Review
...Demanding, controversial, contradictory, here is Mary Ann Kalageropoulou [Maria Callas] as only an audiotape could present her. Buy it or borrow it, but don't miss it [brought to you by HighBridge Audio]. --
The Arizona Daily Star, Nov. 15, 1997...HighBridge Audio gives us the work we've all been waiting for:
Callas: The Voice The Story. Now we can hear Callas in her own words, recalling the experiences that shaped her voice and her life. Here, too, are the recollections of friends, acquaintances and even a few enemies....And then, there's the voice itself in many live and rarely heard recordings....Michael Wager keeps it all together with his narration of John Ardoin's finely-wrought script, and the result is altogether the finest biography of Callas I've run across, and the only one worth owning. I recommend it without reservation. --
Lou Santacroce, Sunday Brunch, WIBX Radio, Dec. 7, 1997...[T]his audio biography is often involving: a much-expanded version of the 1988 radio documentary prepared by John Ardoin, the music critic of
The Dallas Morning News, who was a close friend of Callas's. Mr. Ardoin's text, narrated by the mellow-voiced Michael Wager, weaves together some 50 musical excerpts....HighBridge's audio biography tells a remarkable tale, and a new wave of EMI CD's add many flourishes. --
The New York Times, Feb. 1, 1998Is there anything left to say about Maria Callas? Perhaps not, but there's alot to hear, which makes this audio biography stand out from all the Callas products. Anyone remotely interested in Callas simply must have this, because it promotes a much deeper understanding of the singer [brought to you by HighBridge Audio]. --
Opera News, Dec. 18, 1997Opera fans will delight in this [HighBridge Audio] production about the personal life and stage performances of Maria Callas. Her persona and her distinctive voiceor "instrument" as they say throughout the tapesfascinated the public on both sides of the Atlantic for several decades preceding her death in 1977. This audio portrait is a revised and expanded version of an original radio production made for public radio in 1998. It contains clips from interviews with Callas, her family and acquaintances, tied together with informative commentary and generous passages of her performances. Thus, her spoken voice tells her life story, and her instrumental voice presents her talent which, as these tapes amply prove, was extraordinary. Also extraordinary, is the quality of sound from past decades that is reproduced. --
The Roanoke Times, Apr. 5, 1998Winner of the Listen Up Award - Best Packaging/Cover Art of 1997 [brought to you by HighBridge Audio] --
Publishers Weekly, January 5, 1998[I]t's a classy production through and through. The material contained includes a generous selection of live performance excerptsin high fidelityas well as archival interviews with family and friends, admirers and detractors. This is all strung together with polished commentary from narrator Wager, who also revised and expanded this material from its original incarnation as a 1988 public radio special. For fans, this unusual program will provide a treat [brought to you by HighBridge Audio]. --
Publishers Weekly, Nov. 3, 1997
About the Author
Maria Callas (December 2, 1923 – September 16, 1977) was an American-born Greek soprano and perhaps the most renowned opera singer of the 1950s. She combined an impressive bel canto technique with great dramatic gifts. An extremely versatile singer, her repertoire ranged from classical opera seria to the bel canto operas of Donizetti, Bellini, and Rossini, and further, to the works of Verdi and Puccini, and in her early career, the music dramas of Wagner. Her remarkable musical and dramatic talents led to her being hailed La Divina. Born in New York and raised by an overbearing mother, she received her musical education in Greece and established her career in Italy. Forced to deal with the exigencies of wartime poverty and with myopia that left her nearly blind on stage, she endured struggles and scandal over the course of her career. She turned herself from a heavy woman into a glamorous one after a mid-career weight loss, which might have contributed to her vocal decline and the premature end of her career. The press exulted in publicizing Callas's allegedly temperamental behavior, her supposed rivalry with Renata Tebaldi, and her love affair with Aristotle Onassis. Her dramatic life and personal tragedy have often overshadowed Callas the artist in the popular press. Her artistic achievements, however, were such that Leonard Bernstein called her "The Bible of opera", and her influence so enduring that, in 2006, Opera News wrote of her, "Nearly thirty years after her death, she's still the definition of the diva as artist—and still one of classical music's best-selling vocalists.
--This text refers to an out of print or unavailable edition of this title.