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The encyclopedia has about 500 alphabetically arranged entries on everything from five pages on Travel to a paragraph on ^ Traeg, Johann, a publisher of Mozart's music, and from four pages on Genius to one paragraph on Goethe, Johann Wolfgang. There are about 50 contributors, the majority from English or U.S. universities. The entries have a consistent style, scholarly but readable. Most entries end with a short bibliography. See references often direct readers from individual works such as 'Coronation' Concerto to entries such as Concertos, but actual mention of the work can be hard to find within the six-page Concertos, which is loosely arranged chronologically by Kochel Number. An index entry with a page reference would have helped, and such problems could be eliminated altogether by an online version.
Although much of the volume discusses the historical aspects of Mozart, there are current references. For example, the entry Mozart in literature mentions current novels based on the composer. There are no musical notations or photographs, but a number of tables are provided; an interesting one lists the date, duration, place, and symptoms of Mozart's illnesses. The appendixes include a complete list of works, a list of Mozart films, a list of operas on DVD and video, and Mozart organizations and Web sites. This encyclopedia is the definitive source for Mozart information and should be a required purchase for music and large public and academic libraries. Christine Bulson
Copyright © American Library Association. All rights reserved
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Most Helpful Customer Reviews
8 of 8 people found the following review helpful:
5.0 out of 5 stars
A Big Book, A Big Price, But It Really Is Worth It!,
By Grady Harp (Los Angeles, CA United States) - See all my reviews (HALL OF FAME REVIEWER) (VINE VOICE) (TOP 50 REVIEWER) (REAL NAME)
This review is from: The Cambridge Mozart Encyclopedia (Hardcover)
For those brave souls who are willing to see this beautifully written and designed volume as a major investment for the library, the treasures in store here are plentiful. As the title suggests this is a compendium of all that Wolfgang Amadeus Mozart wrote - operas, chamber works, choral works, symphonies, overtures, concerti - they are all here.Wisely Editors Cliff Eisen and Simon P. Keefe did not venture to write all the entries themselves, but instead solicited some superb essayists, historians, musicologists, and academicians to take us through not only the various works Mozart composed, but also the bits and particles of his life and legacy (e.g. the Salieri Scandal, his medical history, even the omnipresent Austrian Mozartkugeln!) that contribute to the readability of this volume. Plan to spend time as you wish to pick up this heavy tome and turn to any page at all. Whether analyses of his opera plots and characteristics or performance practices or various composer's plagiarisms or just good gossip suit the tone of the time allotted, there is something to treasure on every page. This is a very fine book, well bound to support a long shelf life of repeated readings, and certainly worthy of inclusion in every Mozartean's library! Highly recommended. Grady Harp, July 06
1 of 1 people found the following review helpful:
5.0 out of 5 stars
Best Mozart source!,
By Kashaknishra "Kashaknishra" (Brighton, MA USA) - See all my reviews
Amazon Verified Purchase(What's this?)
This review is from: The Cambridge Mozart Encyclopedia (Paperback)
This excellent book proves to be a most valuable resource for the research required in writing program notes. And in paperback form, it is quite a bargain. Though its information is scattered into an impressively wide range of topics appropriate to an encyclopedia, the thorough index provides all the cross-references to any chosen topic one could desire. The coverage is both accurate and up-to-date (published 2006), so far as the present musicologist can tell. It reads well, fascinatingly so. I recommend it highly for anyone with a deep interest in Mozart and his music. Though it may well be found in any good music library, it is also a most worthy addition to one's home library, where it will also provide compelling reading.
2.0 out of 5 stars
Needs more editing,
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This review is from: The Cambridge Mozart Encyclopedia (Paperback)
Just opened the book for the first time and already found 2 mistakes. Under piano sonatas: k. 279, 2nd movement is in the parallel minor, not subdominant as the text implies. Also, k. 310 2nd movement is not in the relative major, but is in the major VI of A-minor. Hardly a reliable source for program notes or research. I'm wary as I read any more of that book.
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