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  • It Came From Beneath the Sea (Color Special Edition)
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It Came From Beneath the Sea (Color Special Edition)


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Product Details

  • Actors: Kenneth Tobey, Faith Domergue, Donald Curtis, Ian Keith, Dean Maddox Jr.
  • Directors: Robert Gordon
  • Writers: George Worthing Yates, Harold Jacob Smith
  • Producers: Charles H. Schneer, Sam Katzman
  • Format: Anamorphic, Widescreen, NTSC, Color, Black & White
  • Language: Portuguese (Dolby Digital 2.0 Mono), English (Dolby Digital 2.0 Mono), English (Dolby Digital 5.1), Spanish (Dolby Digital 2.0 Mono)
  • Subtitles: English, Spanish, French, Portuguese
  • Dubbed: Portuguese, Spanish
  • Subtitles for the Hearing Impaired: English
  • Region: Region 1 encoding (US and Canada only)
    PLEASE NOTE:
    Some Region 1 DVDs may contain Regional Coding Enhancement (RCE). Some, but not all, of our international customers have had problems playing these enhanced discs on what are called "region-free" DVD players. For more information on RCE, click .
  • Aspect Ratio: 1.85:1
  • Number of discs: 2
  • Rated: Unrated
  • Studio: Sony Pictures Home Entertainment
  • DVD Release Date: January 15, 2008
  • Run Time: 79 minutes
  • Average Customer Review: 3.9 out of 5 stars  See all reviews (93 customer reviews)
  • ASIN: B000Y2Q9J0
  • Amazon Best Sellers Rank: #104,433 in Movies & TV (See Top 100 in Movies & TV)
  • Learn more about "It Came From Beneath the Sea (Color Special Edition)" on IMDb

Special Features

  • Audio Commentary by Ray Harryhausen, Arnold Kunert, Randy Cook and John Bruno
  • Featurette: Ray Harryhausen on It Came From Beneath The Sea
  • Video Photo Galleries
  • Featurette: Tim Burton Sits Down with Ray Harryhausen
  • A Video Discussion of It Came From Beneath The Sea’s 1955 marketing and advertising campaign by producer Arnold Kunert
  • Featurette: David Schecter on Film Music’s Unsung Hero
  • Featurette: A Present Day Look at Stop-Motion
  • Sneak Peek of Digital Comic Book It Came from Beneath the Sea…Again!

Editorial Reviews

It Came From Beneath the Sea was the first collaboration between special effects wizard Ray Harryhausen and producer Charles H. Schneer. Directed by Robert Gordon (Tarzan and The Jungle Boy), the newly colorized film, depicting a giant octopus attacking San Francisco, stars Kenneth Tobey (The Thing From Another World), Faith Domergue (This Island Earth), Donald Curtis (Earth vs. The Flying Saucers) and Ian Keith (The Ten Commandments).

Customer Reviews

3.9 out of 5 stars

Most Helpful Customer Reviews

39 of 41 people found the following review helpful By Robert S. Clay Jr. on April 17, 2000
Format: VHS Tape
Good Grade B '50s sci-fi flick. An atomic size octopus from the deepest realms of the Pacific threatens the world. Seeking adequate levels of food supply, not excluding humans, the creature attacks San Francisco. The real star of this movie is the razzle-dazzle special effects of Ray Harryhausen. The quality of the stop-motion animation exceeds the constraints of the B&W photography and the modest budget. The first part of the film tells of the mysterious ship sinking and other unexplained marine mayhem caused by the great sea beast. Navy Captain Pete Mathews (Kenneth Tobey) and two expert marine-biologists, John Carter (Donald Curtis) and Lesley Joyce (Faith Domergue), work around the clock tracking down clues to identify the source of the mysterious events at sea. The simple plot moves right along and doesn't waste time. As seems obligatory in many '50s sci-fi flicks, the heroes endure the "I'm telling you, there's a monster!" phase followed by the "Yeah, right!" response from the authorities. Happily, that particular cliche is kept to a minimum. Things really start to go snap, crackle, and pop as the monstrous octopus tries to pull itself up on the Golden Gate Bridge. And check out the giant eye that opens as the submarine approaches the submerged creature in the San Francisco harbor. This is solid Saturday afternoon at the movies fun for 12 year-olds of all ages. They really don't make them like this anymore.
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36 of 38 people found the following review helpful By Leslie B. Franson on December 30, 2004
Format: VHS Tape Verified Purchase
My Dad was a young and handsome Naval submarine officer stationed in San Francisco at the time the movie was being made, and he was asked to play the part of the executive officer, Lt. Griff. It was his one and only movie. My family and I got to visit the set and meet the stars, including the real octopus. (Very small).

Dad was presented with an electric dishwasher as a gift for his part in the film since the Navy would not let him accept money and my mother felt we really needed a dishwasher. My brother and I were in elementary school when the movie finally made it to the local theater in Kailua, Oahu two years later and we got to see out dad's name up on the big screen. None of the other children sitting in the audience for that Saturday matinee believed us. The movie is still a hit at Griffiths family reunions. Dad is now 82, and retired from the Navy with the rank of Vice Admiral.
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7 of 8 people found the following review helpful By C. Courtney Joyner on February 25, 2008
Format: DVD Verified Purchase
Excellent DVD for Harryhausen fans, monster geeks and film historians that treats us to a great example of how far colorization technology has come since its introduction years ago, and not on a washed-out public domain title. Supervised by R.H. himself - as are 20 MILLION MILES TO EARTH and EARTH VS. FLYING SAUCERS - IT CAME benefits from a more interesting and LIVING color spectrum for its monster, instead of the constant, solid green of the Ymir in the new version of 20 MILLION. The Golden Gate bridge sequence looks especially good, with the hues of the tentacles contrasted with the red of the bridge, as well as the water tones. Another terrific highlight is the flamethrowers vs. the octopus scene, which again, really sparks in its colorized form. A few of the optical mattes are more noticeable in the color transfer, but there is always the beautiful, crisp black and white version to go back to. Both are included in this package, and you can even toggle between the two for comparisons. The extras are solid, with R.H. revealing more details about this film than he has previously. IT CAME FROM BENEATH THE SEA has always been a 50's monster staple, thanks to its wonderfully animated star (and Ken Tobey!), and with this new, finely rendered color version it looks better than ever.
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4 of 4 people found the following review helpful By Tim Janson HALL OF FAMETOP 1000 REVIEWERVINE VOICE on June 16, 2008
Format: DVD
Yet another Ray Harryhausen film from the 1950's has just been released on DVD in a two disc special edition. It Came from Beneath the Sea comes in between The Beast from 20,000 Fathoms and Earth Vs. the Flying Saucers. It's probably the least of those three films but I always liked this one even more than "Earth Vs..." This is such a product of the 1950's when the paranoia over nuclear testing was at its highest. The result was a plethora of films featuring all manner of radioactive-spawned giant monsters: spiders, ants, grasshoppers, and other beasties. In this film the threat comes from a giant octopus, driven out of its deep sea home by atomic bombs tested at sea.

The first to encounter the creature is a U.S. Navy nuclear sub, commanded by Pete Matthews (Tobey). The sub doesn't know exactly what they've encountered but a piece of the creature was caught in the Sub's propellers. The hunk of octopus is taken to be analyzed by two marine biologists, Prof. Lesley Joyce (Domergue) and Prof. John Carter (Curtis). They determine that the piece belongs to an octopus but one that has grown to enormous proportions.

The creature soon makes attacks on other vessels, sinking an entire merchant ship, and leaving only a handful of shocked survivors. While the Navy at first dismisses the professor's findings, they soon cannot deny the truth and decide to take action. The film's climax comes with the memorable octopus attack destroying the Golden Gate Bridge in San Francisco.

Like all of these films, it's the masterful stop-motion effects that are the real star. While the film itself took only a few weeks to shoot, Harryhausen worked on the effects for months afterwards, painstakingly filming the creature's movement's one frame at a time.
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Topic From this Discussion
who all think that the sci fi tv,and movies from the 1950s&60s are the...
Movies from this era (1950s) had REAL science mixed with the hoakyness whereas, today, its mostly all fiction with little or no science. Yesterday was more appealing to the science/math minded and, Post 1950s is more appealing to the religious/arts minded. Like in the original Thing where they... Read More
Jan 31, 2011 by Geoffrey M. Voeth |  See all 2 posts
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