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Candide (Enriched Classics (Pocket))
 
 
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Candide (Enriched Classics (Pocket)) [Mass Market Paperback]

Voltaire (Author)
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Book Description

Enriched Classics (Pocket) May 24, 2005
A philosopher and his disciple journey to find "the best of all possible worlds" in this classic work of eighteenth-century satire.

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Excerpt. © Reprinted by permission. All rights reserved.

Chapter I: How Candide was brought up in a Magnificent Castle, and how he was expelled thence

In a castle of Westphalia, belonging to the Baron of Thunder-ten-Tronckh, lived a youth, whom nature had endowed with the most gentle manners. His countenance was a true picture of his soul. He combined a true judgment with simplicity of spirit, which was the reason, I apprehend, of his being called Candide. The old servants of the family suspected him to have been the son of the Baron's sister, by a good, honest gentleman of the neighborhood, whom that young lady would never marry because he had been able to prove only seventy-one quarterings, the rest of his genealogical tree having been lost through the injuries of time.

The Baron was one of the most powerful lords in Westphalia, for his castle had not only a gate, but windows. His great hall, even, was hung with tapestry. All the dogs of his farmyards formed a pack of hounds at need; his grooms were his huntsmen; and the curate of the village was his grand almoner. They called him "My Lord," and laughed at all his stories.

The Baron's lady weighed about three hundred and fifty pounds, and was therefore a person of great consideration, and she did the honours of the house with a dignity that commanded still greater respect. Her daughter Cunegonde was seventeen years of age, fresh-coloured, comely, plump, and desirable. The Baron's son seemed to be in every respect worthy of his father. The Preceptor Pangloss was the oracle of the family, and little Candide heard his lessons with all the good faith of his age and character.

Pangloss was professor of metaphysico-theologico-cosmolo-nigology. He proved admirably that there is no effect without a cause, and that, in this best of all possible worlds, the Baron's castle was the most magnificent of castles, and his lady the best of all possible Baronesses.

"It is demonstrable," said he, "that things cannot be otherwise than as they are; for all being created for an end, all is necessarily for the best end. Observe, that the nose has been formed to bear spectacles -- thus we have spectacles. Legs are visibly designed for stockings -- and we have stockings. Stones were made to be hewn, and to construct castles -- therefore my lord has a magnificent castle; for the greatest baron in the province ought to be the best lodged. Pigs were made to be eaten -- therefore we eat pork all the year round. Consequently they who assert that all is well have said a foolish thing, they should have said all is for the best."

Candide listened attentively and believed innocently; for he thought Miss Cunegonde extremely beautiful, though he never had the courage to tell her so. He concluded that after the happiness of being born Baron of Thunder-ten-Tronckh, the second degree of happiness was to be Miss Cunegonde, the third that of seeing her every day, and the fourth that of hearing Master Pangloss, the greatest philosopher of the whole province, and consequently of the whole world.

One day Cunegonde, while walking near the castle, in a little wood which they called a park, saw between the bushes, Dr. Pangloss giving a lesson in experimental natural philosophy to her mother's chamber-maid, a little brown wench, very pretty and very docile. As Miss Cunegonde had a great disposition for the sciences, she breathlessly observed the repeated experiments of which she was a witness; she clearly perceived the force of the Doctor's reasons, the effects, and the causes; she turned back greatly flurried, quite pensive, and filled with the desire to be learned; dreaming that she might well be a sufficient reason for young Candide, and he for her.

She met Candide on reaching the castle and blushed; Candide blushed also; she wished him good morrow in a faltering tone, and Candide spoke to her without knowing what he said. The next day after dinner, as they went from table, Cunegonde and Candide found themselves behind a screen; Cunegonde let fall her handkerchief, Candide picked it up, she took him innocently by the hand, the youth as innocently kissed the young lady's hand with particular vivacity, sensibility, and grace; their lips met, their eyes sparkled, their knees trembled, their hands strayed. Baron Thunder-ten-Tronckh passed near the screen and beholding this cause and effect chased Candide from the castle with great kicks on the backside; Cunegonde fainted away; she was boxed on the ears by the Baroness, as soon as she came to herself; and all was consternation in this most magnificent and most agreeable of all possible castles.

Copyright © 2005 by Simon & Schuster, Inc.


Product Details

  • Mass Market Paperback: 208 pages
  • Publisher: Simon & Schuster (May 24, 2005)
  • Language: English
  • ISBN-10: 1416500308
  • ISBN-13: 978-1416500308
  • Product Dimensions: 6.8 x 4.2 x 0.6 inches
  • Shipping Weight: 3.5 ounces (View shipping rates and policies)
  • Average Customer Review: 4.8 out of 5 stars  See all reviews (5 customer reviews)
  • Amazon Best Sellers Rank: #419,308 in Books (See Top 100 in Books)

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10 of 12 people found the following review helpful:
5.0 out of 5 stars Voltaire at his most sarcastic, November 3, 2008
This review is from: Candide (Enriched Classics (Pocket)) (Mass Market Paperback)
This was required reading for a graduate course in the Humanities. A great story and important historical work in literature. Voltaire was a Renaissance Christian humanist who played a role in the development of the Enlightenment.

On the one hand, the structure of his novel Candide is Homeric, it is the journey narrative, the hero with a thousand faces, but it is a satirical restructuring of that classical motif of the hero on a quest. What is the importance of the quest in Candide? What is the quest about in the classical sense? The quest is about learning. In the classical sense the hero leaves, has to acquire some sort of knowledge, learn a set of skills that is going to help him or her enact the quest surmount the obstacles that they encounter at one point or another, and the finally what does the hero have to accomplish? What is out there the "Holy Grail" The prize, the whole quest is about attaining some sort of ultimate end or some sort of ultimate knowledge. Does it end there? No, you got to go back with that knowledge, because the quest is never just about attaining the goal, it's about bringing it home to make everybody better, to restore the community. The individual quest, the heroic quest in the classical sense always has a larger social corrective end. The purpose of the individual, the function of the individual all depends on his ability to return to the collective, whatever it is that he has found that he has acquired that is going to change the way things are. Now how does that compare to the journey or quest narrative in Candide? Contrary to the notion of what prepares us for the world, OK here is the important structure of the journey or the quest, and the critique of knowledge by Voltaire. It is contrary to the idea of the knowledge that we acquire prepares us for the world. That each new bit of knowledge that we acquire, prepares us for the next step, and prepares us for the next stage. Contrary to the idea that life is somehow to be understood or that human history is somehow to be understood as a journey organized around progress, around betterment advancement acquiring new knowledge more knowledge more science more learning, we're getting better again, Candide tells the story that goes in the opposite direction. So, then you acquire knowledge and then you spend the rest of the journey finding out that the knowledge is useless, bit by bit, and every lesson you've acquired has to be cast aside, everything you learn you have to abandon. Instead of gaining and getting better, it is throwing off, letting go, and getting worse. Where does Voltaire want us in the end to think of the notion and narrative of progress?


Of course, you know that Candide is steeped in so many of the political and philosophical controversies of the 1750's. One of his big critiques is of the philosopher Leibnitz who said that `this is the best of all possible worlds," the idea championed by Leibnitz was a simple version of the philosophy espoused by enlightenment philosophers that the existence of any evil in the world was a sign that god was not entirely good or very powerful. The idea of an imperfect god would be nonsensical. So if you are a philosopher who takes for granted that god exists, you would have to conclude logically; and here is where humanities and Christianity really start messing with each other in all kinds of obvious ways, that god is perfect if you logically conclude that god exists. Therefore, his creation, the world, and man must also be perfect. According to many enlightenment philosophers, people perceived imperfections of the world only because they do not get the plan. This is a teleological idea of the world. Now obviously Voltaire does not accept this theory, or that god or any god has to exist. Therefore, he makes fun of the idea that the world is completely good. Much of the novel is a satire addressed to the notion that the optimists who witness countless horrors and unbelievable injustice such as floggings, robberies, and earthquakes will always find a way to write it off. They will say, `oh well there must be part of a plan, even though none of these calamities seem to serve any good at all it must point to human cruelty ignorance and barbarism and points to the indifference of the natural world. Pangloss the philosopher in the book throughout the story is always trying to find some justification for the terrible things that he sees and the arguments that he makes seem increasingly to be absurd, like his quote that "Syphilis needed to be transmitted from the new world to Europe so that Europeans could taste new world delicacies. What other things is Voltaire criticizing here that connects to some of the debates that define the enlightenment period of the 1750's Religion? Religion- He criticizes the whole hypocrisy of religion. In the book, Voltaire has a parade of corrupt hypocritical religious leaders who are like the Pope that has a daughter (should have been celibate). Hard line Catholic inquisitors, a Franciscan monk who should have vow of poverty but is a jewel thief. Here Voltaire provides countless examples of the immorality and hypocrisy of religious leaders, he does not really condemn believers per say, he is really out to attack church leadership and church hierarchy. For example Jacques, who is an Anabaptist is arguably one of the most generous and humane characters.

What else does Voltaire criticize or satirize? Wealth- money corrupts; Candide seems to have more problems when he has lots of money. Things get worse he gets unhappy. An interesting point, Voltaire was deeply involved in a debate with the many deep thinkers of his time, most notably was Rousseau, who lambasted the aristocracy. Voltaire himself really moved very comfortably among aristocratic circles and interestingly the French enlightenment philosophy really took off among the French aristocracy. Since they had the leisure time to contemplate so many of the new ideas in reason, science and rationalism and his notions of progress and advancement were ideas that were principally championed and discussed by members of the French aristocracy. Therefore, it was among some of the idle members of the French aristocrats that these enlightenment philosophers were able to find their most ardent followers. Despite the fact that the church and the state were not more often that not completely allied with each other, kings could be attracted on occasion to arguments that seemed to undermine the authority of the church. The fact that the aristocrats were very much unaware of the precariousness of their position tended to make them overconfident. Dabbling in some new ideas that were part of the enlightenment movement caused them not to take seriously the kind of jeopardy they were in or what the enlightenment would lead to in the championing of the common man and the overthrow of the French aristocracy. Because they found these ideas somewhat new, interesting, and exciting and they did not really see this as at all leading inexorably to the demise of the aristocratic class. Now of course it was thinkers like Rousseau not at all like Voltaire on this particular point that made his chief adversary. Rousseau distrusted the aristocrats out of a hunger to overthrow the class but because he believed that people of wealth betrayed decent traditional values. Rousseau opposed the theatre, which is Voltaire's lifeblood; he shunned the aristocracy, which Voltaire very much courted. He courted their attention he courted their interests. Rousseau argued for something dangerous like democratic revolution, and Voltaire argued that equality was impossible it would never come about. Rousseau argued that inequality was not only natural but that if it were taken too far it would make any decent government a total impossibility. Voltaire was very charming and witty, which led largely to his success in moving about aristocratic and social circles. Rousseau insisted on his own correctness and was not a charming person to be around; he was very intense and very serious about his ideas. Voltaire endlessly repeated the same handful of core enlightenment notions, where as Rousseau was a deeply original thinker. Who was always challenging his own way of thinking contradicting himself, coming up with ideas on the equality of education, the family, the government, and the arts in a matter that was much more radical than Voltaire was ever willing to go along with. They were both skeptics, and Voltaire is nothing if not a skeptic.

What does Voltaire do with the idea of philosophy in Candide? Philosophy- What is the value of philosophical speculation? It is useless for Voltaire; it is one of Pangloss' biggest flaws. Abstract philosophical argument is not based on any real world evidence. In the chaotic world of this novel, philosophical speculation repeatedly proves to be useless, and at times even dangerous. Time and again it prevents the characters from making any useful assessment of the world around them, it prevents them from bringing about any kind of change, it prevent them from thinking that they might try to bring about some social change. Pangloss is the character most susceptible to this kind of foolishness. Example, while Jacques is drowning, Pangloss stops Candide from saving him by proving that the bay was formed for Jacques to drown in. Therefore, at the end of course at the novels conclusion Candide rejects Pangloss' philosophies. If philosophical speculation is useless, what does Voltaire suggest you put in its place? Hard practical work in general. Therefore, it is somewhat surprising in that sense that this judgment against philosophy that is portrayed in the book becomes very dramatic when we think about Voltaire's own status as a philosopher.

What about the garden at the end of the... Read more ›
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1 of 1 people found the following review helpful:
5.0 out of 5 stars An important classic that should be compared to Shaw's Candida, September 28, 2010
This review is from: Candide (Enriched Classics (Pocket)) (Mass Market Paperback)
Comparing Shaw's Candida and Voltaire's Candide adds a dimension of understanding to both. Voltaire's Candide focuses on the enlightenment of a very naïve young boy who is influenced by his teacher, the philosopher Pangloss, who teaches him that this is "the best of all possible worlds" and therefore everything in it and everything that happens is not only good but the best that could possibly be. Voltaire was pocking fun at the philosopher Leibniz who taught this notion. Leibniz argued that God is good and all that he creates must of necessity be good. Voltaire shows that this is a ridiculous notion - according to this view, why save a man who is drowning since his death is "obviously" the best thing there is. The boy comes to understand that philosophy/thinking is not good; one should instead live life to the fullest.

Shaw's Candida focuses on a woman and what women want from men. However, the comedy in three acts also contains a very naïve young boy and it too enlightens men who have a wrong concept. The eighteen-year-old boy falls in love with the wife of an approximately forty-year-old pastor. She is fifteen years older than the boy. Both the pastor and the boy argue about who Candida should live with. Both want to give her the best of all possible worlds. Both ask Candida to decide between them. But, as in the Voltaire tale, Candida is not interested in the best of all possible worlds. She makes her choice based on an entirely different desire.
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1 of 1 people found the following review helpful:
5.0 out of 5 stars Cheap, Useful Version of the Classic, June 20, 2009
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This review is from: Candide (Enriched Classics (Pocket)) (Mass Market Paperback)
For the price, this is tough to beat. The extra materials helped provide meaningful context for my students. It's really saying something about the work when the urban youth of today can still find much enjoyment in a classic text like this.
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Inside This Book (learn more)
First Sentence:
IN A CASTLE of Westphalia, belonging to the Baron of Thunder-ten-Tronckh, lived a youth, whom nature had endowed with the most gentle manners. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
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Miss Cunegonde, Buenos Ayres, Friar Giroflee, Master Pangloss, Don Issachar, Perigordian Abbe, Doctor Pangloss, Grey Friar, Sultan Achmet, Captain Candide, Emperor Ivan, Father Provincial, King Charles Edward, Mynheer Vanderdendur
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