Product Details

• Directors: Joshua Logan
• Format: Blu-ray, NTSC, Original recording remastered, Widescreen
• Language: English
• Region: Region A/1 (Read more about DVD/Blu-ray formats.)
• Aspect Ratio: 1.77:1
• Number of discs: 1
• Rated: NR (Not Rated)
• Studio: Warner
• DVD Release Date: April 24, 2012
• Run Time: 179 minutes
• Average Customer Review: 4.0 out of 5 stars  See all reviews (226 customer reviews)
• ASIN: B001PBEJL4
• Amazon Best Sellers Rank: #78,418 in Movies & TV (See Top 100 in Movies & TV)
• Learn more about "Camelot [Blu-ray Book]" on IMDb

Editorial Reviews

Amazon.com

Joshua Logan's 1967 film of the hit Broadway musical about the love triangle between King Arthur (Richard Harris), Guenevere (Vanessa Redgrave), and Sir Lancelot (Franco Nero) is strong on star emphasis and weak on such fundamentals as story and sets. Except for a handful of solidly dramatic scenes--such as Guenevere grieving, late in the film, for the ruination she and Lancelot have caused--there's not a lot to get excited about. (The story's theme of a lost, great society, however, certainly struck a chord in the 1960s.) The Lerner-Loewe songs ("If Ever I Would Leave You," "Camelot") pretty much sell themselves, even if they are, at best, only proficiently performed in this movie. --Tom Keogh

Product Description

The oft-told tales of Arthurian legend have always been fertile ground for art. With countless books, fi lms and songs on the subject, there have been many interpretations of Merlin, the Knights of the Round Table, the glories of the kingdom of Camelot and the doomed love triangle of King Arthur, Lady Guenevere and Sir Lancelot du Lac. The musical Camelot, however, remains the most iconic. Consider the historical context of the piece. Originated for the stage in 1960, Camelot coincided with the presidency of a young John F. Kennedy. Kennedy was a big fan of Camelot; he identifi ed with King Arthur and, according to the First Lady, she and the President would often listen to the soundtrack before going to bed at night. Tragically, and ironically, just as Arthur's rule lasted for one brief, shining moment, so did Kennedy's, and the press forever linked the two legendary leaders many hundreds of years apart. Camelot is emblematic of JFK and, as such, it is emblematic of an era.

Most Helpful Customer Reviews

162 of 167 people found the following review helpful

4.0 out of 5 stars "Mark me well - I will tell you, sir!" July 13, 2000

By Amanda HALE

Format:VHS Tape

Yes, 'Camelot' is a flawed movie, but a MAGICAL one, nonetheless. It is too long, and Franco Nero's dubbed singing voice as 'Lancelot' is laughable, and YET! Yet, we have RICHARD HARRIS, so perfect as the failing King Arthur, Vanessa Redgrave, never lovelier than in her role as the torn Guinavere, and David Hemmings, a dastardly 'mod' Mordred reeking havoc on the troubled Kingdom. Franco Nero (dubbing notwithstanding) brings a wonderful comedic touch to Lancelot, and with the sumptious sets and costumes, 'Camelot' really is a BEAUTIFUL film. It has been critisized for having a 'Sixties' feel to it, but the somewhat hippy-ish design just adds to the pleasure; and it REALLY doesn't matter that Richard Harris is wearing WAY to much blue eye-shadow - we're in CAMELOT, for goodness sake! There may very well be a 'legal limit to the snow' there, but when it comes to make-up, no holds are barred! Oh, one can pick a MILLION holes in 'Camelot' - but why bother? It's better just to pour yourself a glass of mead, light some candles, put 'Camelot' in your VCR and let Lerner and Loewes wonderful score sweep you into a magical time which never existed. 'Camelot' is pure escapism, but it's escapism with 'heart', and that heart belongs to Richard Harris. This movie is HIS, and years after first seeing this movie, when I imagine the face of King Arthur, the face that I see is Richard Harris'.

151 of 164 people found the following review helpful

4.0 out of 5 stars It's the Music that Really Counts Here! February 2, 2000

By R. L. Pulliam VINE™ VOICE

Format:DVD|Amazon Verified Purchase

In the annals of musical theater, there are more than a few great scores. Among them is Lerner and Loewe's "Camelot" which has more than its share of great songs that shine away from the musical play.

In 1964, Jack Warner produced "My Fair Lady" at Warner Brothers. It was an excellent film, if a bit too cautious. The play was a phenomenon and Jack didn't want anyone mucking about with it. Going to see it was almost as exciting as going to church, even though the film itself was entertaining and beautiful to look at.

Four years later, Warner attempted to do the same thing with "Camelot." In many ways, he failed, but in a couple of others, he outshone "My Fair Lady" and many other fine movie musicals. First, but not foremost, he enlisted the talents of John Truscott to design the film. No medieval tale has ever benefitted from so fine a vision. His sets and costumes are among the finest -- yet most realistic -- ever created. Second, and this is the best part (for me) -- he acquired the services of the finest composer/conductor Hollywood has ever produced. Alfred Newman had already won 8 Academy Awards prior to scoring "Camelot." Newman was one of a handful of composers who invented film scoring in the 1930s and 1940s. As head of the Fox music department from 1940-1959, Newman had the best orchestrators, best musicians and best composers working for him at Fox than could be found anywhere else.

For "Camelot," Newman had a free hand, along with his associate Ken Darby who had worked with Newman for nearly 20 years, collaborating on such film musicals as "Carousel," "The King and I" and "South Pacific...."

The reason I'm making such a fuss over this -- in addition to the fact that "Camelot" earned Newman his 9th Oscar -- is that "Camelot" rates as one of the best scored musicals in film history and on this DVD, you can hear the entire musical score, free of dialogue and solo vocals, in 5.1CH stereo!

What separates "Camelot" from "My Fair Lady" is that in the latter, Warner would not let conductor Andre Previn alter the basic orchestrations of the play. Previn had some leeway, and it really shows in the score when he cuts loose. By and large, though, this did not include songs....just musical underscore/transitions. Newman, on the other hand, virtually co-composed the entire score. Using the thematic material, he wrote a dynamic, Erich-Wolfgang-Korngoldian ("Robin Hood," "The Sea Hawk," etc.) underscore that rouses you, thrills you and makes you feel great even if the film drama itself can't quite live up to it.

Watching a film for this isolated score feature alone is something only die-hard music lovers could tolerate, but it's there and can be enjoyed by anyone. Think of it as a full-orchestra karaoke feature and you can sing your favortie songs backed by one of the finest Hollywood orchestras ever assembled!

I've always been partial to "Camelot" for the score, the sets and the luminous presence of Vanessa Redgrave.

In truth, however, "Camelot" never looked as good in its first-run roadshow performances as it does on this DVD. This movie shimmers and sparkles and glows. It looks absolutely NEW. The sound does show its age in spots.

If only Arthur didn't run around all the time calling Guinevere and Lancelot "Ginny" and "Lance." (Lance. Ginny. Ginny. Lance.). That almost ruins the film for me -- that and Arthur's eccentric blue eye shadow. And if only Hollywood had not entrusted another great musical into the musically uninspired hands of Joshua Logan (one of Broadway's greatest directors but whose heavy hand all but ruined the film versions of "South Pacific", "Camelot" and "Paint Your Wagon.")

It's a whale of a movie. And the score is one of the finest ever committed to film. Read more ›

130 of 142 people found the following review helpful

5.0 out of 5 stars If Ever I Would Leave You December 9, 2003

By Rebecca of Amazon HALL OF FAMETOP 100 REVIEWERVINE™ VOICE

Format:DVD

In this lavish adaptation of the Broadway musical based on T.H. White's modern classic "The Once and Future King," the music of Frederick Loewe and Lyrics of Alan Jay Lerner weave this story into an intricate tapestry of unforgettable heart-stirring emotions. The emotions are quite overpowering and you almost have to watch this movie three times to fully appreciate the texture and detail of the 45 sets and 3,500 costumes.

Camelot is a timeless romantic drama that takes us to a medieval world that could only be imagined in your most romantic fantasy. The humor is witty, the music is unforgettable and the world of Camelot has castle scenes that are beyond compare. In fact, if you love castles, you will see scenes from dreamy castles in Spain. The Castle of Camelot is modeled after the Castle of Coca. The architectural details in the design are partly Romanesque, Norman, Viking and Gothic. The decorations have a "fantasy" medieval flavor.

The movie is at first shrouded in mystery as Arthur sits in a dark misty forest. Arthur is about to go into battle and doesn't want to die in a state of confusion. Merlin advises Arthur to think back to the time when he met Guenevere.

We are transported into King Arthur's memory, where the entire story takes place in vivid detail. King Arthur sings about his fears of the wedding night and it is all rather cute and humorous. We instantly see King Arthur as an eternal boy and later find out how he became king quite by accident when he draws the sword, Excalibur, out of a stone.

Guenevere arrives all wrapped in fur as she travels through the "most ferocious, savage, terrifying forest" she has ever seen. The branches are laden with snow and icicles. She simply adores the danger and beauty.... When she hears the forest is quite dangerous, she wishes to be stolen away. Her heart is quite hungry for adventure and romance as a damsel in distress and all she has to look forward to is an arranged marriage.

When she meets "Wart" she has no idea he is King Arthur and asks him to run away with her. Vanessa Redgrave and Richard Harris are like two happy children living in a magical dream. King Arthur has a boyish charm, plenty of witty lines and the almost periwinkle eye shadow quite matches his turtleneck sweater and promotes a whimsical mood.

The royal marriage is magnificent and the wedding gown flows between two seas of candles. For a time, we truly believe this arranged marriage will succeed. Arthur shares his dreams of uniting the feudal city-states and Guenevere seems intrigued with her husband's leadership qualities. She too seems to be dreaming of a new world filled with chivalrous knights who fight for right.

When French knight Sir Lancelot arrives, he destroys the intimacy between Guenevere and King Arthur, although he promises to be the king's defender in this newly civilized world. Guenevere becomes a woman who must make impossible decisions. Lancelot dreams of all the good he can do, all the wrongs he can right and in fact, his desires lead him to a place where a fragile utopia is destroyed.

"Camelot" then becomes a serious study in how three people are almost forced to make irreversible decisions. King Arthur (Richard Harris) seems to quickly go into an extended period of denial and since he deeply loves Guenevere, he forgives her for being human. Lancelot (Franco Nero) lives life intensely and feels deeply about King Arthur's mission. He is filled with a passion for life and makes promises he can hardly keep once he enters Guenevere's world.

Guenevere (Vanessa Redgrave) is so innocent in her love of both King Arthur and Lancelot. She falls madly in love with Lancelot because he embodies all that she has always dreamed of, despite the fact that their love now destroys Lancelot's chivalrous ideals. He fights for her and his impressive battle skills and depth of emotion after he fights in the joust draws her into his world. Each time they look at one another, the world stands still and in awe of this love they feel for one another. If only she had met Lancelot before she had been promised to King Arthur.

I doubt there is a more powerfully erotic and yet angelic scene than the one where Guenevere stands in the doorway with her golden hair flowing behind her in the drafty castle. This scene portrays her in an almost angelic way as "If Ever I Would Leave You" plays on, drawing us into an intimate circle created by three hearts who are forever woven into this immortal tale. How can your heart not melt when Lancelot declares his undying affection by saying: "I, I love you. God forgive me, but I do."

There are a lot of extras:

1. Jump to a Scene

2. Explore Camelot
-Cast & Crew
-The History of the Legend - Information on King Arthur (Interesting ideas, like that King Arthur was really a Celtic chieftain in the 5th century who became a king in the legends after his death. He was believed to have been killed at a battle at Camlan in 537 AD.), Excalibur, The Holy Grail (Why King Arthur was seeking this magical object) and The Knights of the Round Table
-King Arthur Comes to Hollywood
-Building Camelot
-Costumes
-Awards
-Featurette: The Story of Camelot
-Featurette: Special Premiere Footage
-5 Theatrical Trailers

3. Languages - You have to choose "English" or you will only hear the Musical Score.

4. Recommendations

I really can't think of a more perfect movie. Sadly at the end of the movie, the story is not quite what we expect. Yet, I don't think we would want this movie to end in any other way.

~The Rebecca Review Read more ›

31 of 33 people found the following review helpful

4.0 out of 5 stars Pure Emotion April 17, 1999

By A Customer

Format:VHS Tape

Camelot made an impression on me over 30 years ago, and today, watching the remastered video, all the songs and lines come easily to me, yet I probably only saw it twice. Most reviews treat this film version unkindly, but I quite prefer Richard Harris as Arthur. In my mind, it's the greatest thing Harris has ever done, and his almost impish Arthur is appropriate for a boy-turned-king. He's neither too regal nor too arrogant, like some who have performed the role. He inhabits Arthur. I'd not have chosen Redgrave but she turns out to be luminous: by turns innocent, lusty, loving, and decent. Marni Nixon's dubbed singing works through her. Franco Nero's Lancelot is a sculpted icon of steel-eyed beautiful purity. Nero may not the greatest actor in the world, but he is endearing as Lancelot, and his physical loveliness in muscle, jaw, cheekbone and eye is probably unmatched for this role. The costumes are brilliant and gorgeous enhancements. (although a bit more real fur could have been used, back in the 60s!) The fact is, the score could not be more magnificent; the "natural" style singing is charming. Rather than focusing on "great" voices, we instead hear the intended core of each scene through "real" characters expressing themselves. These actors portray their roles gamely and truthfully as three people in love with each other. The entire production is a lush, bittersweet escape that infuses me with the sheer emotion and passion of ideals imagined and dashed. Love both lavished and betrayed is a sweet torment that this film tenderly displays to this viewer. I think it's highly underrated.