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The Unknown Callas: The Greek Years
 
 
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The Unknown Callas: The Greek Years [Hardcover]

Nicholas Petsalis-Diomidis (Author)
5.0 out of 5 stars  See all reviews (5 customer reviews)

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Book Description

Opera Biographies (Amadeus) March 1, 2003
In this award-winning biography, Petsalis-Diomidis closely examines Maria Callas's life in Athens from 1937 to 1945. These years have been largely absent from previous works about Callas but were crucial to her professional and personal development. The author has taken advantage of archives in Athens and interviewed more than 200 of Callas's colleagues, uncovering much new material and establishing many revealing incidents in her life. Several chapters focus on her professional development: her studies with Trivella and de Hidalgo, her concertizing in and around Athens, and her work with the Greek National Opera. Petsalis-Diomidis recounts Callas's daily life, her friendships, and her rivalries at the conservatory. He also examines her personal life -- romances, her alleged collaboration with the occupying forces during WWII, and the growing rift with her mother. Though it is a detailed historical biography, the writing and pace are novelistic. Petsalis-Diomidis himself explains: "The story is often surprising, always interesting, and it certainly contributes to a better understanding of the woman behind the prima donna."

157 b/w illustrations, 6 x 9"


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Editorial Reviews

From Publishers Weekly

Legendary diva Maria Callas was born in New York City in 1923 to Greek immigrants George and Litsa Kaloyeropoulou. In 1937, Litsa abruptly left her husband and returned to her homeland, taking Maria, whom she called Mary, and her sister. In this exhaustively researched book, historian Petsalis-Diomidis tells the story of Mary Kaloyeropoulou's student years in Athens, where she lived from 1937 to 1945. During that formative period she studied with two prominent vocal teachers, Maria Trivella at the National Conservatory and Elvira de Hidalgo at the Athens Conservatory, and launched her career in leading roles at the Greek National Opera. She believed she could become the greatest singer in the world, and the author, a historian living in Athens, shows how poverty, the struggle to survive during the WWII German occupation, and a troubled home life with a mother she hated contributed to her tempestuous personality and her ruthless pursuit of her goal. Having interviewed many who knew her, the author constructs a fascinating portrait of an overweight, contentious teenager who alienated nearly everyone she met, but who transformed into a magnetic presence on stage. Leonidas Zoras, conductor for the National Opera, said of Callas at 21, "Whenever she came on stage, so powerful was her personality that everybody's attention was concentrated entirely on her." Her extraordinary acting ability enabled her to use to compensate for the well-known vocal flaws that plagued her throughout her career. Among the recent spate of books on Callas, which tend to concentrate on the sensational aspects of her life, this stands out for its insight into her evolution as an artist. Petsalis-Diomidis's fine book won Greece's National Biography Award in 1999. B&w photos. (Apr.)
Copyright 2001 Reed Business Information, Inc.

From Library Journal

Winner of Greece's National Biography Award in 1999 and here translated into English for the first time, this biography of Callas (1923-77) concentrates on a less-explored portion of the soprano's life: what Athenian scholar Petsalis-Diomidis calls "the crucial Greek years" from 1937 to 1945. Built around findings from Athenian archives and interviews with more than 200 colleagues, this work devotes special attention to Callas's vocal studies, opera roles, recital repertoire, and interactions with colleagues. The author also addresses the political situation in Greece during World War II, including Callas's alleged involvement with German and British occupying forces, the Communist threat, and privations suffered by the populace. Setting the stage with Callas's youth in New York and her personal relationships with relatives, he concludes with an exploration of her psychological makeup in later years and historical background on the Athens Conservatory, singing technique, and various operas. Archival photographs and documentation are especially valuable. If readers can get beyond the minutiae of the descriptions, they will be rewarded with a glimpse into a period and situations rarely touched on by other Callas biographers. Recommended as a worthy supplement to standard Callas biographies. (Index not seen.) Barry Zaslow, Miami Univ. Libs., Oxford, OH
Copyright 2001 Reed Business Information, Inc.

Product Details

  • Hardcover: 672 pages
  • Publisher: Amadeus Press; 1st edition (March 1, 2003)
  • Language: English
  • ISBN-10: 157467059X
  • ISBN-13: 978-1574670592
  • Product Dimensions: 9.4 x 6.5 x 1.6 inches
  • Shipping Weight: 1 pounds (View shipping rates and policies)
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (5 customer reviews)
  • Amazon Best Sellers Rank: #1,549,844 in Books (See Top 100 in Books)

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15 of 16 people found the following review helpful:
5.0 out of 5 stars Finest biography of Callas, September 2, 2003
This review is from: The Unknown Callas: The Greek Years (Hardcover)
This is by far the finest biography I have ever read of Maria Callas. So much of her life is still surrounded by myth (mostly propogated by herself and her hagiographers) that a fascinating, scholarly, non-sensationalistic book is truly special.
This book mostly covers Callas's early years in New York and Greece. Far from being an "ugly duckling" the photos and descriptions of Mary/Maria in this book suggest an attractive, ambitious young soprano who by the time she left Greece already had several lovers and admirers. Nicholas Petsalis-Diomidis somehow managed to interview every surviving neighbor, student, singer, soldier, and friend who knew Callas and her family "way back when" in Athens. He also did the impossible and got Callas's sister Jackie to speak candidly of her much more famous sister. The stories do not always match exactly, and Petsalis-Diomidis is remarkably sensitive to the viewpoints of all the sources. He is careful not to sensationalize anything. Even though the details are often horrifying (including Jackie's essentially becoming a semi-prostitute to support the family and Litsa's crude attempts to prostitute both her daughters) the tone of the book is always scholarly and respectful.
Maria Callas, even in her early years as a teenaged soprano in the Greek National Opera, tended to arouse strong feelings, both positive and negative. To her "enemies", she was crass, grossly ambitious, ruthless, mean, and worst of all, a collaborator with the occupying forces (Italians and Germans). To her admirers, she was enormously talented, intelligent, basically good-hearted, and a worthy investment of time and energy. I came away from the book feeling that both views were essentially right. Petsalis-Diomidis should be congratulated for writing such a fascinating, insightful, scholarly book.
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8 of 9 people found the following review helpful:
5.0 out of 5 stars Overlong, but full of interest, April 9, 2002
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This review is from: The Unknown Callas: The Greek Years (Hardcover)
Despite the volumes of material that have been written about her, Maria Callas remains a fascinating enigma both as a person and as an artist. Nicholas Petsalis-Diomidis has taken an important step in filling in some of the gaps that remain in our understanding by tracing in exhaustive detail the singer's early musical life in Greece, where she moved with her mother and sister in her early teens and remained until returning to the United States in 1945.

The perception that her Greek sojourn was a relatively unimportant preamble to her "real" career was in part propagated by Callas herself. Petsalis-Diomidis shows that the eight years she spent there were, on the contrary, an essential part of her musical development. It was in Athens that she received her first formal vocal training from Maria Trivella and Elvira de Hidalgo (the author is careful to give the former due credit in Callas' education), and sang her first leading roles onstage with the Athens Opera. Among her credits there were operas that would form the core of her later repertory, such as Tosca, and others that she would never sing again, such as Fidelio.

Perhaps even more fascinating than her musical history is the multitude of detail about Callas' personal life during this difficult time. Though he tries to be evenhanded, Petsalis-Diomidis is ultimately unsparing in his condemnation of Litsa, Callas' mother, whom he regards as an amoral and destructive parent. His collection of anecdotes about the hardships of war and the professional difficulties encountered by the young Callas make for fascinating reading. Occasionally his passion for research makes the narrative seem fussy and overburdened with detail (was it really necessary to give the diva's exact weight at various times in her career?), but in the main this carefully researched volume is an essential addition to the already voluminous collection of Callas writings. Credit must also be given to the fluent and readable English translation.

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10 of 13 people found the following review helpful:
5.0 out of 5 stars Outstanding scholarship, moving biography..., May 7, 2001
By 
Frank Hamilton (New York, New York) - See all my reviews
(REAL NAME)   
This review is from: The Unknown Callas: The Greek Years (Hardcover)
"The Unknown Callas" is uniquely devoted to Callas' early life as a child, student, and young professional in Athens during the 1930-1940s, and is without question, the finest biography of the singer ever. This powerful intimate portrait is essential to understanding the complex woman and musician of the climatic years in the 1950s and 1960s.

Petsalis-Diomidis researched this work like an archaeologist seeking every surviving document and artifact, but presents it in biographical form as a psychologist with a deep understanding of human nature. The whole is framed by discussions of the politics of the time and the harsh realities of daily life during the war. Though this is the work of a scholar, it is also that of an artist, where every care has been taken to paint a three-dimensional backdrop and recreate the atmosphere for each scene.

While much of the original research for this book consisted of interviewing every surviving person associated with the family, conservatory, neighborhoods, etc. in those years; the author never accepts statements mearly at face-value, always examining every angle. The search for truth is ever apparent, and though his devotion to Maria is unquestionable, he never gives her unearned benefit of doubt.

Beautifully typeset and printed with copious photographs, the book unfortunately does not include the many photographs of programs for school concerts and early opera performances that were featured in the original Greek version. Albeit many of these programs were in Greek, some were also printed in German and Italian during the war, and afterwards in English. Likewise, the index does not present proper names in their original Greek alphabet, so the original version is now a nice scholarly cross reference for this new English book.

But for those intimidated by scholarship, this book tells a moving story with just enough gossip to keep things interesting. For fans and detractors alike, it's a story of a girl with modest gifts and very modest beginnings, fighting to survive adolescence and make a name in the world of opera, a fight that would continue throughout her life.

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Inside This Book (learn more)
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
national theater, Canción Española, farewell recital, raggio lusinghier, artistic committee, opera class, big aria, vocal problems, dramatic soprano
Key Phrases - Capitalized Phrases (CAPs): (learn more)
National Opera, New York, Maria Callas, Athens Conservatory, Patission Street, Musical Apprenticeship, National Conservatory, Elvira de Hidalgo, Vangelis Mangliveras, Olympia Theater, Civil War, Zoe Vlachopoulou, Andonis Delendas, Odeon of Herodes Atticus, Mary Kaloyeropoulou, Mitsa Kourahani, Spyros Salingaros, Takis Sigaras, Elli Nikolaidi, Cavalleria Rusticana, Leonidas Zoras, Ilias Papatestas, Syntagma Square, Miss Kaloyeropoulou, Mireille Fléri
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