Calvin and his Mom's boyfriend, Ledward, are good friends. When Ledward wins plane tickets, he invites Calvin to go on a man trip—they'll fly to Hawaii, the Big Island, for a day, and go deep-sea fishing. Wow! Calvin's never been on a plane, or any boat but his skiff. What a day—Calvin catches his first big fish, an ono. But that's nothing compared to what happens when Ledward hooks a huge, and very angry marlin that charges the boat!
Calvin Coconut: Man Trip
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About the Author
GRAHAM SALISBURY is the author of five Calvin Coconut books: Trouble Magnet, The Zippy Fix, Dog Heaven, Zoo Breath, Hero of Hawaii, and Kung Fooey, as well as several novels for older readers, including the award-winning Lord of the Deep, Blue Skin of the Sea, Under the Blood-Red Sun, Eyes of the Emperor, House of the Red Fish, and Night of the Howling Dogs. Graham Salisbury grew up in Hawaii.
Excerpt. © Reprinted by permission. All rights reserved.
1
Tossing Bufos
Every time my mom calls me her little man of the house, I slip out the back door and run down to my friend Julio’s. “Man of the house” means: “Time to clean your room,” or “Take out the garbage,” or worst of all, “Cut the grass.”
This time it was the grass.
I glanced at the door.
Mom hooked her finger into the collar of my T-shirt. “Oh no you don’t. You’ve let that grass grow far too long. You need to cut it. Now.”
Dang.
“Aw, come on, Mom, I hate that job.”
“We all have to do things we don’t like. Now, I filled the gas can at the service station. You have everything you need to get that old lawn mower started. Bye.”
I hung my head and made a big show of how hard this was for me. I mean, jeese, I could have been at the beach. “You’re killing me, Mom.”
She pointed her finger. “Go.”
I went out to the garage.
Actually, cutting the grass wasn’t hard. It was just disgusting.
Who wanted to go out there and shred bufos? Bufos are toads, big fat juicy ones. And when the grass got long they came up from the river and dug down into it to sleep. Unless you got down on your hands and knees to look for them, you couldn’t see where they were. But the lawn mower could, and it spat shredded bufo guts all over my feet, every time.
I poured gas into the tank and rolled our cranky mower out into the sun.
It was hot as a frying pan. Nothing moved, except my dog, Streak, who was lounging in the shade under Mom’s car. She lifted her head but didn’t get up.
“Hey,” I said to her. “You want to help?”
Streak yawned and went back to sleep.
“Lazybones.”
I looked out over our front yard and all that grass sloping down to the river that ran by our house. Mom was right; I’d let it grow too long. It was so long I wondered if it was even possible to cut it. Man, I thought, there have to be a hundred toads in there.
I pushed the mower to the edge of the driveway.
“Now’d be a good time to wake up and run for it, bufos,” I said. “That is, if you know what’s good for you.”
I could almost hear them snoring.
Up the street, Julio’s house slept in the Saturday-morning stillness. Julio wasn’t out cutting his grass. Nobody else was out there, either. The place was a ghost town.
I looked back at my dog. “Maybe everyone heard Mom say ‘man of the house’ and ran for it, Streak.”
Who could blame them if they had? Sometimes I got Julio or Willy to take a turn at cutting the grass. They didn’t mind . . . until they got splattered with toad guts. Tito and Bozo came wandering down our street once when I was mowing. They didn’t care about the grass, but they loved the toad guts. “Ho, so gross!” Tito said. “I like it.”
Tito and Bozo were sixth graders at my school. I tried to stay away from them because they liked to cause trouble.
Yeah, well, this lawn mower was trouble. I yanked the pull cord.
The engine spat, shuddered, and died.
I tried again. This time it coughed out a cloud of stinky smoke.
But it stayed on.
I covered my ears. The thing was as loud as six guys on motorcycles, gunning their engines and flexing their tattoos.
Streak got up and loped around to the back of the house. “Oh, great,” I called. “Just leave me here by myself.”
I started mowing by the driveway and inched my way down the slope toward the river. I had to push a foot, then pull back, then push, then pull. Inch by inch. Otherwise the grass would clog the blades and kill the engine.
Things were going fine for about five minutes.
Then, spluuurt!
“Ahh!”
I leaped back, letting go of the mower.
“Dang it!” My bare feet were painted with the remains of some sleeping bufo who never knew what hit him. “I hate this!”
I left the mower growling and ran up to the house to squirt my feet off with the hose.
“I saw that,” Mom said, poking her head out the screen door. “You’ve got to chase all the toads out of the grass first.”
“It’s hopeless, Mom. There are too many, and anyway, it would take me all day. And you can’t see them. The grass is too deep.”
“Calvin. You can’t just chop them up! That’s cruel.” She shook her head and went back inside.
“Yeah, I know,” I mumbled. “I’ll chase them out.”
The ones I could find, anyway.
I killed the engine and left the lawn mower sitting halfway down the slope.
“Dang toads,” I muttered.
But Mom was right. I couldn’t just kill them. And anyway I didn’t want to.
I started searching the grass.
The way I found them was with my feet. They were squishy when you stepped on them. Creepy, but it worked.
“Yuck!” I said, stepping on my first snoring victim.
I reached down and dug him out. He was fat, soft, and ugly. I held him up and looked him in the eye. “This is your lucky day, toady. You live to catch another fly.”
That day when Tito and Bozo watched me, Tito said that if I didn’t like all the guts I should dig out the toads and throw them into the river. “They like the water,” he said. “Throw um high. Like a baseball. They like that, too.”
“No they don’t.” I didn’t believe him.
“Sure they do. Try it and see. They just kick back to shore.”
He was right. They just swam back into the swamp grass.
“Okay, toad,” I said now. “Here you go!”
I tossed the toad in a high arc into the water. It landed with a splat and floated for a few seconds, unmoving. Then it woke up and kicked to shore. How can they like that? I wondered.
I shrugged and started looking for another one.
By the time Ledward drove up in his old army jeep, I’d tossed eight toads into the river. Ledward was my mom’s boyfriend. He was a giant Hawaiian guy who had a banana farm up in the mountains.
Ledward shut the jeep down and got out. He grinned. “You looking for bufos in the grass?”
I nodded. “I gotta get them out so I can cut it.”
I felt around with my foot and found another one. I pulled it out and catapulted it into the river.
Splat!
It took a while to recover.
“Maybe you should carry them down to the water?” Ledward said.
I looked back at him. “Why?”
“Well, that one hit kind of hard. What you’re doing could hurt them. Maybe even kill them. Did you think about that?”
“No.”
“Well . . .”
Ledward studied me a moment, then went into the house.
Tossing Bufos
Every time my mom calls me her little man of the house, I slip out the back door and run down to my friend Julio’s. “Man of the house” means: “Time to clean your room,” or “Take out the garbage,” or worst of all, “Cut the grass.”
This time it was the grass.
I glanced at the door.
Mom hooked her finger into the collar of my T-shirt. “Oh no you don’t. You’ve let that grass grow far too long. You need to cut it. Now.”
Dang.
“Aw, come on, Mom, I hate that job.”
“We all have to do things we don’t like. Now, I filled the gas can at the service station. You have everything you need to get that old lawn mower started. Bye.”
I hung my head and made a big show of how hard this was for me. I mean, jeese, I could have been at the beach. “You’re killing me, Mom.”
She pointed her finger. “Go.”
I went out to the garage.
Actually, cutting the grass wasn’t hard. It was just disgusting.
Who wanted to go out there and shred bufos? Bufos are toads, big fat juicy ones. And when the grass got long they came up from the river and dug down into it to sleep. Unless you got down on your hands and knees to look for them, you couldn’t see where they were. But the lawn mower could, and it spat shredded bufo guts all over my feet, every time.
I poured gas into the tank and rolled our cranky mower out into the sun.
It was hot as a frying pan. Nothing moved, except my dog, Streak, who was lounging in the shade under Mom’s car. She lifted her head but didn’t get up.
“Hey,” I said to her. “You want to help?”
Streak yawned and went back to sleep.
“Lazybones.”
I looked out over our front yard and all that grass sloping down to the river that ran by our house. Mom was right; I’d let it grow too long. It was so long I wondered if it was even possible to cut it. Man, I thought, there have to be a hundred toads in there.
I pushed the mower to the edge of the driveway.
“Now’d be a good time to wake up and run for it, bufos,” I said. “That is, if you know what’s good for you.”
I could almost hear them snoring.
Up the street, Julio’s house slept in the Saturday-morning stillness. Julio wasn’t out cutting his grass. Nobody else was out there, either. The place was a ghost town.
I looked back at my dog. “Maybe everyone heard Mom say ‘man of the house’ and ran for it, Streak.”
Who could blame them if they had? Sometimes I got Julio or Willy to take a turn at cutting the grass. They didn’t mind . . . until they got splattered with toad guts. Tito and Bozo came wandering down our street once when I was mowing. They didn’t care about the grass, but they loved the toad guts. “Ho, so gross!” Tito said. “I like it.”
Tito and Bozo were sixth graders at my school. I tried to stay away from them because they liked to cause trouble.
Yeah, well, this lawn mower was trouble. I yanked the pull cord.
The engine spat, shuddered, and died.
I tried again. This time it coughed out a cloud of stinky smoke.
But it stayed on.
I covered my ears. The thing was as loud as six guys on motorcycles, gunning their engines and flexing their tattoos.
Streak got up and loped around to the back of the house. “Oh, great,” I called. “Just leave me here by myself.”
I started mowing by the driveway and inched my way down the slope toward the river. I had to push a foot, then pull back, then push, then pull. Inch by inch. Otherwise the grass would clog the blades and kill the engine.
Things were going fine for about five minutes.
Then, spluuurt!
“Ahh!”
I leaped back, letting go of the mower.
“Dang it!” My bare feet were painted with the remains of some sleeping bufo who never knew what hit him. “I hate this!”
I left the mower growling and ran up to the house to squirt my feet off with the hose.
“I saw that,” Mom said, poking her head out the screen door. “You’ve got to chase all the toads out of the grass first.”
“It’s hopeless, Mom. There are too many, and anyway, it would take me all day. And you can’t see them. The grass is too deep.”
“Calvin. You can’t just chop them up! That’s cruel.” She shook her head and went back inside.
“Yeah, I know,” I mumbled. “I’ll chase them out.”
The ones I could find, anyway.
I killed the engine and left the lawn mower sitting halfway down the slope.
“Dang toads,” I muttered.
But Mom was right. I couldn’t just kill them. And anyway I didn’t want to.
I started searching the grass.
The way I found them was with my feet. They were squishy when you stepped on them. Creepy, but it worked.
“Yuck!” I said, stepping on my first snoring victim.
I reached down and dug him out. He was fat, soft, and ugly. I held him up and looked him in the eye. “This is your lucky day, toady. You live to catch another fly.”
That day when Tito and Bozo watched me, Tito said that if I didn’t like all the guts I should dig out the toads and throw them into the river. “They like the water,” he said. “Throw um high. Like a baseball. They like that, too.”
“No they don’t.” I didn’t believe him.
“Sure they do. Try it and see. They just kick back to shore.”
He was right. They just swam back into the swamp grass.
“Okay, toad,” I said now. “Here you go!”
I tossed the toad in a high arc into the water. It landed with a splat and floated for a few seconds, unmoving. Then it woke up and kicked to shore. How can they like that? I wondered.
I shrugged and started looking for another one.
By the time Ledward drove up in his old army jeep, I’d tossed eight toads into the river. Ledward was my mom’s boyfriend. He was a giant Hawaiian guy who had a banana farm up in the mountains.
Ledward shut the jeep down and got out. He grinned. “You looking for bufos in the grass?”
I nodded. “I gotta get them out so I can cut it.”
I felt around with my foot and found another one. I pulled it out and catapulted it into the river.
Splat!
It took a while to recover.
“Maybe you should carry them down to the water?” Ledward said.
I looked back at him. “Why?”
“Well, that one hit kind of hard. What you’re doing could hurt them. Maybe even kill them. Did you think about that?”
“No.”
“Well . . .”
Ledward studied me a moment, then went into the house.
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Most Helpful Customer Reviews
By Quinn Lane
Format:Kindle Edition|Amazon Verified Purchase
I love this book I also love the facts that are always at the end!
I HAVE always been into the Calvin Coconut series but this one is by far my favorite!
I HAVE always been into the Calvin Coconut series but this one is by far my favorite!
Format:Hardcover
"I Was Hooked. Just like a Fish."
Calvin Coconut says this of deep-sea fishing when he is caught up in the excitement of his Man Trip, and I say this of my response to author Graham Salisbury's latest Calvin Coconut adventure, Man Trip. The combination of the realistic details of deep sea fishing off the Kona coast of Hawaii and the two major themes of the novel drew me into this book much like Calvin's Man Trip with his calabash dad (aka mom's boyfriend Ledward) lured Calvin into adventure.
The novel opens with a situation certainly familiar to many oldest or only sons: when father is not around, "You are the man of the house." For Calvin that designation seems to hold more cons than pros, way too many chores and few privileges. When Ledward, also an important character in other Calvin Coconut books, shows up with airline tickets he won and offers them to Mom and Darci, Calvin's younger sister, so they can fly to Kauai and visit Nana, Mom's mother (a girl trip for sure!), the novel's title seems to be misleading. Salisbury sustains Calvin's agony for a couple more days before having Ledward invite Calvin on a Man Trip: deep-sea fishing off the Kona Coast. One of the major themes of the novel, respect for and appreciation of all the natural world, comes out in the contrast between an early scene in which Calvin contemplates running the lawn mower over the pesky toads when he has to cut the grass and a key scene toward the end of the novel: in the former, Calvin is counseled by Ledward to treat the bufos more gently and carry them down to the water; in the latter scene, Calvin chooses to gently pick up one of the largest bufos and tell it, "I know someone who thinks you guys are cute." Readers see that Calvin has learned well from boat captain Baja Bill on the Man Trip the reason they let the big marlin go: "Unless you fish as a business and sell it for food, there's no need to kill something with so much life in it" (100); the vivid memories of Baja Bill's "tag and turn lose" philosophy stay with Calvin as he shows his new found sensitivity to the natural world and his appreciation of stopping to smell the roses.
The other major theme of the novel is one Salisbury has visited before: the importance of the father and son relationship (and this time Salisbury also implies the equal importance of the mother and daughter relationship). Again in this novel Ledward plays a key role as a father figure for Calvin; he empathizes with Calvin, a boy in a house full of women, and recognizes how vital the bonding and lessons of a Man Trip can be to the life of a young boy.
I would be remiss not to comment on the delightful and very appropriate illustrations of artist Jacqueline Rogers. Her talent beautifully complements Salisbury's and adds a visual dimension to the Calvin Coconut series that even hooks adult readers like me!
Calvin Coconut says this of deep-sea fishing when he is caught up in the excitement of his Man Trip, and I say this of my response to author Graham Salisbury's latest Calvin Coconut adventure, Man Trip. The combination of the realistic details of deep sea fishing off the Kona coast of Hawaii and the two major themes of the novel drew me into this book much like Calvin's Man Trip with his calabash dad (aka mom's boyfriend Ledward) lured Calvin into adventure.
The novel opens with a situation certainly familiar to many oldest or only sons: when father is not around, "You are the man of the house." For Calvin that designation seems to hold more cons than pros, way too many chores and few privileges. When Ledward, also an important character in other Calvin Coconut books, shows up with airline tickets he won and offers them to Mom and Darci, Calvin's younger sister, so they can fly to Kauai and visit Nana, Mom's mother (a girl trip for sure!), the novel's title seems to be misleading. Salisbury sustains Calvin's agony for a couple more days before having Ledward invite Calvin on a Man Trip: deep-sea fishing off the Kona Coast. One of the major themes of the novel, respect for and appreciation of all the natural world, comes out in the contrast between an early scene in which Calvin contemplates running the lawn mower over the pesky toads when he has to cut the grass and a key scene toward the end of the novel: in the former, Calvin is counseled by Ledward to treat the bufos more gently and carry them down to the water; in the latter scene, Calvin chooses to gently pick up one of the largest bufos and tell it, "I know someone who thinks you guys are cute." Readers see that Calvin has learned well from boat captain Baja Bill on the Man Trip the reason they let the big marlin go: "Unless you fish as a business and sell it for food, there's no need to kill something with so much life in it" (100); the vivid memories of Baja Bill's "tag and turn lose" philosophy stay with Calvin as he shows his new found sensitivity to the natural world and his appreciation of stopping to smell the roses.
The other major theme of the novel is one Salisbury has visited before: the importance of the father and son relationship (and this time Salisbury also implies the equal importance of the mother and daughter relationship). Again in this novel Ledward plays a key role as a father figure for Calvin; he empathizes with Calvin, a boy in a house full of women, and recognizes how vital the bonding and lessons of a Man Trip can be to the life of a young boy.
I would be remiss not to comment on the delightful and very appropriate illustrations of artist Jacqueline Rogers. Her talent beautifully complements Salisbury's and adds a visual dimension to the Calvin Coconut series that even hooks adult readers like me!
