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2 of 2 people found the following review helpful:
5.0 out of 5 stars stark and stately
Calla is a trio from New York (originally, Texas) that plays a softly hallucinated music reminiscent of Ry Cooder's soundtracks and Red House Painters. Singer Aurelio Valle, "programmers" Wayne Magruder (a former Bowery Electric) and keyboardist Sean Donovan sculpted shadowy melodies that slowly crept out of their fragile envelope. The ambience of Calla (Sub Rosa, 1999 -...
Published on October 14, 2005 by Oliver

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2 of 19 people found the following review helpful:
1.0 out of 5 stars Sparse, but effective.
Not as lush, or as many lyrics to be found here as in other Calla releases. Wasn't entirely certain what this would sound like, and was a little surprised by it. More elctronic drums and noises; very very sparse arrangments of guitars/bass; and the drums barely keep a rhythm. Maybe after a bottle of cough syrup night time formula and a nice cosy hot bath, this might...
Published on February 15, 2004 by Corey


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2 of 2 people found the following review helpful:
5.0 out of 5 stars stark and stately, October 14, 2005
By 
Oliver "Kocho" (Morelia, MICH MEX) - See all my reviews
This review is from: Calla (Audio CD)
Calla is a trio from New York (originally, Texas) that plays a softly hallucinated music reminiscent of Ry Cooder's soundtracks and Red House Painters. Singer Aurelio Valle, "programmers" Wayne Magruder (a former Bowery Electric) and keyboardist Sean Donovan sculpted shadowy melodies that slowly crept out of their fragile envelope. The ambience of Calla (Sub Rosa, 1999 - Arena Rock, 2004) is stark and stately. Its funereal dirges are mostly content of repeating their own spleen. The mood is framed by the Calexico-ain psychedelic drowsiness of the instrumental opener, Tarentula , and amplified by the depressed psychedelia of other instrumentals: Truth About Robots , with its shrieking guitar, June, with its wavering electronic hiss, lazy syncopated drums and pointless guitar doodling, not to mention Keyes, that pares down the concept to a sustained dissonance and distant drums.

Among real "songs", the gentle lullaby Elsewhere is the catchier and warmer, followed by the pseudo-calypso of Trinidad. The semi-tribal, twangy, sleepy Custom Car Crash finds an unlikely compromise between Ennio Morricone and Tom Waits. Only Drowning Men, after a four-minute instrumental overture of sketchy guitar tones and looping electronic patterns, moans a few slow, bluesy lines while the guitar erects a wall of noise a` la Donovan's Hurdy Gurdy Man.
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2 of 19 people found the following review helpful:
1.0 out of 5 stars Sparse, but effective., February 15, 2004
By 
Corey (Space City, TX) - See all my reviews
This review is from: Calla (Audio CD)
Not as lush, or as many lyrics to be found here as in other Calla releases. Wasn't entirely certain what this would sound like, and was a little surprised by it. More elctronic drums and noises; very very sparse arrangments of guitars/bass; and the drums barely keep a rhythm. Maybe after a bottle of cough syrup night time formula and a nice cosy hot bath, this might just hit the spot but as a casual listen it almost becomes musical wall paper, and certainly isn't recommended as driving music (where as Scavengers and moreso Televised are).

Hmm, sounds a tad negative, well not really it's a good record and stands up well in amongst my other Calla records, you can tell it was a band with plenty of good ideas, and a real sense of space, so I fully recommend it especially at a reduced price and with the addition of bonus live material.

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Calla
Calla by Calla (Audio CD - 2004)
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