, focalized narrations, mon beau peuple, collective narrations, third cinema, national allegory, cinematic works Key Phrases - Capitalized Phrases (CAPs): (learn more)
God of Thunder, Ousmane Sembene, Camp Thiaroye, Third World, West Africa, God's Bits of Wood, Nogoy Marie, Abdoukader Beye, Ministry of Cooperation, New York, Pierre Henri Thioune, Chamber of Commerce, Burkina Faso, Ibrahima Dieng, Manthia Diawara, The Last of the Empire, Los Angeles, N'Deye Touti, Princess Dior, War Thiandum, Camp de Thiaroye, Med Hondo, Sada Niang, The Black Dockworker, Yaye Salimata New!
Books on Related Topics | Concordance | Text Stats Browse Sample Pages:
Front Cover | Table of Contents | First Pages | Index | Back Cover | Surprise Me!
Citations (learn more)
This book cites 46
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6
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- Black African Cinema by Nwachukwu Frank Ukadike on 5 pages
- The Last of the Empire: A Senegalese Novel (African Writers Series) by Sembene Ousmane on page 152, page 156, and Back Matter
- Third World Film Making and the West by Roy Armes on page 25, Back Matter (1), and Back Matter (2)
- Native Son by Richard A. Wright on page 95, page 107, and Back Matter
- The Invention of Africa: Gnosis, Philosophy and the Order of Knowledge (African Systems of Thought) by V.Y. Mudimbe in Front Matter, and page 120
See all 46 books this book cites
- Focus on African Films by Françoise Pfaff on 4 pages
- Theory and Practice of Classic Detective Fiction (Contributions to the Study of Popular Culture) by Jerome H. Delamater in Front Matter
- Guide to African Cinema by Sharon A. Russell in Back Matter
- The Use of Arthurian Legend in Hollywood Film: From Connecticut Yankees to Fisher Kings (Contributions to the Study of Popular Culture) by Samuel J. Umland in Front Matter
- Singular Performances: Reinscribing the Subject in Francophone African Writing by Michael Syrotinski in Back Matter
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