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The Cambridge Companion to Stravinsky (Cambridge Companions to Music) [Hardcover]

Jonathan Cross (Editor)


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Book Description

August 25, 2003 052166330X 978-0521663304
Stravinsky's work spanned the major part of the twentieth-century and was engaged with nearly all its principal compositional developments. Reflecting the breadth of his phenomenal achievement, this Companion contains a wide range of essays in three broad sections covering the contexts within which Stravinsky worked--Russian, modernist and compositional, with his key compositions--Russian, neoclassical and serial, and with the reception of his ideas--through performance, analysis and criticism. The volume concludes with an interview with the composer Louis Andriessen and a major re-evaluation of "Stravinsky and us" by Richard Taruskin.

Editorial Reviews

Review

"Cross provides a solid introduction to the study of Igor Stravinsky.... The book is engaging, well written, and thorough in its review. Recommended." Choice

"With The Cambridge Companion to Stravinsky, Jonathan Cross has skillfully put together a fine collection of essays that alternately reflect and highlight the evolution of our understanding of his personality and works. In assembling an effective, readable, and interesting group of essays, Jonathan Cross has earned our considerable thanks." Slavic Review, Ethan Haimo, University of Notre Dame

"even considering the stiff competition it faces from the daunting and ever growing heap of studies on Stravinsky, The Cambridge Companion to Stravinsky (equipped with a neat chronology of his life and career, a valuable chronological list of works and a select bibliography) manages to come up with a number of new insights, presented in a compact and easy-to-use format." The Russian Review Harlow Robinson, Northeastern University

Book Description

Stravinsky's work spanned the major part of the twentieth-century and engaged with nearly all its principal compositional developments. Reflecting the breadth of his phenomenal achievement, this Companion contains a wide range of essays in three broad sections covering the contexts within which Stravinsky worked (Russian, modernist and compositional), with his key compositions (Russian, neoclassical and serial), and with the reception of his ideas (through performance, analysis and criticism). The volume concludes with an interview with the composer Louis Andriessen and a major re-evaluation of 'Stravinsky and us' by Richard Taruskin.

Product Details

  • Hardcover: 344 pages
  • Publisher: Cambridge University Press (August 25, 2003)
  • Language: English
  • ISBN-10: 052166330X
  • ISBN-13: 978-0521663304
  • Product Dimensions: 9.8 x 6.6 x 0.9 inches
  • Shipping Weight: 1.8 pounds
  • Amazon Best Sellers Rank: #4,554,161 in Books (See Top 100 in Books)

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Inside This Book (learn more)
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
rotational arrays, harmonic consistency, heuristic imitation, dialectical imitation, eclectic imitation, first hexachord, octatonic collection, tonic sonority, octatonic scale, neoclassical works, serial unit, bassoon solo, classical sonata form, late music, serial music, pitch classes, pitch structure
Key Phrases - Capitalized Phrases (CAPs): (learn more)
The Rite, Les Noces, The Rake, The Firebird, The Soldier's Tale, The Nightingale, Stravinsky's Russian, Robert Craft, Requiem Canticles, Oedipus Rex, The Fairy's Kiss, Symphonies of Wind Instruments, Philosophy of New Music, Mariinsky Theatre, Richard Taruskin, New York, The Flood, Poetics of Music, Early Stravinsky, Dylan Thomas, Canticum Sacrum, World of Art, Three Songs, Ballets Russes, Igor Stravinsky
Browse Sample Pages:
Front Cover | Table of Contents | First Pages | Index | Surprise Me!
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