The Cambridge Guide to Theatre is a single-volume reference that emphasizes international theater and performance in its broadest sense, with A-to-Z entries providing clear and concise information on traditions, theories, companies, playwrights, practitioners, venues and events. The Guide contains an entry for any country with a significant theatrical past or present, from Africa, Asia, the Americas, and Europe, exploring areas of world theater that are neglected in many other works of reference. National entries explain the history and nature of theater movements, identifying prominent figures and activities. The Guide also takes into account radio and television drama, ballet and opera in their theatrical context, and covers dance and music where they clearly interact with theater as performance. It contains extensive cross references that lead the reader from one entry to another.
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"An authoritative and comprehensive dictionary on world theater, this excellent one-volume guide emphasizes performance and all aspects of international theater. Attractively produced with over 250 black -and-white illustrations, it is alphabetically arranged and encompasses the usual biographical sketches on actors, playwrights, and designers, as well as excellent coverage on individual countries with major theatrical tradition...The editors have paid particular attention to neglected persons and activities. The comprehensiveness of the guide makes it attractive to scholars and general readers." A 1989 Library Journal Best Reference book Library Journal
Book Description
Emphasizing performance, this guide includes popular entertainment as well as scripted drama. It covers the circus, musical theater and pantomime as well as Indian festival and Japanese puppet theater and the classic and contemporary theater of Europe and North America.
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Key Phrases - Statistically Improbable Phrases (SIPs):
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atre manager, lesbian theatre, serf theatres, feminist theatre groups, traditional theatre forms, theatrical monopoly, first major play, repertory movement, national theatre company, género chico, first stage play, gay theatre, neoclassical tragedy, changeable scenery, environmental theatre, commedia erudita, teatro stabile, resident dramatist, theatre design, house dramatist, international theatre festival, puppet form, perspective scenery, theatre row, shadow puppet theatre Key Phrases - Capitalized Phrases (CAPs): (learn more)
New York, World War, King Lear, United States, San Francisco, Los Angeles, The Cherry Orchard, The Tempest, Peer Gynt, Lady Macbeth, Hedda Gabler, Midsummer Night's Dream, The Merchant of Venice, The Seagull, Theatre Royal, Twelfth Night, Middle East, Doll's House, Latin America, Julius Caesar, Middle Ages, Shakespeare Memorial Theatre, Uncle Vanya, British-born American, English Stage Company New!
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atre manager, lesbian theatre, serf theatres, feminist theatre groups, traditional theatre forms, theatrical monopoly, first major play, repertory movement, national theatre company, género chico, first stage play, gay theatre, neoclassical tragedy, changeable scenery, environmental theatre, commedia erudita, teatro stabile, resident dramatist, theatre design, house dramatist, international theatre festival, puppet form, perspective scenery, theatre row, shadow puppet theatre Key Phrases - Capitalized Phrases (CAPs): (learn more)
New York, World War, King Lear, United States, San Francisco, Los Angeles, The Cherry Orchard, The Tempest, Peer Gynt, Lady Macbeth, Hedda Gabler, Midsummer Night's Dream, The Merchant of Venice, The Seagull, Theatre Royal, Twelfth Night, Middle East, Doll's House, Latin America, Julius Caesar, Middle Ages, Shakespeare Memorial Theatre, Uncle Vanya, British-born American, English Stage Company New!
Books on Related Topics | Concordance | Text Stats Browse Sample Pages:
Front Cover | First Pages | Back Cover | Surprise Me!
Citations (learn more)
This book cites 562
books:
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1
book
cites this book:
- The Theatrical Notebooks of Samuel Beckett: Waiting for Godot (Beckett, Samuel) by Samuel Beckett on 5 pages
- Under Milk Wood: A Play for Voices by Dylan Thomas on 4 pages
- The Cambridge Guide to Theatre by Martin Banham on 4 pages
- An Enemy of the People: A New Version by Christopher Hampton (Faber plays) by Henrik Ibsen on page 177, page 244, and page 343
- The Beggar's Opera (Penguin Classics) by John Gay on page 24, page 136, and page 311
See all 562 books this book cites
- New Theatre Quarterly 54: Volume 14, Part 2 (No.54) by Clive Barker on page 20
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