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Camille Claudel


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Product Details

  • Actors: Isabelle Adjani, Gérard Depardieu, Madeleine Robinson, Laurent Grévill, Philippe Clévenot
  • Directors: Bruno Nuytten
  • Writers: Bruno Nuytten, Marilyn Goldin, Misa Terami, Reine-Marie Paris
  • Producers: Isabelle Adjani, Bernard Artigues, Christian Fechner
  • Format: Closed-captioned, Color, Letterboxed, Subtitled, Widescreen, NTSC
  • Language: French (Dolby Digital 2.0)
  • Subtitles: English, Spanish, French
  • Region: Region 1 (U.S. and Canada only. Read more about DVD formats.)
  • Aspect Ratio: 2.35:1
  • Number of discs: 1
  • Rated: R (Restricted)
  • Studio: MGM (Video & DVD)
  • DVD Release Date: January 23, 2001
  • Run Time: 159 minutes
  • Average Customer Review: 4.4 out of 5 stars  See all reviews (63 customer reviews)
  • ASIN: B000053VBM
  • Amazon Best Sellers Rank: #106,302 in Movies & TV (See Top 100 in Movies & TV)
  • Learn more about "Camille Claudel" on IMDb

Special Features

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Editorial Reviews

International screen star Isabelle Adjani (The Story Of Adele H., Ishtar) is the creative prodigy Camille Claudel. GÃ(c)rard Depardieu (Green Card, Cyrano de Bergerac) is thelegendary sculptor Rodin. This is the true story of their passionate obsession with artand with each other. Both an inspiring saga of artistic vision and the haunting portrayal of a doomed romance, Camille Claudel is a beautiful and stirring cinematic masterpiece. A historically accurate depiction of one of the most important collaborations in the history of modern art, Camille Claudel was nominated for the 1989 Academy AwardÂ(r) for Best Foreign Language Film,and Adjani was nominated for the 1989 OscarÂ(r) for Best Actress for her riveting portrayalof the beautiful young woman who sacrifices her talents to flames of passion.

Customer Reviews

The movie was a very interesting movie to watch.
Diaspora Chic
Furthermore the film is compelling as a work of art itself, and enormously important to the on-going study of women artists.
Marleigh Grayer Ryan
In the end Claudel succumbs to a broken and ravaged heart betrayed in many ways by her one true love, Rodin.
V. Marshall

Most Helpful Customer Reviews

57 of 58 people found the following review helpful By HH on July 22, 2008
Format: DVD
This USA butchered DVD release has 13 minutes cut from it, excluding major plot points, whole sequences, violence, nudity and characters. This is NOT a review of the film, merely this substandard, shoddy MGM release. The UNCUT version on DVD is available in the UK, France, Spain, Italy, basically everywhere in the world but here!
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80 of 86 people found the following review helpful By Dianne Foster HALL OF FAME on December 30, 2000
Format: DVD
A few years ago, on a beautiful sunny March day, I visited the house and grounds of the Rodin museum, formerly the home of Auguste Rodin. The museum sits very near a hospital Napoleon commissioned and is in a central tourist area, but it was not overrun with tourists the day I visited.
The weather was so nice, I decided to have lunch in the pavillion on the grounds and eventually spent half a day wondering around the various scuptures situated indoors and outside. The 'Thinker' sat contemplating a nearby bush while a little bird landed on his shoulder, and Balzac looked down in triump from his pedestal. But, inside the house, I found a little room dedicated to the work of Camille Claudel, and here I paused the longest. It struck me then that while Rodin dealt with the external, Claudel dealt with the internal--the soul. I'm a small fan of sculpture, but the marble pieces Claudel worked with her hands are amazing. "Life-like" does not say enough. One piece, a marble bust of a child's head and shoulders took my breath away. I kept waiting for the child to breathe. I checked to see if she was breathing. The only pieces I have seen that are comparable were executed by Micheangelo.
The film CAMILLE CLAUDEL is worthy of the heroine and her sad story. Rodin treated her badly, if for no other reason than he had no right to become sexually involved with her when she was his employee and he was a married man. Today he would be locked up for sexual harrassment, and Claudel would not spend most of her life locked up because she became "hysterical" after he dumped her.
But, Rodin's greatest sin may have been that he became involved with Claudel because he recognized her genius and he wanted to exploit it.
Read more ›
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27 of 28 people found the following review helpful By V. Marshall VINE VOICE on May 18, 2004
Format: DVD
I began watching this film on a late night of insomnia....it didn't help me to sleep and that's a good thing!
Isabelle Adjani artfully plays real life French sculpturess, Camille Claudel. She displays pure emotion and passionate reactions such that she is completely believable as the tragic yet talented Claudel. Claudel becomes Auguste Rodin's assistant and eventual lover/muse. They fight and compete for fame together and seperately with Claudel always the more talented but underscored by Rodin's jealously and fierce connections to the art world. In the end Claudel succumbs to a broken and ravaged heart betrayed in many ways by her one true love, Rodin.
I recently returned from a trip to Paris and having seen first hand the sculptures created by Claudel and Rodin I am even more impressed with this tragic story of talented yet conflicted artists. To see the obvious gentleness with which Claudel can carve marble and to feel the warmth that stems from a slab of cold stone left me mesmerized by her talent. Rodin appears clumsy and inept next to her creations despite his world reknown fame. I will always wonder what a woman of her talent could have created had she been alive today and not under the influence of an egotistical maniac!
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20 of 20 people found the following review helpful By Donald Waits on November 28, 2011
Format: DVD
It is about time we, the public, boycott or put pressure on those who decide how to release DVDs, By that I mean the "Regions Codes" AND censorship. This fine movie, whose version is "Region 1 (U.S.A. and Canada ONLY) is NOT the
complete film. Fifteen full minutes have been cut from this release. First and foremost, just WHO and WHY makes the
decisions to declare how a film is to be released? Surely NOT the producers, actors, directors of these films. There seems
to be a sound reason behind boycotting or otherwise punishing those who exercise capricious and mean-spirited power
over what and how we access films. Censorship, at least in THIS country, is supposed to be against the law. I saw this
movie in New York when it was first shown and I remember a totally different experience from THIS butchered version.
Letters, e-mails, and phone calls have so far proved fruitless. The rights of free people are being senselessly ignored.
FIRST, put a STOP to "Regions Coding". SECOND, insist on complete and un-cut versions of ALL films.
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14 of 15 people found the following review helpful By wiredweird HALL OF FAMETOP 500 REVIEWER on February 5, 2006
Format: DVD
Camille Claudel was a sculptor in a time when women were discouraged from art - and especially from that most muscular of arts, sculpture. Such was her genius, though, that she was accepted as Rodin's student. He supported her career, both as his assitant and as an artist in her own right. Some people say that her skill outstripped even his.

Why, then, is her work so little known today? Certainly not because it's appeal faded with time. It still has all the power to move a viewer that it ever did. The reason is probably that there was so very little of her work, and even less extant today. Her career lasted only a few of her adult years. Illness of mind drove her from the people and venues that supported her, and drove her to destroy much of her own work. In the end, illness left her unable even to care for herself. She was hospitalized in 1913, and died in 1943 without regaining her sanity, her freedom, or her career.

This lovely movie documents her life up to 1913. It shows her early promise, her rise to success, and her collapse into incapacity. The basic historical facts, to the best of my knowledge, are sound, but may have been stretched in a few places. Her relationship with Rodin is shown, but may not have been given the emphasis it warranted. Her removal to the hospital for the insane is shown, too, but may not have been the peaceable affair displayed here. No matter. Claudel the artist deserves the attention, and Claudel the woman leaves us asking what wonders that illness stole from her and from history.

//wiredweird
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