24 of 26 people found the following review helpful:
4.0 out of 5 stars
An insightful book, February 12, 2001
The title essay in this book is by far the most important. It's well worth at least checking this book out from a library just to read that first essay. As a poet in an MFA program, I am currently experiencing the severance from the rest of society and alienation from literary criticism that Gioia describes so well. He's right on target. I'm not sure about some of his prescriptions for moving poetry back into public interest (i.e. reading from the work of other poets at one of your own readings), but the fact that he is able to articulate poetry's problems so well should at least get writers thinking about our own solutions. Incidentally, the rest of the essays do decline in quality through the course of the book, but I nevertheless found the final essay on New Formalism worthwhile. I actually didn't know much about the movement other than some mildly disparaging remarks made by various professors during workshop, so Gioia's perspective was refreshing.
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20 of 23 people found the following review helpful:
4.0 out of 5 stars
opening essays of book are essential reading for our age, October 1, 1997
The Kirkus review of "Can Poetry Matter?" is pretty much right on target. The opening essays of the book are a necessary (and necessarily condemnatory) critique on the current state of poetry in America. The articles on Kees, Jeffers, etc., are less impressive, and the review reprints which end the book are even less so. Still, the strength of the first few essays outweighs these drawbacks.
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3 of 4 people found the following review helpful:
4.0 out of 5 stars
Worth One's Time!, July 7, 2008
This review is from: Can Poetry Matter?: Essays on Poetry and American Culture (Paperback)
The title essay wasn't the best thing about this book on matters poetical, in my view. Whether poetry does matter or whether poetry can matter are two different questions, but Dana Gioia treats these two as one and the same and, in the end, doesn't answer it, except incompletely. Yes, poetry CAN make your life happy . . . . he weakly suggests at the end of the piece.
The essay on Robert Bly (the "successful poet") was stunningly vicious and blessedly beautiful at the same time: highly insightful.
The two separate essays on Weldon Kees and Robinson Jeffers ("Strong Counsel") were perfection in analysis and appreciation of these poets' works (except for one mistake: the author is wrong in stating that Robinson Jeffers never won any award in his lifetime. Mr. Jeffers won many awards - seven that I know of. Mr. Jeffers was not partial, however, to receiving awards, and he wrote a poem about how one should avoid all publicity.).
I felt deep gratitude as well for one essay entitled "Short Views" in which the reader is teased with the pleasures to be found in the poetry of Tom Disch (now deceased as of July 4, 2008 by suicide), Radcliffe Squires, and Theodore Weiss.
The essay "Business and Poetry" never answers the question why poets do not write about business in their poems, though the author gives hints feints here and there.
Ted Kooser was pleasingly and carefully examined as a minor regional poet.
Two essays devoted to the New Formalism did not themselves contain any major ideas to blow one away with insight or appreciation particularly. They merely do the job of showing that it exists on the contemporary scene, and Dana Gioia himself is a practitioner (though he carefully omits to say).
No mention either is ever made of Stephen Dunn or James Wright in any of these essays. I can only wonder why Dana Gioia mentioned other poets less well-known than these two men. But he does not even mention Cavafy, and Dana Gioia published a poem referencing this poet's name in the title. It may be simply the author could not include these poets in these essays out of an embarrassment of riches.
These essays are seriously worth your time.
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