Customer Reviews

Cannibal Sea

5 star:		(7)
4 star:		(2)
3 star:		(0)
2 star:		(0)
1 star:		(0)

 

 

This is the most listenable cd I have heard all year. Chris Ziter and Sasha Bell trade off vocals to excellent effect and even guita maestra Jeff Baron gets into the act on "Rabbit." This is the quintessential road trip album with travel and leave-taking as a major theme. I will be driving around with the top down listening to "Don't Know Why" all summer.

This is just a flat out irresistible album! And I have Amazon to think for it. I had never heard of Essex Green until it popped up in my Recommended for You page on Amazon. I did some research, discovered that they specialize in Chamber Pop and decided to give the album a listen. I generally ignore the Amazon recommendations since most of them are for things I already have or things I would never want, but in this case I was utterly pleased.

Since I knew nothing about the band, I did some reading on the Internet. Several of the members appear to be in more than one band together, including Ladybug Transistor, another band I plan on checking out. Musically it is pop, but sometimes it sounds more like folk, sometimes like paisley rock. "Don't Know Why (You Stay)" reminds me a lot of the power pop of The Primitives. But regardless of how you classify these songs, they are just great. There honestly isn't a bad cut on the disc and several are absolutely outstanding. The band features two lead singers, Christopher Ziter and Sasha Bell. Though one is male and one female, their voices have many of the same qualities, blessed with a wonderfully woody, nasal tone. While Ziter is a very fine vocalist, I just adore Sasha Bell's voice. She imbues every line she sings with a lackadaisical nonchalance that I find utterly seductive. Though the vocals stand out throughout the album, the playing is also first rate and infectious.

But what really makes this a fine album is the great set of songs. Like most CDs, the best songs tend to be crowded near the beginning of the disc. Back in the days of LPs you got a very different spacing of strong songs. Most albums tended to start off with a great song and then put another as the final track of the A-Side. The idea was to make you really want to flip the record over. The B-Side of the album would then start off with another strong song with the final cut usually being something longer, perhaps even epic in quality. "Desolation Row" from Dylan's HIGHWAY 61 REVISITED is a classic example, as is "Into the Mystic" from Van Morrison's MOONDANCE, which was possibly the most brilliantly conceived final cut on any album, with the album ending shortly after Van sings, "It's too late to stop now." But with in the CD era almost all of the great songs of any album are crowded into the first half of the disc. On CDs of albums released before 1985 the great songs are more evenly dispersed, hinting at where the A-Side ended and the B-Side began. There are exceptions, but it holds true of perhaps 85% of all discs. This one is no exception. While the last half of songs are great, especially "Elsinore," the first several songs are all extraordinary, beginning with "This is Not Farmlife," proceeding to the aforementioned "Don't Know Why (You Stay)," which is IMO the best cut on the album, and on to "Penny and Jack" and "Snakes in the Grass." If you get a hold of this album and find nothing in those four songs to love, give up on it. It isn't your piece of cake. But if you are like me, those four songs will leave you reeling and the rest of the album will keep you that way.

This album was released in 2006 so it is probably too early to be looking for the Essex Green's next release. They released two albums before, but hopefully something happened in the production of this album that took them musically to a new level. If you love great pop rock, you should definitely pick this one up.

A true hidden gem, and easily one of my favorite albums of all time, from one of my favorite bands of all time. Cannibal Sea's tracks can be loosely sorted into three flavors- you'll find pop/rock (see: Don't Know Why), soulful folk pieces (see: Rue De Lis), and (perhaps The Essex Green's strongest suit), psychedelic rock lifted straight from the 60's (see: Cardinal Points). It's a similar blend that showed up on their previous album, The Long Goodbye, but don't think this CD is a paint-by-numbers affair. Each and every track is listenable, engaging, distinctive, and (above all else) lovable, permeated with a elegant grooviness that I have yet to find elsewhere.

If you like The Essex Green be sure to also check out The Ladybug Transistor, which share a love of 60's pastiche and the lovely vocal talents of Sasha Bell.

The alternating tracks of male and female vocals add a nice diversity to these beautifully played 1960's-esque tracks. Both lead singers can actually sing without being "helped" by studio filters. Finely written lyrics (which are sometimes gently ironic, sometimes wistful, and sometimes upbeat) really bring this CD to the fore of what I'm listening to right now. It is a pleasant and rare surprise that every track is great. It might remind one of The Decemberists, but the quality of every track makes this band stand on its own.

The Essex Green is a sweet and charming band. And the album "Cannibal Sea" is certainly one of the most listenable cd`s I`ve heard during the last year, be it inside or outside the Elephant6 collective. And that tells a bit, all the time the members of this American musical collective have been long time innovators and exponents for high quality alternative popmusic.

The entire album gives you good vibes, and bring you into several moods, from energetic passion to cautious tenderness. Chris Ziter and Sasha Bell sing excellent as always, and even guitar maestro Jeff Baron gets into real action on the song "Rabbit." This is psychedelia, pop, rock and folk mixed successfully together in one piece. I`m really looking forward to the next release from this guys..

This is great background music to study by, to drive by, to chill by. Each song seems to breeze by with no rough edges to interrupt the good vibe. The female singer is a softer version of Natalie Merchant (great taste! less annoying!) while the musicians display a deft touch that usually only comes with maturity.

This is just a flat out irresistible album! And I have Amazon to think for it. I had never heard of Essex Green until it popped up in my Recommended for You page on Amazon. I did some research, discovered that they specialize in Chamber Pop and decided to give the album a listen. I generally ignore the Amazon recommendations since most of them are for things I already have or things I would never want, but in this case I was utterly pleased.

Since I knew nothing about the band, I did some reading on the Internet. Several of the members appear to be in more than one band together, including Ladybug Transistor, another band I plan on checking out. Musically it is pop, but sometimes it sounds more like folk, sometimes like paisley rock. "Don't Know Why (You Stay)" reminds me a lot of the power pop of The Primitives. But regardless of how you classify these songs, they are just great. There honestly isn't a bad cut on the disc and several are absolutely outstanding. The band features two lead singers, Christopher Ziter and Sasha Bell. Though one is male and one female, their voices have many of the same qualities, blessed with a wonderfully woody, nasal tone. While Ziter is a very fine vocalist, I just adore Sasha Bell's voice. She imbues every line she sings with a lackadaisical nonchalance that I find utterly seductive. Though the vocals stand out throughout the album, the playing is also first rate and infectious.

But what really makes this a fine album is the great set of songs. Like most CDs, the best songs tend to be crowded near the beginning of the disc. Back in the days of LPs you got a very different spacing of strong songs. Most albums tended to start off with a great song and then put another as the final track of the A-Side. The idea was to make you really want to flip the record over. The B-Side of the album would then start off with another strong song with the final cut usually being something longer, perhaps even epic in quality. "Desolation Row" from Dylan's HIGHWAY 61 REVISITED is a classic example, as is "Into the Mystic" from Van Morrison's MOONDANCE, which was possibly the most brilliantly conceived final cut on any album, with the album ending shortly after Van sings, "It's too late to stop now." But with in the CD era almost all of the great songs of any album are crowded into the first half of the disc. On CDs of albums released before 1985 the great songs are more evenly dispersed, hinting at where the A-Side ended and the B-Side began. There are exceptions, but it holds true of perhaps 85% of all discs. This one is no exception. While the last half of songs are great, especially "Elsinore," the first several songs are all extraordinary, beginning with "This is Not Farmlife," proceeding to the aforementioned "Don't Know Why (You Stay)," which is IMO the best cut on the album, and on to "Penny and Jack" and "Snakes in the Grass." If you get a hold of this album and find nothing in those four songs to love, give up on it. It isn't your piece of cake. But if you are like me, those four songs will leave you reeling and the rest of the album will keep you that way.

This album was released in 2006 so it is probably too early to be looking for the Essex Green's next release. They released two albums before, but hopefully something happened in the production of this album that took them musically to a new level. If you love great pop rock, you should definitely pick this one up.

Great album, the band does a wonderful job w/ vocals, the vocals seems to me to be the focal point of their music, no instrument is any more present or projecting than the other. it's a wonderful album, any indie lover or just any music lover should buy this album!

Being an old folkie, folk rock lover I find this album very interesting. Vocals are excellent, with a hard edge that I like. Dylan, birds, and other notable 60's influence, but they also have a very modern sensibility. I really like this, it grows on me with more listens. I gave it 5 stars because it is compelling me to listen again and again, and as I learn the songs, to sing along. This, to me, is what makes a 5 star album.