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Candida [Paperback]

George Bernard Shaw (Author)
4.8 out of 5 stars  See all reviews (6 customer reviews)


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Book Description

June 30, 1950
The Reverend James Morell's joy in his comfortable marriage to Candida is shaken by the arrival of the young poet, Marchbanks. Both men adore her, in quite different ways and for quite different reasons, and she is attracted to them for their very different qualities. Marchbanks believes she has a choice. Morell is devastated by the idea of losing her. They both forget she is her own woman.
--This text refers to the Kindle Edition edition.


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--This text refers to the Kindle Edition edition.

About the Author

George Bernard Shaw (1856-1950) was an Irish-British playwright and winner of the Nobel Prize in Literature in 1925 and the Academy Award in 1938 for Pygmalion. After those of William Shakespeare, Shaw's plays are some of the most widely produced in English language theatre. --This text refers to the Audio CD edition.

Product Details

  • Paperback: 75 pages
  • Publisher: Penguin (June 30, 1950)
  • Language: English
  • ISBN-10: 0140450378
  • ISBN-13: 978-0140450378
  • Product Dimensions: 7.9 x 5.2 x 0.4 inches
  • Shipping Weight: 3 ounces
  • Average Customer Review: 4.8 out of 5 stars  See all reviews (6 customer reviews)
  • Amazon Best Sellers Rank: #1,252,450 in Books (See Top 100 in Books)

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Customer Reviews

6 Reviews
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Average Customer Review
4.8 out of 5 stars (6 customer reviews)
 
 
 
 
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34 of 34 people found the following review helpful:
5.0 out of 5 stars A True Gem of World Theatre, June 5, 2004
This review is from: Candida (Paperback)
Like many writers at the turn of the 20th Century, Shaw was very much interested in "the woman question," for women were becoming increasingly independent and more of a challenge to men in both public and private spheres. Although he also addressed these issues in such other plays as PYGMALION and MAN AND SUPERMAN, CANDIDA is perhaps his clearest statement on the subject. Written in 1894, it is a statement that has proven timeless. It is easily among the favorite performance pieces of world theatre.

The plot is quite simple. The Rev. Morrell is a minister with a taste for reform--and he has had the good fortune to marry the perfect wife, a remarkable woman named Candida who has a talent for smoothing every path she encounters. One of the paths to which she has turned that talent is that of Marchbanks, a poetic young man who is the grip of all the emotional turmoil delayed adolescence implies. But Marchbanks has fallen in love with Candida, and when he informs her husband of this all hell breaks loose.

Throughout much of the play Morrell and Marchbanks engage in a series of brilliantly written duels over Candida, each of them espousing what Candida means to them and what they can give her, arguing through numerous philosophical issues in the process. But neither gentleman has actually troubled to consult Candida herself; when they eventually lay the issue before her and insist that she decide between them, she responds in a way that not only demonstrates how little they know of her, but how little they know about both women and the world in general.

The climax of the play has been dropping jaws in theatres for well over a hundred years and it seems likely that it will do so for at least a hundred more--and although Shaw presents his play as a comedy, it will be the rare husband who leaves it without a quick glance at his wife and the disturbed thought that like Candida, she may not be entirely what he has always believed her to be. Brilliantly written and reading as well on the page as it plays on the stage, CANDIDA is easily among the great plays of this or any other era; a personal favorite and very strongly recommended.

GFT, Amazon Reviewer

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7 of 7 people found the following review helpful:
4.0 out of 5 stars Amazing introduction, September 21, 2008
By 
Sibylle (New Zealand) - See all my reviews
Peter Gahan's introduction to G.B. Shaw's play Candida in the new Penguin Classics edition shows an old favorite play in a very new light. Not only does Gahan read between the lines of the plot, he also draws the reader's attention to on-stage props, names, and even off-stage happenings, which might otherwise easily go unnoticed. He makes some truly amazing connections with a multitude of other works of art, such as Yeats' poetry, pre-Raphelite paintings, and Wagnerian opera. This new edition of Candida is worth buying for its introduction alone.
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3 of 3 people found the following review helpful:
5.0 out of 5 stars A great play, September 28, 2010
This review is from: Candida (Paperback)
Comparing Shaw's Candida and Voltaire's Candide adds a dimension of understanding to both. Voltaire's Candide focuses on the enlightenment of a very naïve young boy who is influenced by his teacher, the philosopher Pangloss, who teaches him that this is "the best of all possible worlds" and therefore everything in it and everything that happens is not only good but the best that could possibly be. Voltaire was pocking fun at the philosopher Leibniz who taught this notion. Leibniz argued that God is good and all that he creates must of necessity be good. Voltaire shows that this is a ridiculous notion - according to this view, why save a man who is drowning since his death is "obviously" the best thing there is. The boy comes to understand that philosophy/thinking is not good; one should instead live life to the fullest.

Shaw's Candida focuses on a woman and what women want from men. However, the comedy in three acts also contains a very naïve young boy and it too enlightens men who have a wrong concept. The eighteen-year-old boy falls in love with the wife of an approximately forty-year-old pastor. She is fifteen years older than the boy. Both the pastor and the boy argue about who Candida should live with. Both want to give her the best of all possible worlds. Both ask Candida to decide between them. But, as in the Voltaire tale, Candida is not interested in the best of all possible worlds. She makes her choice based on an entirely different desire.
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Inside This Book (learn more)
First Sentence:
A fine morning in October 1894 in the north east quarter of London, a vast district miles away from the London of Mayfair and St James's and much less narrow, squalid, fetid and airless in its slums. Read the first page
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