Candy-O (US Release)

The Cars | Format: MP3 Download

Product Details

• Original Release Date: February 8, 2005
• Release Date: February 8, 2005
• Label: Rhino/Elektra
• Copyright: 2004 Atlantic Recording Corp. Manufactured & Marketed by Warner Strategic Marketing
• Total Length: 36:28
• Genres:
• ASIN: B00124FRYM
• Average Customer Review: 4.7 out of 5 stars  See all reviews (78 customer reviews)
• Amazon Best Sellers Rank: #16,195 Paid in MP3 Albums (See Top 100 Paid in MP3 Albums)

Customer Reviews

Most Helpful Customer Reviews

59 of 64 people found the following review helpful:

5.0 out of 5 stars Candy-O - oh my!, December 3, 1999

By 

D. Biondi (Vegas) - See all my reviews
(REAL NAME)   

This review is from: Candy-O (Audio CD)

Although the first album is considered by many to be The Cars' one classic album, I'd put Candy-O on top. If you like driving down the highway with your 6(or 8 or 10...) speakers blasting on high, singing along to a CD, Candy-O will make you delirious. Ear candy of the finest order, The Cars' second album has many bright spots - chief among them being "Nightspots." The extended intro to this song - with Elliot Easton's great guitar lick - just has to be one of the most sublime moments in rock. And although every other reviewer has already mentioned it, the segue between "Shoo-Be-Doo" and the title track, like sex, is shiver-inducing. It will have you coming back for more and more, skipping back to that last few seconds of the first song as you crank the volume higher and higher until your ears bleed, just to get your fix of that first note of "Candy-O." I swear, it's like crack. The other songs are merely great. And unlike the first album, there isn't a stinker in the bunch. Sure, "The Cars" is a masterpiece and "Panorama" and "Shake It Up" have their merits, but "Heartbeat City," while a good pop album, is not the Cars I had grown and loved and played air guitar to on my tennis racket. And the less said about "Door To Door," the better. It was "Candy-O" that made me believe rock and roll was heaven-sent. Those first two Cars albums ROCKED, pure and simple. I just wish they'd get their due because, damn, that was a good band. Without "Candy-O" and The Cars (with a little help from Blondie and Devo), rock and roll might never have bridged the gap between guitar and synthesizer/keyboards. The Cars proved you could have both AND rock. Buy Candy-O today. Your musical health depends on it.

16 of 17 people found the following review helpful:

5.0 out of 5 stars Candy-O, I need you still...., May 29, 2001

By 

C. Sargent (MD United States) - See all my reviews
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This review is from: Candy-O (Audio CD)

22 years, 6 cassettes, and 1 CD later, this album is still part of my driving collection. I can never get tired of it, and will continue to wear it out and replace it as long as I live. From start to finish, this album is rich in sound and word. Ric and Ben sharing vocals provide the trademark Cars sound. David's rhythmic, tight drums, Elliot's fantastic guitar licks, and Greg's experimental electronic sound all make this album a classic, in my book. Pay particular attention to "Since I Held You", and "Got a lot on my head". These songs stand out as classic hook-driven tunes conceived with careful forethought. Most of all, it reminds me of a time when you had to have talent to get a recording contract.

20 of 24 people found the following review helpful:

5.0 out of 5 stars No sophmore slump here!, October 22, 2003

By 

N. Jacobs (Fish Creek, Wi USA) - See all my reviews
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Amazon Verified Purchase

This review is from: Candy-O (Audio CD)

For a lot of bands, their second album makes or breaks them. For the Cars, Candy-o take the best elements from their debut and adds a much more mature direction. "Let's Go" kicks things off wonderfully, with a catchy synth line Ben Orr's fantastic vocals. "Since I Held You" is a great song. At first it starts out with a quirky guitar riff before the song becomes more emotional, and towards the end, Elliot plays a great guitar solo. "Candy-o" picks up the pace a bit, and features possibly Elliot's best guitar solo yet (even if it's only a few seconds long). "Nightspots" is cool too; heavy riffs, wacky vocals, and loud keyboards. To end it all is "Dangerous Type," and I really can't understand why this song doesn't get more airplay.
Totally reccommended for fans of the Cars, and anyone who like artsy rock.