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Call Of Duty: Black Ops

November 16, 2010

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Product Details

  • Original Release Date: November 16, 2010
  • Release Date: November 16, 2010
  • Label: Activision
  • Copyright: (C) 2010 Activision
  • Record Company Required Metadata: Music file metadata contains unique purchase identifier. Learn more.
  • Total Length: 1:36:57
  • Genres:
  • ASIN: B004B4UBP0
  • Average Customer Review: 3.6 out of 5 stars  See all reviews (5 customer reviews)
  • Amazon Best Sellers Rank: #89,966 Paid in Albums (See Top 100 Paid in Albums)

Customer Reviews

3.6 out of 5 stars
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Most Helpful Customer Reviews

7 of 7 people found the following review helpful By Flap Jackson on December 23, 2010
Format: MP3 Music
Call of Duty has always been known for its great soundtracks. Michael Giacchino anybody? But after the Modern Warfare 2 soundtrack, partially composed by the legendary Hans Zimmer, the bar was raised a bit higher. So would composer Sean Murray take the ball and step up his game to take Black Ops to the next level, or are truly great Call of Duty soundtracks destined only for Infinity Ward productions?

Comparing this to Modern Warfare, you'll notice a few key differences. One, it's more low-key, with less bombastic moments. Secondly, it's a lot less theme driven. Thirdly, rather than the cinematical approach of Modern Warfare 2, Black Ops takes a decidedly moody approach. The music is meant to compliment the tense atmosphere of the game, and at that it does quite well. There's almost always a feeling of dread hanging about, almost feeling like a horror movie soundtrack at times. The music feels intense, but at the same time, it doesn't draw attention to itself.

It's a solid effort and very well-done, but it's not exactly a soundtrack you'll want to revisit often. There simply isn't a whole lot to bring you back for more. It's good for a one-time listen overall, and maybe a few tracks to keep on repeat, but that's about it. Not the fault of the composer or the game, it's just the tone of what they were going for.

Real Score: 3.5/5 Stars
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3 of 3 people found the following review helpful By Gideon McInnes on August 26, 2011
Format: MP3 Music
I was there on launch night, even got Prestige edition, played through the whole game, so I was naturally ready for the next step.

Getting the soundtrack was a no brainier for me, so while it downloaded I played some Team Deathmatch, after a few matches I realized it had been long done and I checked it out, This is what I found:

Blackbird (Walking out to the SR-71)
Crash ( When the helo crashed in the Jungle)
Pentagon (Obviously the best tune on the album)
Rooftops (Running with the mouth in glass guy through Kowloon)

Are the only good songs the rest is all the same background music, The "Mask Walk" is not even on this Album and obviously you wont find Eminem's "Wont Back Down" on here or the Stones.

My advice is buy the mentioned 4 and then used the sampler here to find what you like.
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1 of 1 people found the following review helpful By Matthew on February 25, 2011
Format: MP3 Music Verified Purchase
If you listen to the songs... they all come into place. Like pentagon! It has the SOG Multiplayer Soundtrack Start of Match in it along with the song in the create a class feature! ITS PERFECT!!! 5 STARS!!!
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0 of 1 people found the following review helpful By Arcane Code on December 14, 2010
Format: MP3 Music Verified Purchase
I played though the game fairly quickly, but didn't realize just how awesome the music was until I got this album. It is fantastic, I've listened to it so many times. It's great music when I program, or to listen to as I read on my Kindle.

I would also recommend the Call of Duty Modern Warefare 2 soundtrack. I have a great playlist for my Zune with this, the COD MW2 music, and Requiem for a Tower mixed together. Great music, highly recommended.
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0 of 3 people found the following review helpful By Kaya Savas VINE VOICE on January 29, 2011
Format: MP3 Music
The Call Of Duty franchise has had a long list of great composers creating fantastic scores. Starting with Michael Giacchino the series then saw Graeme Revell, Joel Goldsmith, Stephen Barton & Harry Gregson-Williams and Lorne Balfe & Hans Zimmer. Sean Murray composed World At War so I guess Treyarch decided to bring him back. Why? I have no idea. I would go ahead and say that the worst part of World At War was the score. Same goes here.

Instead of composing a score to go along with the story or characters, or setting we get nothing but techno background beats. If you want an example of inappropriate scoring then this is the best example. Nothing fits. The music jumps from terrible sounding sampled instruments to flat out synth with no redeeming qualities. Any melodies in the score are reminiscent of Batman Begins and The Dark Knight so no points for originality there. This score is nothing but Murray's attempt of doing a "modern warfare" genre score for a game that takes place in Vietnam! Even if the game took place in modern times the score would still be bad. No identifiable themes make it hard to grasp onto. In fact there were times when I was playing the game and the score actually took me out of it and ruined the experience.

It puzzles me why Treyarch would keep Murray onboard because he did the same thing to World At War. His scoring is an absolute misfit and actually hinders the single player experience. The only musical highlight of the entire game is playing the riverboat level while "Sympathy For The Devil" loops in the background. At least with World At War his score was tolerable, but when I actually was taken out of the game by the horrible scoring this time it actually angered me. This is an example of how a score can hinder the visuals by just being bad.
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