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There are entries for writers; individual works; literary groups or schools, such as the Bloomsbury Group; wider literary movements, such as Romanticism; schools of criticism, such as New Criticism; genres and subgenres; poetic forms; critical concepts and literary terms; and important theaters and magazines. Years of birth and death are provided for authors, as well as a few words classifying the authors' fields of endeavor, such as "poet" or "critic." Entries range in length from three or four lines to several pages. The entry Libraries, for example, is six pages in length and is subdivided into sections on libraries in the British Isles, the U.S., Canada, Australia and New Zealand, and Africa and Asia.
This edition shows evidence of substantial changes. In the As alone, there are at least 12 new entries, including those for Australian poet Robert Adamson, American novelist Lisa Alther, Anthills of the Savannah, and "archetypal criticism." A small number of entries have been deleted; in some cases, entries have been made shorter by slightly revising the prose. Several entries, such as those for Chinua Achebe and Maya Angelou, have been completely rewritten; others, such as those for Martin Amis and Margaret Atwood, have been brought up-to-date. Other changes include providing more categories for authors (e.g., in the earlier edition Auden was described only as a poet; now he is described as a poet, playwright, and critic) and changing the way in which titles are listed (e.g., The Adventures of Huckleberry Finn is now listed as Huckleberry Finn, The Adventures of). Finally, many illustrations have been revised. The picture of Jane Austen has been dropped, a photograph of Chinua Achebe has been added, the photo of Kingsley Amis has been replaced with one more recent.
The only comparable single-volume guides are those published by Oxford University Press, such as The Oxford Companion to English Literature and The Oxford Companion to American Literature. Though they cover each national literature in more detail, the Oxford companions have not been as recently revised. The Cambridge Guide to Literature in English, like its companion, The Cambridge Guide to World Theatre, provides relatively current coverage with a multicultural view. It is recommended for most libraries.
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Most Helpful Customer Reviews
12 of 12 people found the following review helpful:
5.0 out of 5 stars
Agatha Christie Meets Charles Dickens,
By Robert Derenthal "bucherwurm" (California United States) - See all my reviews (VINE VOICE) (REAL NAME)
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This review is from: The Cambridge Guide to Literature in English (Hardcover)
Those two authors share space in this magnificent reference volume on English Literature. The sturdy, oversized Guide presents over one thousand pages of information on authors, novels, poetry, drama, and literary terms. There are interesting biographies of prominent writers and obscure ones, from Mrs. Humphrey Ward to William Faulkner. Good plot summaries are provided for a wide range of novels. If you are a fan of Anthony Trollope, you will find no less than twenty five of his books discussed. You have to be careful, however, if you are reading the plot of a book in order to decided whether or not you want to read it - the ending is always given away. The Cambridge Guide explores many literary terms: Meter; the Bloomsbury Group; positivism; and post-structuralism. There are also entries on Literary Journals - yes, the New York Review of Books is here as well as Granta. The Cambridge Guide is written for the average layman and avoids academic jargon. I decided to try the entry on "deconstruction" as the extreme test of explaining difficult concepts. It's hard to say: either they failed the test, or I failed it. This book has become one of my prized possessions, and I would have been willing to buy it at twice the price charged.
11 of 12 people found the following review helpful:
5.0 out of 5 stars
Excellent resource for teaching or taking college courses.,
By A Customer
This review is from: The Cambridge Guide to Literature in English (Hardcover)
The Cambridge Guide to Literature in English provides a wide array of supplementary reading material to accompany lecture notes or for students to grasp overall concepts of a particular work, author, or literary movement.
6 of 8 people found the following review helpful:
5.0 out of 5 stars
An impressive reference book,
By Pool Enthusiast (I am on the front porch reading The New York Times.) - See all my reviews (VINE VOICE)
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This review is from: The Cambridge Guide to Literature in English (Hardcover)
Since I am the first to review this book, it is important that I let you know just how much information is in here.
Writers - poets, novelists, playwrights, theologians, philosophers, economists, naturalists, scientists, essayists, critics, and historians Individual plays, poems, novels, and other works Literary groups or schools - I.E. the Lake Poets, the Beats, the Movement, and the Black Mountain School Wider literary movements - I.E. neoclassicism, Romanticism, modernism, and post modernism Critical schools or movements - I.E. the New Criticism, structuralism, post structuralism, deconstruction, and ethical criticism Literary genres - I.E. comedy, and tragedy, fable, farce and melodrama Poetic forms and sub-genres of drama and fiction - I.E. acrostic, the elegy, the revenge tragedy, and the Gothic novel Critical terms - I.E. metaphor, symbol, dialogism, intertextuality, and unreliable narrator Rhetorical terms - I.E. anaphora, bathos, chiasmus, synecdoche, and zeugma Theaters and theater companies - I.E. the Globe, the King's Men, the Federal Theater Project, and the Sistren Theater Collective Literary magazines - I.E. The Quarterly Review and Punch, The New Masses, and Staffrider So, as you can see, the list is quite extensive, helpful, and interesting.
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